THE
CHANGELING
By
Ursula O’Reilly.
My grandmother had
a distinct talent for storytelling. She would
sit beside the open fire on a winter’s evening, her fingers busy knitting, her
grandchildren gathered around her. We would beg to hear one of her captivating
stories, and she usually relented.
Grandma had grown
up in a small rural village in Connemara, Ireland. A
place where myths and superstitions were closely woven into the fabric of
everyday life. The mystical and the magical, she taught us, were all around in
the natural world. I cannot recall any of her stories now, except for one. A
tale so bizarre I have never forgotten it.
It was a cold
evening, close to Christmas. I was spending a few days with her. I adored her
cottage in the countryside, with its well-stuffed handmade cushions, crackling
open fire, and smell of fresh baking. It was just Grandma and myself, the rest
of my siblings did not accompany me on that occasion.
As we sat together, I was aware of the noise of my grandma’s clicking knitting needles, and the fizzling sounds of the open fire. Grandma looked at me and smiled. “Off you go to bed, Marion,” she said. “You are almost asleep!”
I enjoyed being
with her so much, I didn’t want the day to end. “Tell me one of your stories,
Grandma”, I begged. “Then I will go to bed.”
Grandma smiled at
me and shook her head. “I will tell you a story I have never told anyone,” she
said. “Do not repeat this, mind!. For no one will believe you. It is true,
nevertheless.
When I was growing
up in Connemara, there was a strange child in my class at the village school. Kara O’Brien was curious looking. Very pale,
with dark hair and eyes. Petite, with a little pointed nose and chin. I used to
stare at her a lot.
She didn’t just
look odd. She sounded and acted peculiar. Her voice was soft and high pitched, and
she didn’t interact with the other children. In fact, the other children left
her to herself most of the time. She was just… different!” Grandma stared into
the fire as if lost in thought.
“I asked my Aunt
Josie about this girl.” Grandma continued. “Aunt Josie was known as a ‘Bean
Feasa’ in our area.”
“What is a ‘Bean
Feasa’, Grandma?” I asked.
“’Bean Feasa’ is gaelic
for ‘Wise Woman’, Marion. Aunt Josie
could blend plants and herbs into potions to heal people. Many of her
neighbours would consult her if they were suffering from troubles of one kind
or another.
‘You must never repeat what I am going to tell you, child.” Aunt Josie told me. ‘Kara is not an ordinary girl. She is a changeling.’”
My eyes grew wide
as I listened to my grandmother. “A changeling?”
“A changeling is a
faery child, Marion. It sometimes happened in that rural place. A woman gave
birth to a baby, and in the first months of the child’s life, the faery folk
came and stole the child away. They would leave another child in the cradle in
its place. A faery child, who would grow up and live with the family. That’s
what happened in the case of Kara.”
I stared at
Grandma. “Kara was a faery?”
“Yes. That’s why
she looked and acted as she did. No one realized this, of course. They sensed a
difference in Kara, and so she was left alone most of the time. But they didn’t
understand why. Some of the older members of the community may have suspected,
but only my aunt and I knew the truth.”
Grandma sighed. “I
was fond of Kara. She didn’t have any friends, so I would sit close by and
smile at her. She had a gentle presence, not at all frightening. I had sworn
never to reveal Kara’s secret. And I never did.”
Grandma put her
knitting down and smiled at me. The light from the fire cast a rosy glow on her
features. She rose from her chair to put the kettle on the stove. I sat there,
absorbing the details of the tale as she made herself a cup of tea, and some
warm milk for me.
“What happened to the faery child, Grandma?” I asked when we were again seated by the fire holding our warm drinks.
“She grew older,
Marion,” grandma continued. “As we all did. Such is the way of things. She
remained outside our little group, always aloof, mysterious.
Kara was an only
child. It must have been a lonely existence for her, although she didn’t seem
to mind. She spent most of her time with her Mam and Dad in their small
farmhouse. Her mother was a delicate soul and was often bedridden with one
sickness or another.
