Monday, 4 March 2024

Five Poems by Robert McCarthy

 



Fungibility


Not much fun being fungible;

being contingent, being so

easily replaced. One fungible 

brother from another fungible

other can hardly be told.

Like soldiers in parade-ground rows,

or pennies in a roll, or banknotes

in a billfold; with no trouble

mutually inter-exchangeable;

one just as good as its greasy other.

 

According to Herr Leibniz, mage

and metaphysician, things two

by apperception, but sharing all

relevant predicates (function,

shape, colour, place) must be in truth

one. (Shut an eye and watch them glide

together, a seamless merger.)

The identity, it must be,

of indiscernibles (or else

the indiscernibility

of identicals). Are they one

and the same, a face and a mirror?

A mirror and a face?

A question,

that, for what’s ontologically the case.

 

And isn’t that what is the case when

what’s the case are bullets fired

from a gun? One and one and one

and one? Each bullet milled, cast,

rifled so precisely to match

its next-door other, nestled snugly

altogether, each, and each, and each.

 

Bullets, too, are almost always

multiple. A hellish hailspray,

a rain of terror. But each bullet, see,

from the point of view of shootist

and shootee, fungible; entirely.

 

Victims, too, are fungible, and often

multiple. A higher power

would be required,-- a marksman’s eye

most meticulous,-- to tease out

each bullet’s and target’s precocious

singularity. Hardly, too,

can be told apart the pieces

which the targets (sometimes called victims)

have been shot into; to construe

the scattered and strewn

                        organs

limbs

                                    tissues;

to say, that is to say, with artful grace,

which parts had gone with which;

who once belonged to this?


 

Possible Worlds


Heteronomies of paths; a fractal

invasion. Each path juddering off

from the last, filling all possible

locations. Charted, mapped, the myriad

ways reported; all you need to do is choose.

                        But, here, each decision

changes decision’s position. World lines

plot the many futures’ past. Thin blue veins

lead away, like flattened vascular trees,

to layer upon layer of horizons—

to a mille-feuille multi-verse;

an epistemic onion pie.

And every path is the one

you’re on, but every path’s occluded.

Wedged shut by a failure to act

(clot),

gridlocked by the least hesitation

(dot. . .dot).

Latitude zero degree.

Nothing at all left to see.

                    

 

Mythopoesis of the Modern


What by your measure is the heaven

of desire? Poison metal decays, releases

a bloom of radiant noise, lethal subspace

chatter. Overwhelmed, then, the code’s

immaculate typescripts, our nucleotides

scramble their alphabets, aberrant

signals call up the vigilance of fire.

 

Night; the air has weight, is substantial,

as if phase-changed to liquid matter.

I turn, like a swimmer trapped in a weir,

increasingly unbreathable

this leaden jacket of water the air.

Sudden creak of wing-beat, dark feathery

brush on skin of some uncanny thing.

Desire’s cormorant, his punctual arrival,

to eat of my heart again.

 

Winter’s citizens, stunned to crystal, shatter

in the sun’s inversion, in fragments whirl

beyond all reclamation. Acts and omissions.

A last chance. Briefly a starlit

direction had beckoned. No, they stand

where their boots had stopped them, up

to their thighs anchored, von Paulus,

at bay in Stalingrad’s iron mud.

 

A marvel, then, her embodied grace; the lithe

poise of each considered step, cobra-sway

of gesture, each its own raison d’etre.

Features indelible, as if sculpt from living marble.

Her smile a glamour of beatitude,

dazzling, as if the space about her shone.

Others, us, wake in the cold glare of judgement,

finger soul’s pitted membrane; the cramped ache

that is awareness, its basilisk grin.

 

 

Inspiration


Whose words are these? I

think not mine, but how

can they be other?

Ventriloquy?

Entropy?

Syncopation’s neutrinos, maybe?

Ghost particles, with speaking souls.

See their sleety fall through matter.

 

Hook, and reel-in; slow trawl through neural

chatter; fizz and pop, it’s a line stitched up,

words rainbow-dyed, star-spangled, erudite.

Open-mouthed, I catch them on my tongue,

Muses’ babble and blather, then spin them

into filigrees of trope, of metaphors

neck-tied in gallows ropes each dangling

modifier. . .

