BEECHAM
Cough-nudge-wink. There’s always
a scintillating bit of gossip, be it
Covent Garden contract shenanigans
or high society folies
à deux,
shade thrown on the great and the
good
or what he said that incensed
Seattle.
Weigh that against the litany
of orchestras conducted, countries
visited, a jet-setting
lifestyle
before the jet-set even existed.
A maestro of international
means:
a man of the future. Not to be
sniffed at!
REINER
For all that he can reduce the sound
of an orchestra to a held breath
or drive it to thunderous denouement
the movement of the baton is
millimetric.
For all that his image on album
covers
is an exercise in the
suppression
of personality, a blanking out of
distraction
he is the face of wrath to errant
players.
He is a rod-of-iron tyrant
answerable only to the score.
JOCHUM
His Bruckner is a symphony cycle
for the ages: a definitive statement
on the sacred, the all-too-human
and the terrifying void-like spaces
in between; a treatise on faith
and darkness and the interstices
of the deeply felt and the
seldom
admitted; a masterclass in agony
and transcendence; an edifice
set in visceral contrast
against
these earthly ruins: a
cathedral
incandescent with the fear of God.
HARNONCOURT
It is in his blood: the music,
the history, the nobility
hardwired by decades,
centuries, heritage.
He has re-evaluated scores,
unafraid to be abrasive
resolutely done his own thing
in absolute service of the work.
At the close of his career
the Missa
Solemnis stands,
colossal, a testament.
Neil Fulwood was born in Nottingham,
England, where he still lives and works. He has three collections out with
Shoestring Press: No Avoiding It, Can’t
Take Me Anywhere and Service
Cancelled, with a fourth scheduled for
publication next year.
These poems are drawn from a longer sequence p-in-progress under the provisional title The Great Conductors. Each poem in the sequence seeks to distil the essence of one of the great maestri, either by capturing their personality or focusing on a formative moment in their life or career. Neil Fulwood.
No comments:
Post a Comment