Sunday, 26 April 2026

One Poem by Alec Solomita

 






I’d Rather

 

I have a hard time sending you an emoji.

How meaningless,

how facile:

a picture of a heart.

 

I’d rather tell you

I love you more

than you’ll

ever know.







Alec Solomita is a writer working in Massachusetts. His fiction has appeared in the Southwest Review, Eclectica, The Mississippi Review, and Southword Journal, among other publications. He was shortlisted by the Bridport Prize and Southword Journal. His poetry has appeared in many journals, including the Lothlorien Poetry Journal, Poetica, The Lake, One Art, and several anthologies. His chapbook “Do Not Forsake Me,” was published in 2017 by Finishing Line Press. His full-length poetry book, “Hard To Be a Hero,” was released by Kelsay Books in the spring of 2021. He’s just finished another, titled “Small Change.



 


One Poem by Sambhu Ramachandran

 






For your never named sake* 

 

Dear child, you turned me into a polyglot overnight.

I found myself staring hard

at the fine print of loss in every language

 

grief knows to write, and making sense of them all

as though in a flash

I had become preternaturally intelligent—

 

should I feel grateful or wretched for this gift?

Tired of too much knowledge,

I sought the lair of forgetfulness

 

overhung with the intoxicating smoke

of burnt hours where my red-hot brain

tattooed with suffering, was gripped by tongs,

 

and dipped in cool nothingness:

but after a while remorse intervened.

Now I am a kleptomaniac

 

pilfering what is left

of your scant memories

from mushrooming malls of transience.

 

I squat for days inside the same question: how to let go?

My nights, married to melancholy,

contemplate adultery with sleep.

 

Dear child, you never planted your little feet

on the earth’s forehead

burning with a fever 

 

for which ecologists say there is no common cure.

To moonlight you never confided your terrors,

to the sea’s kind nature,

 

easily moved to an opulence of tears,

a stranger you will remain:

you will never hobnob with the rain.

 

We never had a chance to meet,

forge a bond that was supposed to last,

and see it broken beyond repair.

 

Now I will never get to play

the stern patriarch

blaming you for your incorrigible ways

 

and you—young prodigal—

will not have a chance to flaunt your defiance

and bring your father to his knees,

 

his flammable ego

burnt to ashes

by a love at once fierce and forgiving.

 

Yet we were on either side

of your mother’s tummy for a while,

me knocking and knocking

 

with insistent whispered greetings

to you too eager for my voice

and kicking frantically as though you meant

 

to break free of your loving captivity

and measure out the world

with your little feet.

 

I imagined you wrapped up like a surprise,

snug in her womb,

swaying to my lullaby.

 

Then all of a sudden, you were still

and through the deafness of disbelief,

I heard the word ‘bradycardia’ leap off the doctor’s lips.

 

Now that you are gone,

the silence of your unheard cries

will migrate to the interior of my ears.

 

My heart, which sprang to its legs,

like a dog that is thrown a bone,

will to its dullness retreat.

 

Though I have no hope

of finding you up there among the stars,

as far as you have lived here will remain forever.

 

Your hands I never touched will caress

the gnarled root of my pain,

your eyes I never saw burn like tapers in the strangling darkness. 

 

*The title is taken from ‘the lost baby poem’ by Lucille Clifton.








Sambhu Ramachandran hails from Kayamkulam, Kerala. He is currently working as Assistant Professor of English at N.S.S. College, Pandalam. He writes both in English and Malayalam. His poems in English have appeared in Wild Court, Bombay Literary Journal, Muse India, Borderless Journal, Setu, and The Chakkar, among others.

One Poem by Shirali Raina

 






Unedited



When I, from the wisdom

Of ages, heard,

Two halves

Have to come together

And only then

Can a whole be,

A voice whispered softly

My sweet, it is contrary.

 

We don't breathe,

Only in halves ;

Neither, we

In bits and pieces

Do love or yearn

It cannot be then

Just a half of you

And a half of me !

 

With a  fragmented soul,

Complete, you cannot be

And neither would I.

I am and I remain

The whole earth,

To your whole sky,

Embraced and enveloped

For ever  by your entirety






Shirali Raina, a physician and a public health professional from India, has a keen interest in writing about human and social values. Her writings reflect her childhood reminiscences, social commentary, and mental health issues She has authored a chapter in the book ‘To be Heard: Women’s Voices Across Land and Sea” an anthology of narratives from women authors across continents. Some of her poems have been published in ‘Across Latitudes and Language’ an anthology of poems from different parts of the world. Her short stories and poems have found home in various publications like Mint, Hektoen International, Burrow, and Lothlorien Journal of Poetry.



Five Poems by James Croal Jackson

 






Support System 

 

Candle beneath blanket smoldered.

There, warmth lingers. Time is oxygen

when masking loss, whether game or

ship sunk undersea. Between seams

of mattress and spring, mold is present.

Night growth. Bacteria teems through

still and storm, snow and fall. Leaf

through online albums, no prints to hold.

