To the Patron Saint of Lost Causes
What a terrible day to die—-
breathing in all those tulips,
especially the red ones,
so upright and righteous. Sneezing yellow pollen anytime the wind blows.
Let me go to a white room.
in a downy cradle,
With a peppermint to roll off my tongue
after this great meal.
Don't crowd around my bed.
Give me space to drop
my memories.
They are just spilled milk and shattered glass,
but too heavy for the arms that will carry me.
But if I get to feeling better,
put my ragged hair back on my head, and
place a flag from here to there
for the then and the now.
Praise stamen and stem everywhere.
Night Song
Come to me with your star fed
eyes and lilt the night with
round laughter's face.
Come down your ladder
it is rung with tears
to earth adorn its loverless being
for the half shell, the death knell
rings without ceasing,
taunts a sad creature
on this moonless evening
tethered to the ground
from endless grieving.
But enough time for thinking of ethereal things
Bring particles of music,
music that minstrels make,
a fine interweaving
a cloth of lull, a cloak of
sheer, sheer, sheer.
Bring a purse of silken dreams
comfort me when you're through.
Hold me, hold me.
Behold and hold me.
For I weep of laden days
Heavy with brown.
Heavy with brown.
Daughter of Ophelia
She wakes up in bed
with the Sun— vaguely familiar
(death isn't for everyone)
casts aside a faded wreath
prays for all sleeping flowers
Near a patch of wild viola in
the shadow of the birdbath overturned,
near the hollow trunk
of a redbud tree—
a rusted rake, a buttercup.
The Cecile Brunner rose.
But she's no sentimental chick—
this girl,
All hail this new Ophelia,
who leaps for a new day
grateful for even chilly breath
wishes for a different name
—perhaps Gloria or Dawn.
White Plastic Buttons
Feminine is the night.
Evening stars, white pearls sewn on deep blue velvet,
carrying a purse.
What if instead of twinkling things
our eyes deceive
It's little white plastic buttons
on gingham
carrying a small basket—
canopied and righteous all the same.
Fait Accompli
We met in Ramses Hall of Healing.
Oh, all those books!
But of all the classics the scholars poured over,
and of all the tragic tales that made young women cry in their beds,
of all the splendid cinema
and the famous operas that caused crowds to weep,
of all the poetry that has laid men in their graves,
our story is the saddest.
But there is no one to tell it—
not that anyone would be worthy—
because they couldn't see that cities and mountains blocked our view,
that oceans vowed to drown us, and that pestilences threatened to burn us.
We will never be together with the sunshine on our faces,
nor see our children born of willing flesh.
I have paid the scientists
to work day and night in my favour,
but being cursed with too much wisdom
I am doomed to go before you,
to be but a shadow on a
moon-cut night,
a candle without a wick.
It is right and just that I go where the North Star can't find me,
and when I take my leave
in my desperation to swim the seas,
I will leave nothing of you for someone else.
Nancy Kennedy grew up in a rural area of Tennessee. As a young woman, she moved to Michigan where she obtained a Bachelor of Philosophy from Grand Valley State University and a M.A. in Communication from Western Michigan University.
She is a full-time writer and currently lives in Alabama.
What a fascinating voice, packed with ancient legends of the gods.
ReplyDeleteWho did the artwork for this post? It is perfect for my poems. Thank you.
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