I have
lived with this
through
the month
and I am
holding up,
kind of
cooking
without
the cookbook,
steaming
up the kitchen,
have a lot
of product,
not sure
it is edible,
but I’ll
keep the oven hot
until I’ve
applied all the tests,
hope to
have a credible lunch
out of the
mass, something
with
substance to flesh out
the bones
which rattle around
without
music
in the
kettle.
Tambourine
Let me face the full moon, let me dance
in light
let me stand in sun and know my
shadow
I have known the cold and fog for
much too long
Give me just one word to bring me
out.
Let me stand in sun and know my
shadow.
Give me a beat and I’ll remember
what I lost,
give me just one note to bring me
out,
I’ll reconstruct old music, my old
rhythm.
Give me the beat and beauty I had
lost,
play me the kettle drum and
tambourine,
I’ll reconstruct old music, embrace
rhythm,
nights will only be a part of day.
Play for me the kettle drum, I’m
tambourine.
No longer mute I’ll chatter through
the score,
nights will only be a part of day.
Let me face the full moon, let me
dance in light.
(for Linda)
This
was like a
whisper slightly left-side of delineation,
or a
slightly unpleasant, lingering scent,
evocative
of some deep memory,
a shadow
that would stay, grey-fixed, almost in sight,
a slight
bitterness as of final medicine recently tasted,
a
discomfort of the body ‘though in comfortable surroundings.
This,
that was
always here with you,
is gone
with him, no touch goodbye,
just that
second absence, abrupt,
no slow
fade like his own long leave-taking.
Such
closeness for so long, your trio through day and night
now only
you and two holes in your universe.
This
has left
your all-too-mortal hands
stretching
into the hollows,
ready to
accept even This again
in order
to have him back.
Well-Meant
I watch you try to dance in the rain
and recognize how difficult it is
to lift your feet against sorrows
accumulated through the years,
see how the regrets that rested as dust
upon your shoulders have become red mud,
drag you downward.
I see the chill upon your face
from the cold drops of uncaring water,
your eagerness to make them
sympathetic,
find lightness in this storm.
I call you back inside,
take back my advice,
and hold you close,
just hold you.
Wind in Constant Breath
it seems we only meet like this
spiralling, spinning
along a shore’s path
wind storming above water
has more predictability
than our uneasy tides
breakwater chases,
rises to challenge us
this is my destination
my definition
of love
Cleo Griffith has been on the Editorial
Board of Song of the San Joaquin for eighteen years. Widely-published, her poems have recently appeared in POEM,
Blue Collar Review, and Wild Roof Journal. She lives in Salida,
California with her guard-cat, Amber.
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