A Memory
The way my father stood
by the evening sun-lit window, a golden halo
playing around his hair
and how he would look
so quietly out of the window, blinking
into those slanted rays of burnt orange.
His thumb in his waistcoat pocket,
his watch chain performing
the perfect shape, just as watch chains
hanging from waistcoat pockets
should. Rather than seeing it then,
I knew that on the left side
of my father’s nose
there was a fleshy mound—not too big.
I would always recognize
my father’s nose.
I couldn’t see that either,
but I knew my father’s hat
hung on the stand-up wardrobe
in the hall, the one with the big mirror
and the large hooks made from a copper alloy,
doubled as not to damage the clothes. I was tracing
the raised flower pattern on the wallpaper.
The evening sun slants across my desk
and makes it difficult to see
the computer screen. My eyes
are wet. The insistent phone calls me.
Catch 22
If you don’t have a job you can’t join a union.
If you aren’t a member of the union, you can’t
get a job. Go and sit down. Someone
will be with you shortly and explain.
Mrs. G. didn’t send in her Fé de Vida. Now they
have written her off as deceased. She is waiting
for Flora, the department secretary, to reinstate her
among the living. Mrs. G. thought it would be enough
to turn up. Show ‘em. Not so, Flora expounds
impatiently
and puts the form under Mrs. G’s nose. Sign below.
Don’t forget the date.
Young Keith got his degree. It was the erroneous
course to take. Nobody wants poets.
He’s waiting for a nod from window number 10
for his turn to apply for unemployment.
What would we do without bureaucracy?
As Flanders and Swan would have us know:
“Oh, it all makes work for the working
man to do...”
Some make queues, some
queue. The fair
distribution of a country’s
workforce.
Waiting successfully is an
artform.
Embers
I live in the embers of fires
which once were fierce. White, gold,
red, amber conflagration.
Youth.
Needs must.
No prisoners.
No forethought.
No consequences considered, torching
what came near enough, and the iceman a chimera
whispered about by shivering old women
no longer strong enough to hold the flames.
I have felt his breath in the shadows.
Last night he held my hand, sightless, unforgiving.
My Ghosts
Our old house in the middle of nowhere.
The downwind is filling the air with woodsmoke.
From under the eaves something dark uncurls,
insubstantial, adding a smell of moss and wet earth,
memories of a burial ground perhaps.
I am not good at funerals.
In the posh urbanization, the housekeeper’s son
drowned in the unsecured pool. He’d been three.
Why would they care about a kid that’s not theirs?
His small, naked feet leave watermarks on the ground
floor.
I am not a good companion for dead children.
Our new home on the other side of the world.
In the dark I feel cold and the touch of invisible
tendrils.
I can feel a woman, and she’s begging for attention.
Someone told me that they killed her in the entrance.
Her cry on my skin.
I am not a good companion for ghosts.
Preparing the table for lunch, two unseen hands
are lightly pressing on mine, and I remember.
Not putting the napkins straight was my ex’s pet
peeve.
Now that I think of you, you make me laugh.
The one thing you always did best.
Past and Future
The past takes on a rosy sheen. Thinking
of my childhood in a world war, I rarely remember
death raining on my city, blown out windows,
the stench of burning flesh, the years of separation
from my father when he ‘abandoned’ me.
There was the breeze made visible by the wave
of the wheatfield, the finer points of a slug,
delight in a hairy little caterpillar, and the hares
zigzagging across the frozen field at the back of our
house.
Skiing to school during a white winter, or walking
barefoot, leaving footprints in the asphalt softened
by a burning summer sun. The geese in farmer Braun’s
field
to be feared, the worry: will Mum have managed
to swap the box of silverware against
a sack of potatoes?
About growing up I ought to remember
unkind comments on my home-made clothes,
dwelling on my as yet non-existent breasts,
deciding to leave my art for fear of ridicule.
And one day I was about to die from bleeding.
Mother said I was a woman now.
My past has been a long one
And memory is a tricksy friend.
Two children, two grandchildren. May they find
the wave of the wheatfield in a summer’s breeze.
Rose Mary Boehm is a German-born British national living and writing in Lima, Peru. Her poetry has been published widely in mostly US poetry reviews (online and print). She was twice nominated for a Pushcart. Her fifth poetry collection, DO OCEANS HAVE UNDERWATER BORDERS, has just been snapped up by Kelsay Books for publication May/June 2022. Two further manuscripts are ready to find a publisher. https://www.rose-mary-boehm-poet.com/
OH ROSE! I AM SO THRILLED FOR YOU. WONDERFUL POEMS.
ReplyDeleteSO SO SO SO HAPPY TO SEE YOUR WONDERFUL POEMS HERE. CONGRATULATIONS, ROSE, AND THREE CHEERS FOR YOU!
ReplyDeleteThese are exquisite Rose, perfect for one who has also had a long past and a tricksy memory!!
ReplyDeleteI love that this journal went ahead and called them "superb," which they are. Maybe we shouldn't brag on ourselves, but it's only right for the journals to point out your genius.
ReplyDelete