Arums
“If I had arms like an octopus I’d wrap them all around you
and give you a big birthday hug,” Aunt Harriet wrote on the pink card with
oversized arum lilies on the front and a poem inside that rhymed “a friend so
kind” with “you in mind.” She was large and her kisses were wet as oceans.
When Harriet
passed only days after the card arrived, his mother cancelled his party for the
second year – he’d had chicken pox when he was seven – and packed him in the
car.
“Nothing is
fair,” she told him, “not life, not death, not even love, and of those three
life death happen anyways and love was the most difficult because it is hard to
hold onto.”
It rained
all the way south. Spring was barely in bloom and the car windows fogged. His
mother refused to drive with the radio on but the beat of the wipers and the
steady thread of boredom put him to sleep.
When they
arrived, Aunt Thelma had turned the mattress in Harriet’s room for them, and
when they woke and his mother adjusted his suit she insisted he wear his clip
on bow tie because all the men in the family wear them.
Aunt Harriet
lay in her box in the living room window, the bier embellished with
arrangements of arum lilies. Their open mouths made the flowers appear to gasp
or cry out for help. The rose scent of perfumed women and the headiness of the
flowers in the fierce humidity made him think he was wrapped in a dog’s
panting.
A bald man,
heavyset with his shirt buttons pulling, stood next to him as he stared at his
aunt in her stillness.
“I’m your
Uncle Grant. Thelma and Harriet’s brother. I don’t think we’ve met.”
The boy said
nothing.
“Your Mom’s
raising you. She’s a brave woman. They’re brave women. Has anyone given you had
the talk yet? I want to get to know you, teach you how to tie a bow tie like
mine, and tell you where to hold your hands on the steering wheel when you get
pulled over.”
The boy
didn’t understand. He’d watched his mother drive. He turned and went outside to
the porch.
In the grey daylight, the houses in their
stiff front faces looked alike, but what made each one different was the paint
on their clapboard, some of it peeling, some blue, some yellow. He leaned over
the porch railing.
In the
flower bed directly below, a single white lily had bloomed, its mouth open to
the sky as if it wanted to suck down the clouds by catching raindrops to quench
its thirst so he and his mother could go home.
He went down
the steps and tried to snap the stem, but the shaft was supple. It bent in his
hands. The sinews held fast. The flower drooped. He knelt and using his pocket
knife, cut through the stalk, mangling it with each pass of the dull blade. He
would give the flower to Harriet, lay it beside her in her box, and write a
small card that said, “You in mind.”
The women in
the kitchen didn’t see him tear the bottom off Harriet’s last shopping list or
notice as he laid the arum beside his aunt. He wanted her to know he loved her
though she had always been far away and ruined his birthday.
He heard his
uncle calling out, almost in a shout so everyone could hear, “Where’s that
boy?”
Grant grabbed him by the shoulder and took
him out to the porch and made him look over the railing at the lily stub.
“Why did you
take your aunt’s last flower? She grew lilies. That was her last. She poured her
love into them, every year kneeling close to the earth and saying she thought
she heard angels there. The last lily was her way of saying goodbye to
everyone, and you’ve ruined it. You got mud in her coffin. What were you
thinking?”
He didn’t
know what to say. He wanted to cry.
He ran upstairs to his aunt’s room where he
and his mother slept and buried his face in the pillow until everything was dark
with a terrible darkness that pricked him with shame and emptiness from the
weight on his shoulders down to his stomach.
His aunt had
so many arms, so many ways of reaching out and drawing people to her, and the
void he saw as he pressed his face to the pillow resembled ink, and he thought
he would ask her forgiveness by writing a story about her, perhaps with the
title “You In Mind,” and the ink was right before his eyes.
Bruce Meyer is author of 67 books of poetry, short fiction, flash fiction,
and literary non-fiction. His most recent collections of short stories are Down
in the Ground (Guernica Editions, 2020) and The Hours: Stories from a Pandemic
(AOS Publishing, 2021). He lives in Barrie, Ontario.
No comments:
Post a Comment