Showing posts with label Epic Poem. Show all posts
Showing posts with label Epic Poem. Show all posts

Saturday, 11 March 2023

In the Maze - Epic Poem by Ed Lyons






In the Maze



Part I

 

1

breezy night in spring

       songbird pulse like dark thunder

at the soft margins

               of a mind that’s young

and labouring under a more difficult

       stress

with the coolness of medicinal dreams

the breeze blows over

the garden, grown shaggy within walls

        of mossy stone –

in the sixteenth century

             under the bright stars

   (Leo rising before midnight

            in the zodiac garden

      with its statue of a sea goat,

              of man pouring water from a jar

                  into the fishes mouth,

       the Roman goddesses—

             Venus, shining one,

                      wingèd Minerva

       chaste and armoured,

                wheeling through the slow sky

        brittle chimes ring from tower

             over the gazebo –

telescope – seas on the moon –

             seas for dreaming

                   moving like music over fractured

       water in every shade of red and gold –

past the monastery

     the child has come through wind and rain

over the fields to stand in this garden

       pale gold cast over the lawn

from chamber over the balcony

       she stands in her nightclothes

           before the mirror

                combing her hair,


2

He was a bright little boy

           able to grasp things easily

in a remarkable way, they thought

            sitting on the cool flagstones,

in front of the big house

           high over the lawn,

              beneath the cocktails and the chatter,

learning from matchbooks the constellations

                                           and their seasons

from a page in the farmer’s journal

            the clouds and weathers

the names of dinosaurs –

               the models of aircraft

as they all walked through the terminal

things that kid figures out

            the damnedest thing

 

3 

the clouds over grassy hills

       picnickers from the last century

abandon the grove quickly

          rainclouds singing over swamps

gold edge over harbour and town

shooting flames of white

            Rainmaker rainmaker

break the summer drought

           smoke rises vertically

                      dead calm

            iceclouds in azure

           over the trees

Autumn comes

              fire adorns the quiet towns

sun wrapped in clouds – silver ripples on lake

               colder tonight

                        frost settling over fields

Fire red at dusk

          In brown jacket walking the rows

of rustling corn

                  sheaves bound the moonlight

   Harvest Moon. Trick or treat

How autumn settles on the market towns.

             schoolgirls. Sweaters.

Another century.

             Deep purple falls.

Turning stars turning secret slow turning

           Colder tonight; Snow.

Wind rustling beyond the porchlight.

Carry your books from school.

         The room can’t be this lonely

There has to be someone

          warm in the warm nest

The cool air fiery woods are my church

let me walk there Sunday morning

let there be a cabin in the woods

       where she waits

 

4 

It is cold in Rome

cold winds coming over the hills

Hurry through the muddy streets

the evening wind rises

the wind is walking

the Romans are building bonfires

In the land of the Gauls

In the country of the Druids

 

Greece is warmer

Summery gust spins the windmill by moonlight

Odysseus coming over the waves

sleeping on the beach

shepherds dream in the forest

Driftwood fire and the surf

safe in the night with the grownups around

Green glowing of the sign on the tower

Green glowing of the evening surf

Jesus and the fishermen

tending sheep

on the hillsides around the lake

camels coming over the desert

through the blue starlight

the study with shelves of leather books

the lonely

Ah filled with light

       invasions of angels

              beautiful androgynous

                         wingèd radiant

      visionmen dance through the air

 

Candles. Ancient knowledge.

Project the motions of the stars

The rising of the harvest moon

The seasons.

Trappers in the lonely continent

Canoes over lakes and rivers.

The continent of solitude

Deer in the woods.

On the riverbank, Indians.

 

 5

The sky pictures first came

      to the shepherds, sleeping near fires,

on remote mountainsides.

      Through the halls the child wandered

learning the tall canvases,

        the symphonies of colour –

It is the god who taught them how to paint –

There are worlds in the canvas

         that does not show our world.

Statues in the garden

        Dark pulsing music

stones in the fountain

         moonshadow crawls over sundial

she is moving in the night

                 beyond the dirtpiles.

 

Have your planes come safely home?

Still you keep the nightwatch

around the flickering scope –

the sky around the water gap – there –

Are they coming through the gap?

Are they coming through the geologic ages?

What are they bringing

such a long way?


6 

Tropic isles.

        Brilliant corals where the angelfish swim.

Time is there is no time.

        Lizardfish thrash in the ancient sea.

        Big as whales.

This moment contains a hundred million years.

The water warm and choppy.

Saltwater and blood.

A hundred million coralfish.

Coconut palms on the shore. Yellow parrots.

Grass hut. Bonfire.

Strange carvings in canoes.

