An
Evening's Afterglow
As
all our fate hangs over half-built apartments
that
litter this city, the tinge of red sky breaks
our
morning rest upon public benches,
as
the A.M starts, a decrease in words
becomes
as welcome as ever.
In
that courtyard, bodies sit cloaked
in
denim and polished cloth.
We
all rise, without the razor slash
of
an alarm clock, our ears can stir comfortably
and
without the inconvenience of shame.
It
usually only takes a slight inch,
like
the extension of a lie, to settle
us
back into those steps, through
that
badly lit underpass, which would promise
shelter,
but only punctuated clouds.
At
first thought, that unflinching appeal
increases
appetite, until wisdom prevails
and
leaves us as stark as those smog filled
streets,
and we realize once these clouds
disperse
that the only thing an empty wallet
can
purchase is sense.
Someone's Dropped a Sword
The
same packs of faces move towards
late-licence
hide outs and polling booths,
ticking
boxes and slamming drinks, which drip with
liquified
promises and that evaporate at the first
sign
of any action needed, leaving dry lake beds
of
influence with cracked foundations.
It
all resonates through each night out,
alongside
failed attempts at holidays
and
contrived gestures of false ignorance;
as
once again they collectively claim
they
never saw it coming, even as they
drag
their ankles through soiled tar.
The
pints sit upon unpolished tables like turrets
defending
the indefensible; their ideology
now
narrowing, like old back streets with only
shards
of credible memories left, the clatter
of
rusted steel on concrete lets out an echo;
"someone's
dropped a sword" you say..
A
Badly Wrapped Scar
At
the first point of call,
all
casual handshakes and embraces.
Momentary
clock watching to avoid
eye
contact, falling into screens
and
systems displaying audio-less garbage.
Then
slowly we settle,
the
air like polystyrene
and
just as cringeworthy to break.
I
forget why this separation originally
occurred,
its impetus now as distant
as a
heat-haze above concrete.
And
as with most in life, no maverick
attention
needed, just a slow stroke
of
this hour, which allows us to sip
our
drinks even slower; for this to linger
until
acceptance finally shatters its anchor,
to offer calmness within this enclosure.
Jonathan Butcher has had work appear in various print and online publications including: Popshot, Mad Swirl, Cajun Mutt Press, Ink,Sweat & Tears, The Rye Whisky Review, The Transnational and others. His fourth chapbook 'Turpentine' was published by Alien Buddha Press. He is also the editor of online poetry journal Fixator Press.
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