Lost in Wonder Land
I’ve never outgrown that kid thing
of pocketing items that interest me—
a
desiccated Chinese lantern pod,
a
hawk’s feather, the breastbone
of a pigeon, a striped rock. Today,
it’s a spiky, green sycamore seed
pod,
its
short porcupine bristles rasping
against
my fingers when I grasp it.
Nature is trying, with its hollows
and stripes, its elegant arcs and
textures,
to
teach me about beauty. I’m listening
with
my eyes, my fingers, my heart.
If I were ten yet, I’d store my
finds
in a child’s treasure chest—a
shoebox
stowed
beneath the bed. Instead,
I
pin them to the back of a carbonized
black wooden frame with a hinged
glass door—shadowbox as reliquary,
shrine
to the natural world. I’m the curator
of
my own curiosity, author of my own
amazement, and I inhabit wonder
as though it were my birthright.
Bees Knees
Three bees are having a field day
with the pitchers of maple syrup
on the patio of the restaurant.
Three
bottles of syrup, yet the bees
congregate
on a single bottle. One bee, after
surveilling
the Cholula sauce and ketchup
bottles,
returns to scurry with his fellows
around the lid of the syrup pot,
dotted
with drips of the golden brown
nectar.
I can’t see their knees from where
I sit but assume the bees have been
too seduced by syrup to collect
pollen.
One bee can’t resist the smooth,
glass
Cholula bottles rising up behind the
jugs
of syrup like the steepest of
mountains.
Perhaps its his reflection that
draws him,
this apian Narcissus. Another of the
three
investigates me then but doesn’t
land,
apparently not finding me sweet
enough.
They’ve been at it for 45 minutes.
They’re busy, the bees, wandering
the silvery plateau
of the syrup container, getting high
on sugar, jittery
as novice coffee drinkers after
venti cold brews.
Addicts!
is my first thought. But no, like all of us,
they’re but looking for a bit
sweetness in their day.
Fortuitous
Somehow,
the soft cup
of a tulip
cradling
a maple seed
seems a kind
of tenderness,
sheltering the seed
like a spoon
in a teacup,
the subtle pink
striping of each
petal harmonizing
with the striations
of the seed’s
pale ecru oar,
the flower a safe
landing spot for
a wayward
winged fruit
until its paper
sail lifts into
a wind again,
sending it off
on a wing
and a prayer.
Waiting to Hibernate
There he goes, shuffling through the
snow,
the black bear with the white star
on his chest,
his blunt nose reading the air,
heading for home
where his fellow bruin is already
deep
in his seasonal sleep. Nearby, the
wolves howl
like a chorus warming up for a
performance.
Are you lonely, I wonder, out here alone,
unsettled by the change in the weather?
But no, he’d be solitary in nature,
not half of a duo,
like here at the zoo. He steps
across the narrow
stream, snowy bank to snowy bank, no
hurry in it,
his shadow long and dark as a
winter’s nap.
Yvonne
Zipter is the author of the poetry collections The Wordless Lullaby of
Crickets, Kissing
the Long Face of the Greyhound, The
Patience of Metal (a
Lambda Literary Award Finalist), and Like
Some Bookie God. Her poems have appeared in numerous periodicals over the
years, including Poetry, Southern Humanities Review, Metronome of Aptekarsky
Ostrov (Russia), Bellingham Review, and Spoon River Poetry Review.
Her published poems are currently being sold individually in two vending
machines in Chicago to raise money for the nonprofit organization Arts Alive
Chicago. She was recently nominated for the newly created position of Chicago
Poet Laureate. In addition, she is the author of the historical novel Infraction and the nonfiction books Diamonds Are a Dyke’s Best
Friend and Ransacking the Closet. She
is retired from the University of Chicago Press, where she was a manuscript
editor.
Beautifully written, Yvonne
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