Gleefully the Butcher Cleaves, He
Cleaves
Head severed from working
whole,
the entrails removed and the
prime cuts
set aside for market.
Weighed and packaged and
priced
for wholesale.
Gleefully the butcher
cleaves, he cleaves.
Proficient in the
deconstructionist art of dismemberment.
The police paying a visit
whenever they
find something especially
grisly.
Two kids under the age of
three
and a wife that talks in her
sleep.
Most of it pure
gibberish.
Like the wrath of the
taxman
after twenty beers.
Flipping my Mattress, I Think of Gymnasts
Flipping my mattress, I
think of gymnasts,
of intricate floor routines
that depend on the final dismount.
the long run up to the
spring board,
that deceptive chasm of distance between
the uneven bars,
the rings seeming much more like some
arcane torture device than sport,
a wafer-thin beam underfoot
and the questionable judging most of all;
my mattress only subject to
periodic flip and private folly,
a gymnast just the same –
my muscle-atrophied body
hurts from nape to knickers
at the thought of such
exploits,
so mattress flipped, I
make up the bed and lie down
a few more hours;
silly peacock hair standing on end when I wake
and deep lines like ancient riverbeds cut from a dying land.
Bag of Guppies
Listen kid – leaving the
only pet store in a twelve mile radius playing
peppermint patsy is hardly a
good look, those pants that can't help
but fall down without
constant attention and that bag of guppies;
1,2,3,4...count them fishy
freshwater lifers, from South America like
Neruda but with rainbows for
bodies instead of words; a pocket full of
fish food the saleslady with
a rabbit's tooth swears by, that stupid
deep sea diver figurine in
the bottom of the tank that all the fish loath
so much as they amuse us with their tiny imprisonments.
The Coo Birds Coo No More
At first, there were two –
a pair like any other:
singing, nesting, lost to new love,
then the cat showed up
mangy at first but slowly nursed back
to health
by guilt, renewal and blunder
so that the coo birds coo no more;
the male was first to go, he the much
louder
and more demonstrative of the bunch,
braver to his own demise,
then the female as she awaited the
arrival
of
her young,
the head torn off and missing,
just the bottom half of the body
left strewn about the yard,
a few feathers and ants to seal the
deal,
but no longer any song.
Weather Vane
The button off my pants is a
washboard skiffle band throwaway,
some rooster-fed weather
vane of yammering wind-tousled hair,
o'er moor and mount, craggy
abbey walls, dented mascara run lorries
on the prowl; not an honest
care in this careless world, library late fees
and still never once that
blighted honest care that leaves a dying man
to feel something other than
this crippling five-and-dime damp
through failing bones.
Away, Away Say Distant Telescope Stars
That conglomerate of latticed fencing –
COUNT THE PARTS, THE OPTIONS!
Failed constitutionals under Clipboard’s
watchful eye,
insect Kafka had it right to never leave
home,
scurrying into my escape artist mind, his
bulging thorax of ideas;
I will never park a car with human foot on
failing brake pedal again,
run through dog parks of aging dry
humpers,
exchanging numbers with pretty halter top
mathematicians,
pretending to like many of the things I
don’t like at all.
Locked in an elevator with three
indigestions,
two irritable bowels and one dysphagia.
Waiting for the professionals to finally
understand
their profession, cut a hole large
enough
for the buttoned-down office romance
slipstream
crowd to tadpole through.
The printer out of paper again,
you begin to wonder when clear-cut
forests
will stop holding back.
Away, away say distant telescope stars.
My curtains pulled over like
a failed state.
This pillow against my head
and never once that cold
black muzzle
with one in the chamber.
Collecting a pauper’s
unfortunate lime
rain.
Ryan Quinn Flanagan is a Canadian-born author
residing in Elliot Lake, Ontario, Canada with his wife and many bears that
rifle through his garbage. His work can be found both in print and online
in such places as: Evergreen Review, The New York Quarterly, Lothlorien
Poetry Journal, Red Fez, and The Oklahoma Review.
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