A Pinch of Money
A
brazen image on that wooden
double
door, the relentless banging
that
erupts as soon as I turn the first page.
The
city is still and gentle now without
it's
occupants, the walls now starved of echoes.
This
space here is still a landmark
without
the usual bustle, the jagged
roofs
and cranes litter what passes
for
a skyline, almost tempting yet
more
unnecessary design without
consent.
The
afternoon strips back, places
it's
palms in invisible laps, our time
no
longer filled with bottles and filters,
our
hands no longer idle, only desperate
for
free time, so they can reminisce without
consequence.
It's
just enough to stifle our words,
allow
us an olive branch, burned
and
twisted like forest fire timber,
so
we never ask for scraps; heaven
forbid
their trickle-down should ever
comply
to gravity.
The
Corner
The
same stones that we used
to
crack windows and bus-stops,
now
settle under the aged soles
of
our feet. The same over shadowed
corner
where we choked on cheap
cigarettes;
regurgitated wine and false
attitudes.
The
same orange brick walls
stand
within that half demolished
church
house, that you claimed
was
haunted but was only possessed
by
ourselves; like a crowded cell,
it's
enclosing walls a constant taunt.
Our
reasons for being here eventually
dissolved,
a depository that gradually
diluted
the curbs of this street, it's limbs
now
weakened and unable to defend
against
our freedom, that now threatens
it's
already fragile security.
The
council meetings failed to remove
us
from that ground on which we etched
our
names, we planted those rancid seeds
that
sprouted evergreens that now remain
each
year, the mantle handed down,
no
need for us to ever return.
On
the Benches
The
benches creak as the honourable
gentleman
scrapes the powders
from
his pockets, his lies so prolonged,
they
can only be recorded via legend.
Those
ancient papers that adorn that centerpiece,
much
smaller in reality than through
the
eyes of screens, are stubbornly torn,
like
discarded laws amongst shredded headlines.
The
backhanded jeers wash out
any
chance of retaliation, via the streets
or
these four walls, his sentences slowly fragmented
like
unfinished jigsaws.
The
last, sly chuckle chuckle emits from
that
twisted grin, an out-pouring of disguised
disgust
for decency, as once again
he staggers, kissing Her Majesty's hand.
Jonathan Butcher has been writing poetry for around twelve years. He has had work appear in various print and online publications including: The Morning Star, Popshot, The Rye Whiskey Review, Mad Swirl, Drunk Monkeys and others. His third chapbook 'Corroded Gardens' was published by Fixator Press.
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