Dance.

Electric savage

Naked breast and thigh

on the warm red sand

.     drumbeat, fire.

                              Dance.

 

7

Appletown, appletown

        where is the devil?

                  far from the ashes that burn near the fence.

Where were you born, yellow worm?

           from ducks that rot in the summer sun

                  in the field where the devil dances.

Weathervane, weathervane,

           where is the wind?

                  Where is the lute that rings out in the snowy air?

Carolers, carolers,

         what are you singing?

                 Baby Jesus tucked in his bed.

Sickleman, sickleman

          what is the hour?

                Time for the boy to be tucked in his bed.

Time for the boy to be tucked

           Pleasant dreams, sliding into sleep

                The planes

come winging through the water gap

             drawn by the horses of the night

                     hoofbeats on distant moonbeams



Part II 

 

1

Light rain

splattered  the Plymouth’s windshield

Saturday night going up to the quarry

north of town

into the inky night

the road turned upward,

into the hills

they were drinking beer.

Didn’t know them. People my cousin knew.

One guy, maybe sixteen, real tough,

Told the legend –

Saint Lucifer, who was really an angel

though despised by God.

Good old Saint Lucifer,

who really was our friend.

Blasphemy,

Tales about crazy ouija boards, demonic possession

Rock groups holding Black Mass backstage.

Pentagram and goat’s head;

scary movies, where they drank human blood.

But it was all right.

I was home, driving the old car

(grandfather had it since I was a kid:

didn’t dare wreck it –

easily could on a night like this,

drinking and smoking with strangers,

just turned seventeen)

Childhood was all around

Jesus

keep me safe.

 

Still I was scared for awhile

about listening

to my

Black Sabbath

records.


2

This guy Mike Lyons

(people used to think he was my brother.

wasn’t, though lived in same subdivision,

rode the same bus)

pretty cool guy all the same,

at this party down the street

(didn’t know those people either)

Looking at the silver cross I wore around my neck.

Belief yes. Churchgoer.

Why?

I sipped my beer. Lit cigarette.

Hearing Led Zeppelin someone was

playing real loud.

Jesus. Sure. Jesus is just all right Oh yeah.

Mike Lyons though it was pretty unusual.

Respected me for it.

In Sunday school they said you should do that.

Called it public confession.

Though I’m not much at witnessing.

 

So I did public confession at parties.

Had a real wasted one when my parents

went to Mexico for a week.

People I worked with. They had all kinds

of drugs. Had them all over.

Didn’t know beer and sangria don’t mix.

Got really wasted

Had to talk about songs about the devil

Ghost Riders

images from Revelation

Satan. 666. Fear.

Talked real loud.

Everyone started leaving and I got sick.

It was late.

Had to clean up afterwards

 

Last night of it I had to get up early

the next day.

Had to make sure it was real clean.

Parents would be the next to see it,

and .I wouldn’t be there.

Drove to the airport at 6 AM

And flew to Philadelphia via Hartsfield.

Buying Atlanta paper trying to look important in my suit.

Was afraid someone left a cigarette butt

Smouldering beneath the cushion,

and my parents would find

the house burnt down

with the little dog inside

when they got home

two days later

on my seventeenth birthday

 

3

How it feels

          after the heat and grime

of the city,

         lying in bed.

beyond the windowsill

summer rain on the cool and darkening lawn –

                         listening –

 

how this house feels

           after the trains and the strangers

to be among the folks I know

             in the friendly rooms

    again after all these years –

 

and how that house

             could balm the soul that had drunk

too much of the horror

         of daylight and newspapers

         of darkness and nightmares

You’re safe now. You’re going to be all right.

 

 

Part III

 

1

on the beach

sand burning so white

it waves in concentrations

of its spectral colours

 

sea turns black under sun and thunderheads;

the brightness of it dims your eyes;

its roar creates a loud silence

 

this is the season of fierce heat,

Savage August enclosing your skin

with salt and fire

 

the sea withheld

the chimes emerge

the blue bolt and report

Cyprus and a day like this

the air charged and thick

a sudden wind kicks up waves

 

born of foam, rising on the surf,

a sudden gust chilling your bare skin.

Electric. Beautiful.

 

You don’t know the way she comes

out of the amniotic swells

veins full of the hot red sea.

 

The season is turning. Your soul

is turning. Something will happen but

it’s not time yet. Stand Still. Wait.

 

2

Just before daylight

      the milkmaids going out to the dewy fields

one I knew stopped

                 gave me milk, eggs, bread

      and I was hungry

               been out all night

                                     hunting


it was spring

      blossoming, birds

       youth, maypole

              the ceremonies of innocence

performed in the morning

       with daylight burgeoning in the air,

        the sun was setting.

