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Inside Pierre Berton’s Abandoned Estate | Forgotten Home of a Canadian Legend
The Waning Sun
Growing older
Beneath indifferent skies
As time thins
Both voice and limb
I rise with the morning
Steadfast as the tides
And what was sorrow
Lies quiet now
Like a sea
Smoothed by dawn
Where age
Is a thistle in the throat
And every clock barks louder
Against the sharp nudges
Of regret
And time once a shadow
Walks beside me
My course well-sailed
My stars well-read
And my heart unbroken
By the weight
Of all I dared to feel
The stoic hedge
The waning sun
And the wind in the eaves
Speaking as it always does
Because the dying of the light
Isn’t frightened by the fire
Moving Pictures
Standing resolute
In the face
Of our thrownness
Into a world
Not of our choosing
With fear rising
Not from the future itself
But from possibility
With the shape of others
And the shape of the dawn
Dissolving into a clearing
Where being discloses itself
And anxiety is a signal
For openness
On ground to be claimed
Owned and endured
Beyond the trembling of self
Into the dizziness of freedom
And the vertigo of becoming
Not in the abstract
But in the infinite possibility
Of choice
The inward leap into the absurd
Embracing subjectivity
Where reason fails
And despair threatens
Where we become real
Repeatedly
In anguish and resolve
Standing naked before God
Choosing nothingness
Where nothing is written
Condemned to be free
In a world that demands
Movement
Les Deux Magots
The chairs at Deux Magots
Resist comfort
Complicit in the consciousness
Of the place
Angular and indifferent
Where existence unfolds
Not in dialogue
But in the silent weight
Between glances …
When I arrived
The tables were set out
Like always
Hard light on stone
The men smoked
And said little
The women looked past them
Or at the edge of the cup
You could hear
The clink of a spoon
And the wind at the awning
I had a drink
And it was good
Not because it mattered
But because it was there
And I was thirsty
A man in a hat read the paper
Without turning the page
Two young boys walked by laughing
And no one looked at them
All very real
But very far away
And if you stay long enough
The day shrinks down
To ashtrays and hands
Fado
A sorrowful river of song
Spills from the lips
Of the broken-hearted
Winding through alleyways
Where bare lights
Sizzle like old memories
And guitars weep
With the weight of longing
Of sailors lost at sea
And lovers swallowed by time
Their voices rising
Like broken reflections
Against a deep night sky
Melancholy
Made into music
Saudade made flesh
As we listen closely
Cradling each lament
As if it were our own
And carrying the ache
Of centuries
With us
Leaving
Dying is not theatrical
It doesn’t arrive
Like a metaphor
Not the swoon
Or the dark velvet
We like to pretend
It’s small betrayals
Of the body
As the days thin
Cataloguing absurdities
A chipped plate
The soft rot in the fruit bowl
The way the light
Comes through the blinds
Like slits
In a shuttered mind
Pressing on
In the hallway
Between appointments
During a news segment
You weren’t watching
With papers left unsigned
Milk left out
A message flashing
On your phone
And the slow bright ache
Of leaving a room
That’s still yours
Pierre Berton’s House
The house was old and empty
Tucked away in Kleinburg
Up in Ontario
Where the trees grew close
And the land sloped down
Into a gully
Filled with weeds and wind
Shingles curling like parchment
Moss clinging to stone
Like remorse to memory
Windows gazing blankly
Over encroaching brush
A forgotten corner
Of Canadian letters
The clatter of typewriter keys
No more
No more books about Canada
And men
And mountains and war
It was a strong house once
But things don’t stay
The way they were
Nothing does
The gardens have all grown wild
An elegy sculpted by time
A shrine to vanished purpose
With the ghosts of intellect
Drifting like autumn smoke
And the soul of a nation
Ever reluctant to remember
Averts its eyes
But they say there’s poetry
In abandonment
At least
John Drudge is a social worker working in the field of disability management and holds degrees in social work, rehabilitation services, and psychology. He is the author of seven books of poetry: “March” (2019), “The Seasons of Us” (2019), New Days (2020), Fragments (2021), A Long Walk (2023), A Curious Art (2024) and Sojourns (2024) . His work has appeared widely in literary journals, magazines, and anthologies internationally. John is also a Pushcart Prize and Best of the Net nominee and lives in Caledon Ontario, Canada with his wife and two children.
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