Friday, 12 September 2025

Four Poems by Amber Ruiz

 






The artist’s condition

 

Hospital walls lined with silly  

photo paintings streaked  

Art that produces homeliness.  

I know you heard an opera  

singer hurl on the tile floor- 

and felt belted notes cased 

in bile from the pits of hell  

only she knows.  

But I bet you haven’t seen her drink  

obscene amounts of cherry wine,  

or listened to the hate

she trills softly to herself

in the mirror

before her nightly falls. 

Outside the houses where she lives  

she keeps it quiet with acquaintances  

and in between her warmup's hints  

of something more in latent dry coughs.  

There are no duet overtures

or trio vibratos spread out

for heavenly echoing miles.

No glorious rising orchestral accompaniment. 

Just her strong steel valves

cusped by bare quivering lip

heaving red small, beautiful swirls.


  

 

I thought it was a lot

  

To take the Greyhound to Iowa  

the five-hour ride was a lot

and the weather was cold and muted.  

The smell was bearable  

only with a barrier  

of a thin paper face mask

between me and the oxygen all around.  

Distancing for a covid pandemic. 

I said this on the phone. The news of the virus. 

I was all upset over how horrible Thanksgiving went.  

I wanted grandma and grandpa

to have more social distance than they were.  

I had lost most appetite for leftovers 

and then the people on the bus  

Reduced it even further.  

I get a little claustrophobic in places 

like that, no one could hear my feelings. 

Public transportation. 

I grew up in Kansas,

where it is often just my godfather or a family friend.  

 

Maybe the little boy

who didn’t know me

could see my feelings

while we sat

in almost complete silence

the entirety of the ride

by one another.  

 

I thought someone might stab me  

a stranger on the bus 

An incel  

getting up

and shooting us with an AK47.  

I thought about

how I would rather die

than the little boy

near the aisle

watching the World Cup reels  

on his phone.  

I thought  

about how brown he was,

much darker than my Mexican features  

I would become a martyr, yes,

that’s my escape.

My brief interaction

with something more than myself.   

I am swiping on Tinder,

which seems like my sports extravaganza,

my Olympics

my “third world” competition. 

I don’t know—

I don’t want to be sad

about Jay not texting me back,

but I’ve already fantasized

about our future life together

via the photos provided

and our six messages.  

Later on,

after I got off the bus,

I saw the Latino boy

leave with his father

on his next ride to Chicago. 

He waved at me

like some practiced performed

fake wave

and the smile he sent

was false and rehearsed.  

I wish

I could fit

every piece of guilt

I felt

in this description

of what happened.  

I worried  

Perhaps everything

I’ve ever read

about the time

spent on my phone

  

 

  

to make

 

Stories. Enough.  

Maybe I also wanted answers from them 

From you perhaps some answers from you would suffice  

I wanted to make enough stories with  

The same “grace” that we had

When we had 16 sneaking sips

Of our first alcoholic beverage

In a hot spring resort

Within a coastal city in Latin America 

And when you pickpocketed a knife

For no reason for me. 

 

The backdrop

Was a humid tent

Staffed by non-English speakers

Who benefit from the American tourists 

I wanted to make enough stories like this one 

 

For the adrenaline, you would say  

 

Stories that were a little fucked up 

  

Out of the places we grew into  

Out of the places we grew up in as well  

 

And how I can’t speak Spanish anymore but  

Your parents can.  

I miss their kitchen and the crisp Parmesan bakes

They made me eat when I was starving myself. 

I remembered the painting I bought

Off a college party wall the other day 

I actually bought it for you 

 

It was after the artist  

She said recalled the puke at her function,

Something I had done  

 

Then  

Out of guilt

Purchased her Tyler the Creator painting.  

Maybe bad people shouldn’t write poetry.

Maybe this experience of nostalgia and love

Should be a long-debated moral ground. 

Maybe this gross fiction

We tell ourselves

And wrap around

Our silly romanticized moments

Makes our lives worth living 

 

I thought you would like it

Because it was the rapper

We had seen together

In the late of Lawrence evening

With a second-hand high

And a foggy timeline–the painting. 

 

The painting

Reminded me of you 

We saw a lot of concerts.

A small venue

In a town outside of ours. 

We existed

Between the lines on a map

In the middle of nowhere.

And we were lively and self-important  

Although others

Would say we are nobody 

Maybe we are nobody 

But who are they  

Probably not a pair like us 

How public  

Always looking for the audience  

 

Was that the part that ruined me for you? 

 

I remember arguing

With your parents

When we couldn’t go on our road trip

After high school graduation,

And that was a horrible reckoning  

And then something

A couple of years ago

About your liver or pancreas

Not working as it used to  

And me then almost forgetting

Or losing track of that life-threatening ailment 

Then you suggested we go to Panera, Catch up 

I was surprised.

You used to hate and complain to me about

How horrible their food was

But apparently don't anymore

As you explained you just loved their flatbread. 

And get along with the old people who eat there 

  

You still wait the tables

My family sits at

When they come to your place of work

Buffalo Wild Wings or Cracker Barrel

Wherever you happen to be in town  

And complain

About the number of racists

You attend to,

As you remark on how you preferred my parents

 

 

 

Riding the metro in Washington. DC. I got frustrated in spaces with lots of people

  

Like the metro,

When no one was looking,

I would swipe up and down articles

to be as politically aware as possible. 

I wanted so bad to know.

To be looped in and understand

Wherever they took the conversation. 

I wanted to speak confidently

When trying to unpack the speaker’s race. 

I learned to navigate the train

Near the end,

But only alone.  

My lost items were a problem.

Macroeconomics and microeconomics were a problem. 

Somewhere on the metro,

I lost my scarf and coat  

I don’t have the money to do that

I thought at the time.  

It’s so funny

How confidence and confidential

Are near similar words

A correlation I can’t expand on

In the language used near the Potomac River.  

Something my roommate and I would say in DC  

I think it’s funny

That the onion never had a core. 

This is something my roommate and I would agree on.  

We are always peeling back its layers

And crying and crying and crying.

She was obese and crying.

I was crying cause I didn’t understand the executive branch. 

I do this

With government

And administration

And cabinet positions,

And judicial courts  

Crying and crying and crying.








Amber Ruiz - A young adult biracial writer who started her educational journey at Drake University in Des Moines, Iowa. There she won a Beth W. Peterson award for a paper on "Dolly Parton and Politics." Futhermore, Amber has aspirations to become a secondary english teacher in Topeka. So, she is completing her second bachelor's degree at Washburn University. She enjoys art and poetry and hopes to be more published. 

 

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