Bright white, gold edge of blue

       over the house. Westward.

       over the sea.

I checked the hour.

Morning.

 

3

It’s a hunter’s moon for sure.

     There’s that chill in the air

like those nights in father’s old jacket

      down at the playground

talking to that strange dark girl

                                       Iris

who talked about pills and suicide

       in a dreamy way –

Halloween feeling in the air

                      secret pranks

         Autumn. Harvest. football

                    rake and ritual

                           of the scythe

John Barelycorn in a tavern on the lonely road

           Damsel. Cheerleader. Neighbour’s daughter.

Leaves lie deep in the graveyard.

           Stones. Time. The grass turned brown.

Song of sadness. Slow, deliberate, cold.

            The notes cut through you,

            The words cut through your mind

like sunlight through stained glass

       Figures. Ghostly ages.

Mother Mary have you ever really felt the same

                 Scotland Medieval. Castle Walls

she comes tonight

             cut you down, Adonis

the meaning of this

            blood flowing. Apples.

                      crimson. fullness

                             beautiful          




Ed Lyons has been writing and publishing poems for over forty years. He has studied at the University of Florida, where he earned a B.A. in English, and Florida State University, where he earned an M.S. in Instructional Systems. He has studied under poets Lawrence Hetrick, Van Brock, and David Kirby. He is a regular contributor to the Poems from the Heron Clan anthology, which he co-founded, and a frequent contributor to Lothlorien Poetry Journal, which won him a Best of the Net nomination. Ed’s work has  also appeared in Albatross, Woodrider, A New Ulster, Án Áitiúil, and North Carolina Bards.  Ed has and written hymns for the Moravian Church. The last is the subject of Ed’s 2019 chapbook Wachovia, published by Katherine James Books in Chapel Hill, North Carolina. Ed lives in Winston-Salem, also in North Carolina. 

Sunday, 2 October 2022

Axial Perspectives - Epic Poem by Robin Ouzman Hislop

 



Axial Perspectives

 

 

is there something out of nothing     nor neither nothingness

but only

                                    the sudden evaporation of something into nothing

a wave unleashed in between

the transformation of otherness beyond reach

 

            a movement               

into an ever deepening complexity

where time riots in demiurge




 & the forest signals the moon its promise of return

 

a point of view

to listen to the hum of tectonic plates  

 

an ice floe adrift that remembers

more than a farewell but a tomorrow

before it was parted in the sea listening to the dolphins cries

cork & tarp in their wounds       

their mercurial poison in our blood

you who were music to the forest of the sea          

                        *                     

where now the polar bear must change its skin

*

so must we

*

the frozen candelabra

a carousel of swifts

 

 

 

two birds fly from their eyes

viewers

like kites at fight in the skies

 

a solitary winner will fall

after the fall                what

is the purpose of flight

 

what fear when you enter the light

 

the sea asked the sky

& earth

replied             O flight am i

your birth or death

 

but

 

 

flight had taken refuge in the forest

 


but

 

where there was no city therein

 

only ruins of tombstones' unknown

origins as if encrypted in a nothingness                      as if the breath

of the forest                like a migrant

bird were the arc of the arctic

where the reindeer now roam

lost

to slowly pass away

 

as when

 

  

the flame burnt through

 

who

 

did the creature of the fell turn from

back to the flame but you O Sapiens

 

your fate rises and falls on questions

you cannot answer        your origins

 

but

 

still you are entombed in our memory

for we know we will come again

from before

 

 

 

the person of the forest         is a discourse of persons

 

all signals  a mockery but  for us

you grew into aliens

already jealous of flight

already in fear of our advance

as if you would outrun it

your big toe claw clawing at the rock

where now you have forgotten our embrace

 

 

 

  how deep is your embedded memory

in your entangled embodiment

of the moment

 

 

you came with the machine

but to what extent does that enhance

our presence

 

the forest is an orchestration

it is also an instrumentation

but a tree is not a tool

it is a person

 

 

 

 between the overworld

& underworld

 

there is equivocation

 

it is you O blood

 

 

 

once when

the gods were only immanence

persona painted their existence

until they faded

even as shadows fade

into their own darkness

where we begin

where shadows are cast

 

 

 

perspective is a multi natural process

in the mind of the planet everything has an affinity

 

it will outlast our fear our fear as monstrous as God

 

all is fear

 

to walk through the avenue of fire

come unto me

for ye shall inherit the earth

as i stand on the highway to see

the roar of the traffic pass

 

as if a storm we had ridden

 

 