When Kara was eleven
years old, a crisis occurred in her family. Her mother was struck down with a
serious illness, leaving her father inconsolable. My Aunt Josie called to their
house many times in the following months, to treat Kara’s mother with her
herbal medicine. Sadly, to no avail.
Her illness
progressed and she wasn’t expected to survive. Aunt Josie also treated Kara’s
father for the terrible melancholy which befell him. Again, to no avail. My
aunt despaired for both of them.”
I drank my warm
milk. “How awful, grandma” I said. “What happened to them?”
“That’s where the
story gets interesting.” My grandmother paused to drink from her teacup.
“One night, as
Aunt Josie treated the mother with her remedies, the little girl came and laid
her hands on her mother’s head. It was the oddest sight. The child’s pale skin appeared
luminescent, she seemed to glow from within. My aunt got quite a fright and
backed away.
The child remained like that for about ten minutes. When she took her hands away, there was a change in the sick woman. Her appearance completely altered. The pale lifeless skin became plump and pink. Her eyes opened, and she smiled. ‘I feel so much better,’ the sick woman said. ‘Get me something to eat, I am hungry! ‘
The woman
continued to improve and in a matter of days she was back on her feet. Kara’s
mother went on to make a complete recovery. In time, her father’s depression
also mended. It was a miraculous outcome for all of them.”
I stared at Grandma.
“Did Kara make her Mam better?”
“Yes,” said
Grandma. “Of course, it was Kara! The faery child had special powers. My aunt witnessed
it. That was why the mother and father recovered and got their lives back.”
I was awestruck. “Gosh,
grandma! It was lucky for them Kara was there.”
Grandma’s eyes
twinkled. “It wasn’t luck, Marion. Aunt Josie explained it to me. There was a
reason the fairy folk had left the changeling with the family. That reason was
to heal the mother and father when the time was right.”
“What happened to Kara
after that?” I asked.
Grandma sighed and
stared into the fire. “Soon after that incident, a major transformation took
place. When she was about twelve, almost overnight, Kara changed completely.”
“Changed? How?”
“She began to
interact with the other children at school. Soon Kara was laughing at jokes,
playing school yard games, answering questions in class. Her gentle, aloof,
otherworldly air disappeared. Before long, she was just like the other
children, boisterous and full of energy.
The children noticed the change in Kara, the teachers noticed. We had no explanation for it, and after a while we all just accepted it.
When I told Aunt
Josie about the shift in Kara’s personality, her eyes became wide. Her face took
on that mysterious knowing look she sometimes had.
‘Kara has indeed changed, child,’ said my wise
aunt. ‘The faery child has gone back to her own folk. The girl who sits beside
you at school is the real Kara. Back again where she belongs, with her Mam and
Dad. All is well!’
I stared at my
aunt. It was unbelievable, but I knew it was true. I had witnessed the alteration
in Kara. The faery changeling had gone. She had accomplished her mission to
heal the family, and now the real daughter had returned.
Kara O’Brien grew
up strong and healthy. She became a happy popular member of the community and
lived a full life. Her parents also remained healthy and contented. There was
some whispering and suspicion amongst their neighbours, but no one knew the
truth about Kara. Apart from my Aunt Josie and myself. And now you, Marion.”
After she stopped
speaking, I stared at my beloved Grandma for several minutes. This was the best
story she had ever told. I knew I would never forget it. And I never did.
Ursula O’Reilly lives in County Cavan, Ireland, and enjoys writing poetry and fiction. Her other interests include painting, drama and reading. Ursula has had her work published online and in numerous magazines including: ‘Otherwise Engaged Literature and Arts Journal’, ‘The Dawntreader magazine’, ‘Poetry Plus magazine’, ‘Young Ravens Literary Review’, , ‘Woman’s Way magazine’, ‘Vita Brevis Poetry Press’, and by ‘Earlyworks Press’.
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