Message in a Bottle
I took a green bouquet in my left hand
to the ocean. Ocean flowers,
green roses for your green eyes, Mother.
Take my imperfect love bundle, Mother
who rocked in arms, as I slept,
whose body vessel brought me this shore.
Carry me on nothing to fear,
take this me-dream green destiny of forget
into your bosom’s roses, ghost,
sky flame, ship minuscule on the horizon
of boarded glass.
Where ocean and years hover,
plums drop from branches,
near a window a white cloth’s gold crumbs
leave no trace
at all. Your hands’
oblivion knuckles clouds.
The sea’s drowning hand waves far out.
I think it time, retaliation, the eyes in a face
of sand, the answer that is and is not.
I fling feebly to your vast
wave crested nothing, ashes.
Kisses
of milk-box near steps
cloud the curved bottle’s message:
the all of a corner’s broom, April showers.
Roses of the sea lie on the ocean floor.
Apples fall from eternity’s green branches.
Up and Out
Champion pole vaulter Bob Richards is up,
the abandoned air base is out.
Bob
Richards, not to be confused with the great
Wendy Richard of East Enders and
Are You Being Served?, vaults on the box
of Wheaties, breakfast of champions
and with strength, skill epitomizes Up,
as does the air base Out: lots of macadam
to venture out to where earth meets sky,
a body could walk forever runways empty
of aircraft. Cracks with
weeds form
a pattern, as did Bob Richards with his up,
over the bar, down, pattern of practice to be
in the Olympics and at meets that lacked
Olympic fanfare. All it took to do that up
and over, his one aid a pole, moves me,
as does the airbase’s abandon,
its lots of walk out far as the eye can see,
its horizontal, like its sky, void of gliders and
planes. Though a few years back, a glider
fell, its pilot’s life lost, I heard. I wasn’t there
then. I was in a room without windows,
monitoring students writing to a prompt
called Now I’m Paying for It.
Each had a different It, most, a lot to say.
I wasn’t sure that prompt would work.
One by one, they stood and read aloud.
Chapter from an Egyptian Novel
He looks for his lost love
only to find that she died
and that he attended her funeral
and didn’t know it.
He dreams about his father
taking him into a cemetery
pointing to a stone and saying son
this is your grave.
He searches for his lost love.
He plays the piano.
A bird flies through an open window
and then out the window.
He marries a woman
with green eyes, they have a son
a house on a lake.
He searches for his lost love
the love of his youth
the girl who was like a rainbow
a mountain an orange flower a river.
He was not aware the funeral
he had attended
was for her.
He worked at a large
company, so large
he didn’t know his supervisor,
except in name, whose
wife died.
And out of a sense of obligation
partly out of sympathy
partly out of boredom,
he straightened his tie in
a mirror and then took
his seat among mourners.
It was her coffin up there,
in a pavilion, on a
platform. He
could barely see it
through all the flowers.
Selfie
“She even thinks that up in heaven
Her class lies late and
snores”
I see, it’s a poem printed on a white board.
I’m with you, behind the bulk of gold
podium. All these desks.
I just popped in.
While it’s just you and I..see, I know
my pronoun cases. Cases, Casey.
Jose said to George, She was just a kid.
You came into her bedroom, unzipped…
the unmentionable, Jose nailed it.
A father flies across the courtroom,
a bailiff pries father fingers from Jose’s
throat, but George...Score one for Jose.
It worked. I walked out a free woman.
You’d think a father...I never knew Caylee’s.
What happened? You’ve
read about
Cindy a nurse, George a doting grandpa ,
the backyard pool, the shallow grave,
Zanny the Nanny, Universal Studios
I work there. I’m here, with you.
What’s the weather like in Orlando?
Do I like chocolate martinis?
I like to party, the Orlando club scene.
I’ll toast a memory, Casey Anthony,
Mother of the Year! Tone
is everything.
Jose, demonstrative, emphatic,
to George, “your daughter’s mouth!”
Caylee’s taped corpse, Zanny the Nanny.
You’ve written, If you take “even”
from the first line, the poem
is no longer Cullen’s classic quatrain
“To a Lady I Know.” Tone,
nuance..
I should write fiction. Casey Anthony,
Mother of the Year. This podium
you hide behind. All these empty desks.
While it’s just you and I, let’s you hold
the iPhone, there, mom of the year’s
arm round prof of the year’s shoulder.
Don’t get that “she even thinks..”
in the picture. Big smile, here at Clovis
Community College, you and me,
big smile, lie our way to the truth.
Peter Mladinic’s fifth book of poems, Voices from the Past, is due out in November 2023 from Better Than Starbucks Publications. An animal rights advocate, he lives in Hobbs, New Mexico, USA.
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