 

when the what            the who we were       had already been taken

at the entrance to the shore

 

mother australopithecus

lucy in the sky with diamonds

trapped now on the avenue

a spectacle to the jingle of chains

 

O feet why do i want you

i'd rather have wings on my heels

 

 

 


Beluga            white dolphin without wing

 

homing            drawing succour beneath the ice floe

 

where the river meets the sea

downstream from the forest

song of the ocean a sonic alphabet

a web of sound we have yet to know

 

moving northward with nowhere to go

            until the gulf of mexico

            here today       gone tomorrow

 

your palace of ice

 

 

 

i listen now for your call lost to us

 

still i am here upon the shore

 

or perhaps you outlive us all

deep upon the sea bed's eddies

don't you already know? we listen

but do not understand at all

 

 

in those warm seas where you might roam

who is the predator & who is the prey?

 

beyond our simulation

our simulacra

 anthropocene

 

 

 

return the pastureland to nature

 

we ask too much of the cow

given the little we give back

 

let the predator   the herbivore   the pollinator

return

let the buffalo roam

 

O detritus spreader  - but no

let the cow provide

 

 

 

the anthropocene is not only importuning

 

 it is invading

there could be in the world

a discourse worldwide

but who speaks first

why does a plant become a tree

 

 our hunger is as

the hunger of the polar bear’s

eating us

 

more than a threat to an endangered species

we were that

that made you what you are

 on a shoal of whales

 

 

 

 

Space hangs on

the corners of existence

like curtains gathering

the ghosts of memories

 

 

 

 

existence forges its own signature

like a fake painting

 

 

 

i stand in homage beneath its heraldry

 

 

as a stranger or as a ghost

 

 

you who have been so long before me

so many banners so many costumes

 

 

 

 

so many hosts to exit from this frame

 

 

 

like a poacher caught in its own snare

our liberties taken our liberties given

 

 

 

my children’s children

if you return to the forest

i’ll be outborne from it

 

 

their oppressed whom from before they’d cannibalised

in plunder

became their slave predicated non - human

in the Polis

 

as deaf as death the bugle blows

 

 

 

 

the difference between         

 

in the abyss of echoes

 

predator & prey

oppressor & oppressed

those who built the gods

made them also fall

 

to a harvest of dead zones

our epiphanies outraged

 

 

 

 

no destination Mars

 

return to the Jaguar Moon

 

what is perpetuation

one is many is everyone

is everything is a person

a matter of perspective

 

 

 

she alone will adorn the many         Jaguar Moon

 

 

  

evolution is but diversity

 

 

it will always come again

but sapiens are but rapiens

now their remains

 

 

if the world should come again        then come O Jaguar Moon

 



 the sleek Brazilian jaguar does not in hef aboreal gloom

distill so rank a feline smell as grishkin in a drawing room


 

 

who is grishkin          O Jaguar Moon

when she’s feline       & we her prey

unless we outlive the day

her kiss that sips our blood like nectar

 

 

 


forest feline fir purring

dusks dawns this wastrel man

his vagrant days that like tattered

rags clothe his face

as autumn leaves fall

 

 

 

  

we walk together now to listen talk

where both our persons are now

diminished

 before the tempest of ice

 

 

& fire consumes us once more

 

but soft ye now I will feed you with my blood

 

 

 

 

let me breathe your music as my words

already bawdy in the day

with the pantomime we play

on this our funeral day – hooray

 

 

i care not for the molecules of kings

nor the stratagem of regimes

where we walk diminished in our pain

 

 

 

 

& yet I say we will regain & you

 

will come again          jaguar moon

forest feline purring your dawn dusk’s born

hawthorn & the rowan            the red berries growing

 

 

 

 

a van flashes by our simulacra

i have nothing to offer you

but my blood in  your  music

 

 

 

 

beyond our most unreasonable crime

 

(before the human territorial voice in)

invades & after

the sun shines it’s sudden shine

our end begins

as I stumble through the straw

but this is beech place not pine

though i guess it’s the same decline

 

in the end                                   & the skyline rang out release me

 

 








Robin Ouzman Hislop is a retired TEFL teacher and translator who lives in Avila Spain and Yorkshire UK. He is Editor of Poetry Life and Times at Artvilla.com . He is author of several poetry book collections and has translated from Spanish the poetry works of Guadalupe Grande and Carmen Crespo. You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author & https://poetrylifeandtimes.com, which features mostly his video poems and translated authors. See Robin performing his work Performance (University of Leeds)

Robin Ouzman Hislop's poetics cultivate a relationship between ecological & mindbody processes and experimental work. He's co-authored translations of contemporary Spanish poets into English and written and performed numerous audio visual video poems.



 

 

 

 




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