Showing posts with label Video Poem. Show all posts
Showing posts with label Video Poem. Show all posts

Wednesday, 8 December 2021

Ever-lasting Lyre - Play in Verse by Sultana Raza (4 Scenes)

 



Ever-lasting Lyre (4 scenes)

 

A play in verse on Orpheus

 

Video of Scenes 1&2:

Ever-lasting Lyre -Orpheus-Scenes 1&2 (A play in verse) - YouTube

Text of Scene 1

(Day. Grove of Whispering Ferns on an islet made by two streams near a beach in Thrace. Sage Cigogne, the old King of Storks converses with Orpheus in Bird Speak. Other rare birds, and smaller animals are listening to them).

 

Sage Cigogne:

I implore you, Orpheus do not go,

Covert intentions I can smell from a mile.

Stay in your country with us awhile

All their cards these gods don’t show.

 

Orpheus:

It’s my duty to go and protect.

Do you know what an honour it will be?

All these heroes to accompany.

Wishes of the gods, how can’t I respect?

In any facts are your qualms grounded.

 

Sage Cigogne:

Be careful, of traps some gods might set.

 

(The Royal Blue Nightingale and the Silver Albatross lead the tweets in agreement with Sage Cigogne).

 

Orpheus:

With misgivings, don’t let your heart

Be filled, or doubts bubble unfounded.


Text of Scene 2:

(Day. Grove of Whispering Ferns near a beach in Thrace. The Royal Blue Nightingale who’d witnessed the scene, reports to Sage Cigogne, the Silver Albatross, and other birds, and animals).

 

Royal Blue Nightingale:

The Argo asked Orpheus to play

His lyre to chart its wondrous way

Before it would leave the sheltered bay,

To make it budge, or make it sway.

 

He helped entertain the heroes tough,

He helped them mourn, he helped them cry,

He could persuade the Argo to fly,

His song could calm even waves quite rough.

 

(Sage Cigogne asks the Royal Blue Nightingale and the Silver Albatross to accompany Orpheus, and to send word back to him through other birds from time to time).



Video of Scene 3:

Ever-Lasting Lyre-Orpheus (A play in verse)-3 - YouTube

Text of Scene 3

(Day. Shore of Colchis. The Royal Blue Nightingale is singing, memorizing it’s own record of Orpheus’s journey, which only other birds can understand. It’s telling this tale to the Silver Albatross who’d stayed behind to keep an eye on the Argo, and a flock of sea gulls, charging them to fly back to Sage Cigogne to tell him this glorious tale).

 

Royal Blue Nightingale:

At last when they approached the Golden Fleece,

All the brave heroes were quite stumped,

With disappointment, Jason was dumb,

For a monstrous snake guarded the trees.

 

None was there who could fight,

Such a huge monster long and coiled.

In Aietes’s intrigues they’d gotten embroiled,

They were forced in a corner tight.

 

Defeated, they couldn’t go back to Greece

Only Orpheus and Jason, Medea took.

Cautious, they hid in a nearby nook,

Without the bard, they’d get no Fleece.

 

When Orpheus played his soothing tunes,

The monster’s eyes closed one by one,

As sleepy magic his melodies spun.

Serpent could have slept for many moons.

 

The reptile stirred, but Orpheus played,

Jason sprang forth and Fleece cut down,

All serpent could do was but frown.

In sleep’s hold the monster stayed.

 

As heroes cheered, said Argo with glee,

‘My faith in your skills are proven right

Orpheus, you overcome with no fight’.

Escaping, they made their way to the sea.


 

Video of Scene 4:

Ever-lasting Lyre-Orpheus (A play in verse)-4 - YouTube

Text of Scene 4:

(Day. The Grove of the Golden Fleece. The Royal Blue Nightingale is watching the sleeping Colchian Dragon covertly. The Colchian Dragon starts to wake up, and feels a burning sensation in many patches of its long body).

 

Colchian Dragon: 

Ouch, oh, ouch, what burns my skin?

Where’s my Fleece, and who are you?

 

(The Stymphalian Birds have been sent by the gods to spray down a poisonous white powder, so that the Colchian Dragon would be dissolved. Since the Stymphalian Birds have beaks of bronze, the powder doesn’t affect them).

 

Stymphalian Birds

It’s far away now, with the Argo’s crew.

Quiet snake! Don’t make such a din!

You deserve an end that’s inglorious.

 

Colchian Dragon: 

Why are you burning my body so long?

 

Stymphalian Birds:

In scheme of gods, you have done wrong,

You couldn’t even kill weak Orpheus.

 

Colchian Dragon: 

You too couldn’t drown the magical Argo,

Though you flew round and round.

Oh, I keep my ear to the ground

About your secret mission, I too know.

So stop spraying that poisonous powder!

 

Stymphalian Birds:

You couldn’t resist his sleeping spell.

 

Colchian Dragon: 

On the past we needn’t dwell.

 

Stymphalian Birds:

None will save you, do shout louder!

