Friday, 16 October 2026

Five Poems by Brandon Shane

 






New Plants 

 

She bathes in hibiscus cuttings: I drink young wine from the cellar. 

I rub soap bars along her back; the air picks up suds like sawdust.

I am chopping down a tree and I am cleaning her, already clean. 

Remember all the times he did that, she says.  

I remember all the times you told me, I reply. 

 

Her mother tossed a wedding ring in France, blood dotted 

and smeared along walls with enough style to be Seurat or Signac, 

chocolate medallions and flowers cut at the stems, European 

vacations paid with cash, Egyptian cotton like dollar store ornaments, 

too normal for psychiatrists and too smart for therapists. 

 

An awful man with money tells you much about love. 

How an awful poet will tell you much about how 

and nothing of the art, as if it were all things exchanged with things. 

I wash my hands with her bath water and remember 

eleven years old dunking my fists in gasoline 

and how my knuckles are still dry. 

She presses her lips against my ear 

and asks if I hear her heartbeat 

I want to say no meaning in that artful way 

crawl between my organs so I can finally know 

where the soul resides 

and the music plays. 

 

I knew love in the way ripe eggs of sturgeons 

and the gonads of sea urchins are delicacies: 

wanting it to last a lifetime 

but needing to kill it 

and all their children.


 


Transplant Rejection


There is a map fading into water,

all the empty space and names

dissolving to ink and dissolving

once more. There is no spot

where a girl was five days alone

picking up smashed bricks

like petals to roses. Not the hole

her mother was tossed into.

It will take time understanding wounds

heal and pain retreats to the soul

not from infection, but the surgery

colliding cut stems and cut buds:

and like the wrong organ

there will be failure,

as the tissue remembers

what the suture denies.

As doors close she hears

noises in the correct order:

they are lesser than pages,

wholly disinterested in rhetoric

that explains before it feels:

workshopping a poem,

the jaded professor 

says she has a talent

for poetry

and should not listen

when the class speaks.




A Time to Talk 

 

A documentary is playing on the TV, 

the bomb bay opens and Fat Man 

falls towards Nagasaki, the national 

anthem black and white static flicks 

to a military parade in DC. 

 

I brought home 

the selected poems of Robert Frost 

from the scholastic faire, 

my father remarks they dropped leaflets 

and that everyone had a chance to leave. 

 

I shrug and dollop peanut butter 

and jam between thick slices of bread, 

he says it is important to learn 

about your history 

 

many American men died 

storming Iwo Jima. 

 

My white friend who lives  

down a block also named Brandon 

knocks on the front door 

“Is that your Japanese friend?” I hear 

from another kid behind him.  

“Shut up or else I’ll hit you” he replies 

clinking our baseball bats.


 


Wicker Man


It was after it all-

I ended up alone.


In the zenith of loneliness

absurdity cannot be ignored.


The voices were honest 

as sweat under the sun.


Love is love until it is over-

I have seen soulmates


become strangers as different

sounds leave the same window.


It was after it all-

around sticks and ferns


my childhood mingling alone

adulthood caught me in reflections


through dust I emerged lampless

or had I been playing a different game-


finally, shadows entered

and showed the dryness in rain.


I see now: the pagan cat wide-eyed

prints paws on white sycamore:


I ended up alone

pulling linen off the boy.




The Ferns


There is a fern sopping

along water

something bubbles below

then becomes still

as a man wades

over poisonous things

and the ochre felt

it first from below

the reptiles curled

spiders hung

still as toads


while he sat at the slope

the ferns sank

the lake was sundown

bubbling in the center

and he wondered

why the lemongrass

was not always

this fragrant


lying slumped

a few moments later

the orchestra returned

loud as ever.










Brandon Shane is a poet and horticulturist, born in Yokosuka, Japan. You can see his work in Rattle, trampset, Variant Lit, The Chiron Review, Stone Circle Review, IceFloe Press, The Marrow Poetry, One Art Poetry, Lothlorien Poetry Journal, among others. He graduated from Cal State Long Beach with a degree in English. Find him on Twitter @HalfTheLobster



Five Poems by Brandon Shane

  New Plants     She bathes in hibiscus cuttings: I drink young wine from the cellar.   I rub soap bars along her back; the air picks up s...