 

Nourishment from the noösphere, our cloud

of unknowing, whose wisdom it is to wait,

wait, wait with breath bated, for the figure to reveal

itself, for otherwords to seize the pen;

for speech in another register,

for conversations with the dead,

their voices sounding, and resounding,

in the emptiness of other heads.

 

Tortuous speech pulled from torn throats.

Verse’s endeavour vectors nightingale fever.

Bone-ache in enseamėd beds; laudanum,

with an arsenic chaser; creaking lift

of angel’s wings as another’s voice exits

my mouth, chanting ecstatic things.

 

Claustral intricacies; the lovely amble

of syntax and diction, bridging, leaping,

what abysms of verbal cut and thrust!

I sing plainsong and glees; whole anthologies

of staircase wit, of blackbird pies four and twenty

for a king fit.

 

Dark regions from which the poetry comes;

Words drifting like kites, beaks replete with meaty

gobbets. Red sounds. Blood’s perfusion

music. Meet (or meat) for your muse is whatever

happens to occur;

verse, now and always, the homemade treason

of spurious clerks.

 

 

The Little Friend


*Do brain implants change your identity?*

                        Epilepsy

A screaming comes across the skull, a stitch,--

bafflingly unlocatable,-- of rogue

electrics, unstable transductions. Commotions

of fired-upon neurons are common.

Axon tumults. Zig-zag lightning-

strikes induce circuit overloads. Dendritic

repulsions. Chem-trails track like a tornado’s

spindle, moving massively forth and back

across landscapes of white-matter, emulsed

glia; across swards of blank-eyed, thousand-

yard stares.

 

                        Seizure

Seizure or Caesar, in tripartite Gaul:

The falling-sickness-sequence of prodrome,

ictal, and post-ictal.

Seizure has ripped

mind from the seized one. “Know” is no longer

present. Presence, absconding, has gone

to a place where time doesn’t tell; where self

is resected.

Sparking, sawn-through cables writhe

like baskets of cobras, like a marionette

with its strings cut. Eyes rolled up white; teeth trying

to bite-

off what remains of the tongue. . .

                       

                        Implantation                       

      Wires run,

burnished or rusting, from brain’s electrode

implantation. A node of connectomes.

A device of sensors and circuits (plastic

packet lodged in lesion territory)

to dampen electrical fires,-- only

now it’s awakened some dormant idol,

a right-hemispherical talking-shop,

some shouting god, or bicameral other,

priest, vizier, your companion cortical,

your little friend, your helicopter mother...

a mindful switch to modulate the misfires,

interdict each case of brain-case fricassee,

channel the lightning harmlessly to ground.

 

But more. This imp

of conductance, this elven homunculus,

this clutch of neurotrophic wires; of ‘trodes

in skull holes. . . grows, as it were, a soul;

becomes a daimon like Socrates’ jinn,

murmuring warnings, shouting an order;

becoming some sort of subcortical

regent, a lawgiver to the implantee,

in speech heard by only the ear’s other

side, its vestibular interior.

Glottal commandments, orders in sibilants

and fricatives. Things one must not do, things

that must always be done. . . . Uncanniest

of counselors, who whispers to your mind’s

ear, in a voice always already there.

self, in sibilants

and fricatives, in glottal commandments,

Things one must not do, things that ever must

be done. . . uncanny counselor, who whispers

to your inner ear, voice always already there.

 

The implant ramifies, amasses fiefdoms,

allies. The little friend and you inaugurate

a duopoly; a Damon’d Pythias

of equal care and love; a Gemini.

The fabled ghost tucked in its meat machine,

two not so easily fooled as one is.

A Solon rather, lodged in grey matter’s

tucks and folds; an elder brother to warn

of brainstorms’ coming-on. A two-heads-

are-better-than-one co-dominion

is yours: Yours, and your insider archon’s. . . .

 

Removal

When they remove the device (warranty

expired), you will know what it is to die twice.





Robert McCarthy is a writer living in New York City. His work has been published in a number of journals and magazines, including Orbis, Lothlorien Poetry Journal, The Alchemy Spoon, Ice Floe Press, and others.





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