A Solar Eclipse Picnic
We left the quiet dark,
the espresso café with tiny cups
and chess board tables,
to venture into sunlight,
climbing a path to the open green
of Parliament Hill.
In the broad, bright sky,
kites were flashing their tails,
winking at us.
Red and white blankets were spread
out
for barefoot picnics.
We brought our own luncheon feast,
snuggled side by side on the nearest
bench.
I remember the wind
whipping my hair into a frenzy,
napkins flying out of my hands,
an errant chip falling on the grass.
Absorbed in the conversation of
what comes next,
what comes after Ottawa,
a solar eclipse shadow
swept across the city like a giant condor.
We hardly felt time pass.
Finally, the jolt of a foreign, noonday
chill
took our breath away,
as if these past 4 years had been swept
up,
hidden inside the smouldering sun.
Unknown skies awaited us
on a different Parliament green,
on the other side of the ocean,
on the other side of now.
The Immigration Line
(Croydon, London)
A slip of paper,
the hot September pavement,
a snake’s tail line of people
coiled around the corner,
I stare at the tube train platform.
A four-hour wait,
one stamp in my passport,
permission to work,
permission to stay.
The mother with 3 children dripping
from her sleeves,
drips sweat from her brow,
loses the energy to lose patience,
as they all start becoming amoeba-like,
melting tar on an endless highway.
We are an unwilling train
on tracks seeming to go nowhere,
unmoving, swaying in place
in the sweltering sun.
I nibble on a granola bar
and a packed sandwich,
quickly losing freshness.
To my left and right
there is hidden hope amongst the weary,
the promise of a better job,
a better life.
I am simply choosing to be here,
married to a Brit,
waiting for adventure,
not fleeing anything,
feeling guilty for my sweat.
Sacred Stones of Loss
I distract myself,
counting the number of circles
in the room—
coffee mug rims,
a ceiling fan spinning,
tarnished brass doorknobs,
a mirror in the hallway.
I exist within
the white space of absence.
There is comfort in shapes.
Overlapping circles of memory
stack themselves
into a tower of different
decades, geographies,
individual moments
with my father.
I see the glass fish tank from the 70’s
and the smaller globe of guppies beside
it.
We spent hours watching life swim in lazy
circles.
I see the foreign landscape of haybales
when we moved from New York.
The air was fresh and quiet,
a gust of wind replacing honking horns.
I remember you picking up a gingko leaf
and saving it for my science project.
Evening walks became a quest
for new plant species.
Each memory is now a small, sacred stone.
I hold the roundness,
my upturned palms in prayer,
giving thanks
for what remains.
You Are Earth
You are not living on
Earth. You are Earth.
Nature is not matter only. She is also spirit.
—Carl Jung
You are the pulse of the soil’s veins.
You are the wriggling earnestness of the
worm.
Water shoots up your stems.
You stand tall, leaves fanning out,
a glistening, life force energy.
A connected universe of intricate patterns,
human, plant, mammal, fish—
our hands embrace all elements
as we exist from root to tip
within branch song,
within the river’s melody.
We hold life in our arms,
in our palms,
in our open wound hearts.
You are every star’s last burst of light.
You are cosmos and ocean floor creature.
You are the smallest cell that
begins
with nothing but the will to expand
and grow exponentially.
Your feathered form
once came from another land.
Your soul’s birthplace waits for your
return to source.
Until that sacred reunion,
let the clouds tremble with your thunder,
let the grass know you feel every brush of
skin.
Feel the world, hold tenderly the globe.
Cristina M. R. Norcross lives in
Wisconsin and is the founding editor of the online poetry journal, Blue
Heron Review. Author of 9 poetry collections, a multiple
Pushcart Prize nominee, and an Eric Hoffer Book Award nominee, her most recent
collections are The Sound of a Collective Pulse (Kelsay Books,
2021) and Beauty in the Broken Places (Kelsay Books,
2019). Cristina’s work appears in: Visual Verse, Your
Daily Poem, Poetry Hall, Verse-Virtual, The
Ekphrastic Review,Muddy River Poetry Review, and Pirene’s
Fountain, among others. Her work also appears in numerous print
anthologies. Cristina has helped organize community art/poetry
projects, has led writing workshops, and has hosted many open mic
readings. She is the co-founder of Random Acts of Poetry & Art
Day. Find out more about this author: www.cristinanorcross.com
Cristina M. R. Norcross
Founding Editor, Blue
Heron Review
www.cristinanorcross.com
Twitter: @firkinfiction
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