Wasted Youth
at the raw age of 21,
tragedy crawls
towards me like
a bare-assed baby
caked with dirt,
throws its hands
up in the air
asking to be held,
and I did.
at the hazy age of 23,
wanting to get rid
of the dirt stain
in my arms and
my T-shirt,
I go to the
nearest mosque,
wash my hands
and do my ablution,
but the “faithful ones”
were triggered,
said I am leaving
blemishes on the
prayer mat.
at the dire age of 25,
my Adam’s apple
is slowly being
sucked in,
my spine steadily
disappearing as
I roam around
this godless town
in search of a
whorehouse,
barefoot.
at the crippling age of 28,
my tragedy and ache
find a home,
it is shiny and warm,
I have since been
learning God’s language,
and the night’s mouth
does not engulf
me anymore,
it kisses me,
gently.
at the brittle age of 30,
my cocaine infused
arteries now host
a venomous
snake bite,
and as the dawn
falls far away
from my sight,
I scream under the
bubbling bath tub,
“annihilate me, God,
I love every second of it”
Autumns
Existing through
autumns,
a feeling like
the last leaf,
I know the winds
are never kind,
so I press my hands
against the soil,
and ask it to
be gentle when it
swallows me,
my skin is sensitive,
I said, it has never
known warmth,
or snow.
I have forgotten
kindness,
or what else a human’s
throat could do but
itch and swallow pills,
I sit in my room
every six hours,
swallowing them,
so my chest
doesn’t stifle,
or my gut
doesn’t writhe,
or my mouth
doesn’t freeze,
again.
I have always loved
the words gentle
and perennial,
but you are neither,
neither are these
poems I hide behind,
or the breeze that
smells like kerosene,
sometimes your
remnants are like
grenades,
and I am a field
full of explosive
land mines,
and your feet
are never still,
just like your
loyalty.
As the sun’s neck
sits on my rib cage
every morning,
burning like
the city of Rome,
burning the walls,
burning my book
with 30 poems and
a song about
summer rain and
moonflowers,
burning my nicotine
stained fingertips,
my skin,
everything is burning,
your repentance is
not enough to
put out the fire,
my pearled eyes,
my ventricles,
my books,
not my books.
Someday, A Wednesday
rainy poetry nights, lilac fragrance,
or golden September mornings,
what are you made of, I wonder.
ash-cinder volcanoes, lava flows,
or the vastness of your silence,
what burns more, I wonder.
rusted embrace, the fall of Rome,
or an empty bookshelf,
what you look like when you cry, I wonder.
Woolf’s suicide letter, Dobby’s death,
or you looking right through me,
what hurts more, I wonder.
Messi scoring a goal, Big Ben on a sunny day,
or the smell of rich leather,
what makes you happy, I wonder.
broken meteor, a tiny whisper from God,
or tulips showering from the sky,
what will unite us on a Wednesday, I wonder.
17 Syllables
The day I realised poetry has a face was also the day I learned
that a plain white shirt could send goosebumps and a spectrum of colours inside
my rib cage, you smelled something sweet, the odour of your deodorant,
something musky, and beneath all that, a scent as fresh as the morning dew.
You looked right through me, you shut a paperback halfway through
the story, leaving it unfinished, not really bothered about the characters, do
they kiss on a September dawn causing Orpheus and Eurydice to smile and look
down at them from the cotton candy clouds, or does ignorance pull them into a
gravity-defying abyss, and the agony permanently settling inside her
smoke-filled lungs? Now you will never know.
In prayers, I have said your name a thousand times, a secret kept
just between my tongue and lips. That day I looked at you and whispered
something you needed to know, gently, in a language understood only by the
prophets. I wonder if you heard me right.
Am I loving you wrong? Is that why it’s taking my voice and my
yearning a sea to crawl to reach you? And since I have nothing else to offer,
here is a haiku, 17 syllables that you will never read -
time is collapsing
the room is getting darker
I need light — come home
Kite and Manjha
I want you to call me a mad poet when I write a sloppy P in a ruled
book that I hide under a black cloth. One that Amma hands me to cover my head,
the other that wraps your eyes.
Then I write the letter O chubbier than your niece’s dimpled cheeks
and hope that one day you would need me the way a kite needs Manjha to kiss the
wide sky.
When I stretch E’s last line, I remember typing an Eid Mubarik
message, the thought of hitting the send button cut my body in half— the
religious part believes my 3am prayers would change my Qadr, the other half
likes to dip its mouth in raspberry vodka.
The vertical line doesn’t touch the horizontal one in my T, the way
your lips don’t meet when you say Allah Hafiz. I keep seeing your hand waving
goodbye at me like the last leaf swaying on its own.
I write R a little farther from T, because a POET is never close to
anyone but other poets who romanticised death so much that they kissed it once
and for all. One day I’ll tell you how Shams walked miles looking for Rumi, how
he made his poems/emotions fathomless.
Y looks like the road that’s in front of your house where a mango
tree is ignorant of coconut tree’s presence, or maybe the former is just
arrogant because it’s the king of fruits, but I crave for your arrival more.
You’ll find the notebook full of scattered prayers, sketched
jawlines and poetry where God resides in semicolons. I’ve built your name
holier than the mosque my father goes to pray for my destiny, and I to come
alive in the last three letters of your name.
Simra
Sadaf has finished her Masters in English Literature from University Of Madras.
She writes short stories and poems for magazines. She pursued her bachelors in
Sociology and has an abundant knowledge about the workings of a society which
she incorporates in most of her writings. She reads books of all genre and
likes to review them on Goodreads and other social media platforms. She loves
the art of storytelling and someday hopes to write something that will leave a
lasting impact on the readers. Literature drives her spirit and words churn her
soul.
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