You were supposed to kill silly bard,

So with the Fleece could Jason flee.

 

Colchian Dragon: 

Stop a bit! Just listen to my pleas!

Ouch! These sprays lance like shards.

You couldn’t kill bard, or his lyre take;

In your quest you all have failed,

Why have you been so easily bailed?

 

Stymphalian Birds (flying away towards the sea, in pursuit of the Argo):

We can still make Orpheus quake,

But of no use are you anymore,

Now you’ll rot to your core!

 

(The Colchian Dragon dies an agonizing death, as its long body gets burned by the poisonous powder. The Royal Blue Nightingale sets off in pursuit of the Stymphalian Birds, but soon loses sight of them, as they can fly much faster and higher than real birds. It hitches a ride with the Silver Albatross, waiting for it on the shore. They try to find the Argo, asking for its whereabouts to every bird they meet).




Of Indian origin, Sultana Raza’s poems have appeared in numerous journals, including Columbia Journal, The New Verse News, London Grip, Classical Poetry Society, spillwords, Poetry24, Dissident Voice, and The Peacock Journal. Her fiction has received an Honorable Mention in Glimmer Train Review, and has been published in Coldnoon Journal, Szirine, apertura, Entropy, and ensemble (in French). She has read her fiction/poems in India, Switzerland, France, Luxembourg, England, Ireland, the US, and at CoNZealand.

 

Her creative non-fiction has appeared in Literary Yard, countercurrents.org, Litro, impspired, pendemic.ie, Gnarled Oak, Kashmir Times, and A Beautiful Space. Her 100+ articles (on art, theatre, film, and humanitarian issues) have appeared in English and French. An independent scholar, Sultana Raza has presented many papers related to Romanticism (Keats) and Fantasy (Tolkien) in international conferences.

 

https://www.facebook.com/sultana.raza.7

https://tinyurl.com/yd9j8546


https://www.youtube.com/watch?v=ne-jUBtEllU&t=136s

https://www.youtube.com/watch?v=y7D8dWshpw4&t=70s

https://www.youtube.com/watch?v=dvoeAR7ytZI&t=10s



Saturday, 11 September 2021

Excellent Video Poem - Careful What You Wish For Orangutan by Pete Mullineaux

 



Video Poem - Careful What You Wish For Orangutan by Pete Mullineaux

This poem was inspired by the ruling of an Argentinian court in 2014 that assigned certain legal rights to orang-utans as ‘non-human persons’ – as opposed to unintelligent ‘things’ or ‘objects’. It was hoped by many animal lovers and environmentalists that this progressive ruling would help protect orang-utans from our human disregard for their right to a peaceful existence, notably the wilful destruction of their habitats by palm oil manufacturers. Among multiple ironies the greatest perhaps is that acquiring nominal membership of the human race isn’t in itself much use as we also happily do this kind of thing to disempowered people.

A related quirk in this story is humankind’s scientific questioning of whether apes can ever mimic our own level of intelligence. One indicator that has been put forward is whether they can be taught to tell (human style) lies – fake news! No doubt they are well capable of being devious, able to play tricks, perhaps even tell jokes in their own orang-utan kind of way. This links neatly to the now well known court case taken by Donald Trump (subsequently withdrawn) against a US comedian who insinuated he might be related to this noble species of ape because of a hair likeness. Trump should be so lucky! He succeeds hands down in the lies department but alas, intelligence appears to let him down. - Pete

Pete Mullineaux is a poet, songwriter and dramatist living in Galway Ireland. He works in development education with groups such as Afri (Action from Ireland) on their ‘Just a Second’ programme and Poetry Ireland’s ‘Development Education through Literature Project.’

Pete Mullineaux grew up in Bristol, UK - where he had his first poem published, aged 13 in Macmillan's anthology Poetry & Song, subsequently recorded on vinyl by ARGO Records with music by Ewan McColl & Peggy Seeger. He lived in London for several years, playing with left-wing garage punk band The Resisters, then going solo as Pete Zero, winning the City of London Poetry/song prize with Disposable Tissues, (recorded on vinyl by Someone Else's Music. He was a regular on the London/UK music, performance poetry and new comedy circuits and host for New Variety in Brixton. He moved to Galway in 1991 and works teaching global issues in schools. He's published four poetry collections, most recently How to Bake a Planet (Salmon 2016) – “A gem” – Poetry Ireland Review. A new collection is forthcoming in 2022. He’s been interviewed on RTE’s Arena and also had three plays produced by RTE radio. His work has been described by reviewers as ‘profoundly sensitive’ ‘gorgeous and resonant’ & ‘grimly funny’, and comparisons made with Roger McGough, John Clare, John Cooper-Clarke and Pete Seeger. His debut novel Jules & Rom: Sci-fi meets Shakespeare (Troubador UK) was published in April 2021, (‘Certainly worth a gander’ – Irish Times). Website:

petemullineauxwriter.com

https://youtu.be/3jkD12zrwjU

 

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