I asked the wind for help
I lost
a baby shoe
a
bicycle horn
an
acorn cup
I
looked in the glove compartment
the
medicine cabinet
the
bottom drawer
and you
found them
but I
could not understand
your
voice
my
wedding band
your
father’s pocket watch
my
grandmother’s sapphire
they
remained lost
but you
left one perfect feather
in my
hand
Ichneumonidae
Such a
life! The ichneumonidae inject
their
eggs into caterpillars so that
their
offspring, tiny larvae, can consume
the
live caterpillar host from within—
then
burst out, fully formed wasps?
It
seems Darwin gave up belief
in a
benevolent higher power
observing
the facts of these lives.
Ah, but
doesn’t all life prey from within,
destroying
its host, dear little planet
dear
mother Gaia, blue-green earth?
‘The Imposition of Ashes’
Ashes all day. All
are welcome.
It’s almost time again. The palms have dried
over
the top of the bathroom mirror.
Their
fronds are crisping into dust—its time
to turn
them into ashes. Dust to dust.
Shall I
mark myself, await a bishop,
or seek
a simple priest. Fortunatus, do you answer
to the
morality of invisibility beneath your
wishing
hat? Do you pull on a poor girl’s
heartstrings?
Strumming them as your harp of gold.
I go
bareheaded. Hair pulled back. Forehead
ready
to be marked. I don’t shower
often.
They’ll be there for weeks. A third eye,
smudge
from a dirty finger. Removed only
by a
mother’s kiss. Holy Eucharist.
In Which Milo Gilman Plays the Part of “The Hired Man” at the Thompson-Ames
Historical Society on Gilford New
Hampshire Old Home Day
Millie
Saunders is the wife, Tom Saunders the farmer, and Milo, sunburned
balding
head under a John Deer hat shuffles to the side door beneath the old church.
We are
standing in the August sun, ice cream cones and cotton candy sticky
in our
hands. He knocks tap tap tap with a twisted stick. And the woman is kind.
The
woman is always kind. Laying out a threadbare quilt. Fluffing a small
embroidered
pillow.
Home Sweet Home. Home. He lies down on a pile of straw. They turn away
with
earnest voices. He has come home. All of us come home.
I saw Sun Ra walking
on
Armat Street in Germantown
with
his gold crowned snake hat
and his
staff bedecked with gloved hands
near
the boarded up Band Box
theatre and he was old already
without
an Arkestra but real real
for all
time and I walked with
that
step that slide slide catch
and
flowers bloomed and were sucked
back
into the pavement and he had
an
umbrella against the sun
and a
little fan that blew away wind
and
rain and I was tired then I heard
Rufus
Harley in his tartan tam
blowing
bagpipes and I called his son,
God’s
Messiah, into the waiting room
Kelley White - Pediatrician Kelley White has worked in inner-city Philadelphia and rural New Hampshire. Her poems have appeared in Exquisite Corpse, Rattle and JAMA. Her most recent chapbook is A Field Guide to Northern Tattoos (Main Street Rag Press.) She received a 2008 Pennsylvania Council on the Arts grant and is currently Poet in Residence at Drexel University College of Medicine. Her newest collection, NO.HOPE STREET has just been published by Kelsay Books.
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