Extempore
Flash Fiction Story by Marka Rifat
Motes
danced in the golden air and Barnabus ached to go beyond the stone walls and
run in the sunlight.
He
shifted on the narrow bench and tried to concentrate on the panel he had been
allocated – a lowly verso corner. Better than days of drawing ivy
leaves, where the scribes failed to reach the margins, but oh, for the prestige
of an historiated initial, a miniature, a Lombard, or the
freedom of a bas-de-page, instead of working on the part of a book
guaranteed to be worn away first by avid readers. He cupped his downy
chin and smiled. Brother Cedric pounced.
“Work!” he hissed into the boy’s blushing face.
Barnabus
hunched over the vellum. What to do? Sun? Moon? Portent? Yes, a portent. A
shooting star, like Brother Anselm described in a very lively manner when they
had walked to the refectory yesterday. Then the rest of the panel could be dark
and dramatic, with a palace diagonally opposite. The boy was sure he would be
recognised for his craftsmanship and garlanded with dispensations. He inked in the star and was starting the rest
of the celestial body when a cough seized him and his pen swept south instead
of west. He softly groaned, then inspiration struck – paint a De Bestiis phoenix and the comet could
become a flame. The other flames were
quickly outlined, then he sneezed, splattering the wet lines. He fumbled for
his cloth to protect the linear foliate “S” and nearby script. By the time he
had done that, the mess in the panel had begun to dry.
He
stared at the smeary shapes. They could
pass as trees, with the tried and tested ivy in the blobs. Then what? He felt
Cedric’s eyes, and his regular promise of an educational thrashing, willing him
to depict what God had created rather than some personal fancy. So be it: a cockerel. One of the flames could
become a lovely tail, echoing the curve of the “S”, and the bird would have
Cedric’s fat belly. The boy grinned and his quill dived into the pigment. In
his excitement, he gave the cockerel a very long left leg. Barnabus frowned. He
painted in the feathers while he pondered. The smell of soup rose from the
kitchens and when he refocused, it was clear that the feathers now resembled
fur and the bird was more of a kneeling, headless bear. No matter, a right leg would fill out the
left corner, add the face and there, a bear –
and the Bible had many bears – in the woods. He was finishing the ears
when his quill tip caught a tiny ridge in the page and skidded, leaving a long
horn protruding from the head. In a rage, he drew a matching horn, then a
lumpen face, made the star into a club and scratched in claws and talons.
He
looked up, sure that the gates of Hell were opening wide to receive him and realised that the abbot was gazing over his shoulder.
“Forgive
me,” implored Barnabus, spreading his inky hands.
But
sleek Abbot Geoffrye walked on, smiling. The boy’s drollery had the exact
lineaments of the former abbot, an irritating man who, to his last obdurate
breath, had fought every reasonable effort to amass money and establish a
comfortable life on earth for senior clergy. Now he was mocked for eternity. Perfectio.
Marka Rifat writes poems, short stories, essays,
plays, and reviews, as well as producing illustrations and photography.
Winner of the DoverSmart Jubilee art competition, commended in the Saki,
Toulmin and Janet Coats Memorial prizes and featured in the John Byrne Award,
her work appears in UK, North American, Australian and Indian anthologies. She
is a member of Mearns Writers in north-east Scotland and performs her poetry
and fiction.
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