Sunday, 3 July 2022

Five Poems by John C. Mannone



Seeing things

 

that aren’t there is a sign

of genius or insanity or

            simply an overactive

            imagination from us

right-brained artists

who call it pareidolia.

 

            Your reflection in a black

cup of coffee swirls with

milk. In the chaos

            of liquid, a silky apparition

            forms but for a moment

and you answer back

with a prayer of thanks.

 

Later, with your head

in the clouds, you see

            another sign, a bird

            like a dove but cottony

and big as the sky, sun

filtering through

            its wings. You sing

            another prayer.

 

            You ponder all day

            convince yourself

of your sanity as the sun

sets below a scarlet

            drapery of strato-cirrus

            and you know you are

no genius, but only a poet

whose imagination is tempered

            with reality and

            a light wind

whispers through the hem

of flowers. The sweet scent

            of his small still voice—

            answer to your prayers.


 

My girlfriend turned into a frog

 

and this is not a fairytale.

She won’t kiss me anymore, turned

into someone I don’t know

 

—not like some witch cursing

a prince into a handsome

frog with matching warts,

who waits for a beautiful

maiden to kiss him on the lips,

hopefully before he croaks

into the full moonlight

arcing high across the sky

when the man in the moon

would see him real good,

and the princess, too—

 

She turned into someone

I don’t know, someone

who jumped

                        away,

 

but whom I still miss,

once upon a time

she missed me too.

 

 

After Watching Treasure Island, Little Jimmy Dreams

 

A Poseidon adventure

aboard a wooden pirate ship,

strong and sleek and agile, slips

through ocean waves. Its venture

 

guided by the seahorse prow

avoiding shoals and shifting sands

with rowing strength of many hands

if winds are slack upon the bow.

 

Swashbucklers ready at the ropes,

the captain’s eyeglass finds the shore.

The anchor drops; the ship is moored,          

then skiffs are launched with ample hopes

 

from pending plunder of the buried gold                                          

and all the island’s treasures they can hold.

 

 

It Feels Like the Very First Time

 

            And I guess it’s just the woman in you

            That brings out the man in me

            —Foreigner

 

It’s taken me centuries to find you.

I’ve climbed the highest mountains

and searched the deepest seas.

 

It was the very first time I was lonely

for someone like you. And now that

I’ve found you, come away with me.

 

We made love by glorious moonlight

filigreed with passion. And we moaned

and howled through the night.

 

It was like the very first time

when you clawed my back, my heart

bleeding under the werewolf moon.

 

For a moment, I felt human.

 

 

Landau & Lifschitz

 

Theoretical physics is my kind of poetry

but the equations were not always elegant

 

particularly during a struggle-rich summer.

I wrestled with difficult physics while

 

studying for my doctoral exams; the faculty

had simply disappeared from the university

 

offices. I suppose they wanted to play too.

There was no one to help except for a couple

 

of cats that looked at me lovingly whenever

I asked them those same questions

 

that professors were unable to answer because

they simply weren’t there, and unreachable.

 

I studied tomes of work from famous physicists

like the Russians Landau and Lifschitz. Still, I had

 

many questions. I began to rely heavily on the two

new kittens named after those theoreticians.

 

They would gaze back at me like I was a genius

when I spouted my understanding of advanced

 

quantum mechanics or electromagnetic theory.

But at first, they had that Heisenberg uncertainty

 

look on their furry faces, they faded in and out

like a couple of Schrödinger cats when I stared

 

back to the box they were laying on. Eventually,

they simply smiled in approval, and purred

 

with satisfaction. We had many such exchanges.

They were so much more helpful than all my

 

absentee professors ever could have been. Perhaps

it was the attention I lavished over them—

 

one was black & white, the other, grey

like so many of my answers. Maybe the felines

 

just tolerated me—they may have liked the soft

rhythms of equations spilling from my mouth

 

onto paper, like sweet milk. Maybe it was because

they were kind, certainly kinder than my teachers,

 

or just maybe because it was a special day

for them like it was for me when I took the exams

 

on that fall day in ’83. Today I remember

their disentangled tails, their independent spirits

 

and I’m smiling—today is National Cat Day.

 

Poet’s Comments: It was on National Cat Day, October 29, when this poem was first drafted a few years ago. My doctoral exams were also in October but many more years earlier. This poem is based on true experiences about my cats, their naming, my asking them questions, etc. The final structure of couplets was based the cats: two cats, two lines.




John C. Mannone has poems in speculative journals such as Space & Time Magazine, Elixir, Nebo, Eye to the Telescope, and speculative poems in literary journals North Dakota Quarterly, Foreign Literary Review, Le Menteur, Poetry South, New England Journal of Medicine, and others. He won the Dwarf Stars Award (2020) and the HWA Scholarship (2017). Some literary distinctions include: Impressions of Appalachia Creative Arts Contest poetry prize (2020), the Carol Oen Memorial Fiction Prize (2020), and the Joy Margrave Award in nonfiction (2015, 2017). He was awarded a Jean Ritchie Fellowship (2017) in Appalachian literature, Weymouth writing residencies (2016, 2017), and served as the celebrity judge for the National Federation of State Poetry Societies (2018). His collections are Disabled Monsters (Linnet’s Wings Press, 2015), Flux Lines: The Intersection of Science, Love, and Poetry (Linnet’s Wings Press, 2021), Sacred Flute (Iris Press, 2022), and Song of the Mountains (Middle Creek Publishing, 2023). He edits poetry for Abyss & Apex, Silver Blade, Liquid Imagination, and American Diversity Report. A retired physics professor, John lives in Knoxville, Tennessee.

http://jcmannone.wordpress.com 

https://www.facebook.com/jcmannone 

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