Fire
Room
the city is shimmering by the sound
from our
room. the door is closed. heat — no
face smudges.
espresso cups throbbing: the invasion
of boyhood.
Mercury’s occiput is facing our room.
a portrait
of drums & scoffs is sensed
outside the door:
da-dun
da-dun & so on. Mercury, everything is
already a fait accompli, i & my
friends might be
atheists — or more.
Funʼs album, Some Nights is what i & the boys
are blasting. there has not been
sequences of
segueing like this before since Bad, Thriller,
& Off the Wall.
we screamed together, some nights i stay up
cashing
in my bad luck.
in a room this hot, there is this kind
of pop
rock that could eat up our city at
this peril
section. primacoustic sounds are here
speaking
our cadence into the lobby walls.
damn! i dislike
the cameras that are daring to claim
our
poignant femurs. our drumsticks are
wands: the
cymbals executes their power on the
roof.
Kano is a recurring face in our little
prism. the
razzmatazz of an esoteric heaven. The Band of
the
Apocalypse is our noun. the music is
syncopated, a lady is before our open
door.
Israel
Okonji (He / Him) is a Southern Nigerian artist of poetry, storytelling &
music. He has works in Brittle Paper & Bruiser Magazine, & forthcoming
ones in Midsummer magazine, Querencia Press, & Wasteland review. He listens
to music ranging from Nas, the Wu-Tang Clan to Chris Brown, Alicia Keys. He
hopes to fulfil his dream of collecting records like Craig Kallman. He has a
special place for Brit actress Emma Watson in his heart. He tweets @izrltrcz.
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