So many empty ballrooms
even before the
virus hit
adults stopped
dancing to big bands
and only children
danced, awkward
hands to hands and
waists and backs
of necks and
twilight, always twilight
through the
windows, perhaps briefly lit
by the headlights
of cars passing
in the rain. Here,
in this empty place
beside the sea,
the wind blows curtains,
windows just ajar
to let spirits out
or in, and here’s
a small, water-stained
photo, Grace
Kelly, sixteen, dancing
with her father.
Might have been you,
Daddy, you and me.
Lacuna
dear tooth
who greeted my
children
with solidity
who guided
whistles
through
inattentive crowds
white marble gate
to my voice
you have bitten
off more
than you can chew
revealed the
suspected
rottenness within
I felt no pain at
your demise
only anger
at the stupidity
that opened once
to momentary
yet compelling
desire
to snap into brilliant
hard sugar
now I cannot laugh
without calling
into view
my impoverished
lack
of polish
cannot smile
without an open
admission
of vice and greed
may you rest quiet
one half digested
as I have
swallowed
your brittle crown
one half washed
now
down the dentist’s
small whirlpool
sink
Pediatrician Kelley White has worked in inner-city Philadelphia and rural New Hampshire. Her poems have appeared in Exquisite Corpse, Rattle and JAMA. Her recent books are Toxic Environment (Boston Poet Press) and Two Birds in Flame (Beech River Books). She received a 2008 Pennsylvania Council on the Arts grant.
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