Like lovers in different states. One city

skyline topples– you may have lost

at Jenga, but friends will help

rebuild all your fallen towers. 

 

 

Tonight, in My Studio Apartment 

 

TV max volume 100 at 4AM stomping

     your neighbors must hate you so stop

 

                not listen      feel   

                           (let go of everything

 

     of what I want

 which is you to stay in my arms

 

   all night which you do

                    but not in bed

 

just the way our playlist changes you say

        get out of here with this anime shit

 

    about your own additions)

  the remote becomes the microphone

 

you shove in my mouth

             taste of battery

 

          black plastic radio waves

  on my tongue no one complains

 

about the noise

                              except the crowd in my head

 

       I make dissipate

in the drumsticks of discontent

 

                rimmed so slightly

      in the biological need we are not

 

doing

               my hand

 

      between your legs

                     resting in a way

 

               we do not know

 

 

Oasis 

 

in the desert

you stay

for those who wander

lost and parched you are clear

and cool and pure nothing

can corrupt you

in a place of dust 

 

 

I Am Both 

 

Wherever I am,

I am both here

and gone.

 

My skin

flakes off

when I move

 

from heartbreak

to love, pain

to celebration.

 

I may be part

nothing,

but I am here to stay. 

 

 

It's Interactive! 

 

An unopened book. Open it. Whoa!

Words appear and interact

with your imagination, slapping

the tonsils inside your skull. You

can jump back, shrieking, slam it

shut, chuck it into the trash flaps

in the other half of the room–

which you didn't know was another

half until now, just one giant tiny

space your bed takes half of,

there's half again, this lazy

approximation of your ancestry

and you can clench your fist,

punch your forehead yelling

stupid! stupid! then ask

why am I calling you stupid?

You being me being you,

first and second comingling,

and you can shriek again

but that would make you

punch your sack of skull

moaning stupid! stupid!

and you don't want that,

I don't want anything

but it's impossible–

frog bottles singing choruses

on top of the fridge to clear

your brain, blank slate, glass

behind the cabinet door

you can pull open,

it's interactive, spin around

to face the giant window–

stare at glass 'til dark

or three sock-steps to peer

through. How to see

past the tree? These leaves

obfuscate everything:

blue sky and concrete.

To interact you must be

wind or chainsaw or both

and you spent too much

time in this building

when you were sad,

when I wanted escape.

The door was always

unlocked, I just had

to lift the comforter

from my body in

the early morning,

twist the knob,

and rip open the chest,

my life in a surgery

of senses.






James Croal Jackson is a Filipino-American poet working in film production. His latest chapbook is A God You Believed In (Pinhole Poetry, 2023). Recent poems are in ITERANT, Stirring, and The Indianapolis Review. He edits The Mantle Poetry from Nashville, Tennessee. (jamescroaljackson.com)


 


Five Poems by Angelisa Fontaine-Wood

 






Fool’s Journey


To shuffle these portents,

fate a slight weight only

fits entire in then hand.

And with but a tip,

a slip of the finger

destiny flips

out of my grasp

and into the air

twitched into

a Hanged Man, a Moon

Judgment, Lovers

mute with the future

in the now

a moment yet

and another card falls into place

slitting my finger

on Death’s split edge

from too many questions frayed



Daphne’s Praise


As into a sleeve

I slip my arm through bark,

fingers within a twiggèd glove

grasping now,

then letting drift

both withered leaves and petal

cradled in my palm

a blossoming of birds rises

the scent of their flight

incense,

a prayer soaring

feathers ascend

swifts and swallows

carry their praise

upward



The Laughing Dead


How to translate the laughter of the dead

blurred words from another room, barely heard,

chimney smoke in late autumn

whence you know not,

nor whether something were asked of you or told

murmur and evasion (which of us though?)

woven in departed declensions some other where



Burden


A song shrugs its burden

lifts gravity’ s hold

no longer knows

the weighted duty

to tell someone

something

shifts

a sense shouldered

a refrain carried

over and again

lost like its bearings

nor homing device

longer in its hollow bones

frail as it is now lawless

remains only form to tell

what is flown

what cannot be repeated

what cannot be borne



Ghostwrit


She penciled in her diary

days faded as phantoms

letters in lead hoping

to erase the traces of living

like lines written on the face

on the palm

of a hand that gave nothing away

not even this book

though we who came after

opened it all the same

scried into the faint words

ciphered by the shade

of lettering left for (the) dead






Angelisa Fontaine-Wood long ago fled the sun of North Florida, and has lived now over half her life devoted to arcana and champagne in a French garret, under the shadow of a castle, along with her husband, fourteen imaginary cats --all named – and but few ghosts, who mostly remain nameless. 

Her work has appeared in khōréo, NewMyths, Penumbric, and elsewhere. Thoughts on cabbages and kings at: https://angelisawood.blogspot.com


One Poem by Alec Solomita

  I’d Rather   I have a hard time sending you an emoji. How meaningless, how facile: a picture of a heart.   I’d rather tell y...