Worshiping the Lordship
Every day
I crawl to God
Every day on my knees
I look for Him
Mostly I find Him
Sometimes not
Others seem to know exactly
where He is
and
where He is not
Many pretend
that He lives
somewhere between
heaven and earth
That He takes
the elevator to the sky
(linens on 3
absolution on 7)
That they have
misplaced His address
and left His cell at the office.
Most likely
they say
He was born
in the deep interior
of some mysterious country--
beyond the Beyond
There
swaddled in blankets of fog and ether,
He weaned Himself on riddles
like
How many light bulbs does it take
to change one person's mind?
or
If a man cries alone in the Universe
is he said to have made a sound
But no one can solve the Mystery
of how He spent His time there
and how He spent His time here
all at the same time
Maybe
He had a Father and a Mother
Maybe
they were going through a divorce
Maybe
He was a mistake
Maybe
He was unwanted.
Your government
your church
your lover--
they don't like riddles
they like to keep things Ship-shape
They have all the answers
they want
Besides
no one wants to hear
how God came from a broken home
how She was an orphan
how She was abandoned on our doorstep
how no one heard Her knocking
how She had to crawl to the altar
and pour Herself a glass of wine
and toast Her own bread
No one wants to hear
that
when She finally found Her place at the table
the table was too long
with Jesus way down at the other end
No one wants to hear
that
when She finally found Her place
they kept raising the rent--
so many mouths to feed
and the burden
of carrying all those mattresses on Her back
Right about now
I think She's thinking
of trading in the table
for a two by four
I find
She spends long hour
tweezing splinters from her elbows
and polishing her nails
Right about now
I'm thinking She's thinking
that soon very soon
She may go for a pack of smokes
and then...who knows?
Your government
your church
your lover
they'll all weep openly
of course
they'll all tell you
they never wanted Her to leave
They never want anyone to leave.
They want to be able to find you
They want to be able to keep you
in your place
on your knees.
Polishing the Mirrors
We are not exactly pretty
people.
We are all rather
beautiful-
ly flawed like carpets
they weave in the Middle East
where they plant in each
on purpose
an imperfection to give it a
soul
Soulful are the weeds that
grow in my garden–
some not so
pretty I may have to plant and water
just one flower there to make
it less imperfect…
I’m not exactly
sure I’m inexactly sure
if that will make me
any more beautiful
but it should do a lot for the
garden
I plant myself before the
looking glass
gazing through eyes
I must tend to every day
Eyes that shrink
before their own eyes
Eyes that slowly turn
as I gently rake away
the grit and sand
of illusion and
disillusion—
the dry seasons of regret
that neither time nor prayer
or moisture can restore
Once they were
wide-eyed almond shaped
Matisse odalisque come-hither
eyes
with lids that closed and
opened
like silken petals in early
dew
Now sunken in
their horizons
they hang shrouded in raw
gauze--
veiled in their ancient
mysteries
whose roots remain
unseen
Only the hands of my eyes
remain visible--
stems that I cannot
silence
hands that are
everywhere
They rub my eyes with a
passion
they rub my eyes with the fury
of a Brillo pad
they rub my eyes like they’re
lottery tickets
like there’s no
tomorrow--
until they shine like
mirrors
until they cannot see
I am polishing the mirrors of
my soul I say--
tears beginning to pour like
the miracle of rain
But I know better
It is always those hands I
cannot see
that do most of the polishing.
My tears and I…we
just add a little
spit
to the shine.
Sp-eyes
They are everywhere--
here there
in restaurants in schools in mosques
your closet
your bed
your last paragraph--
those curious question marks!
Spies with eyes
in the back of their head
are tracking you
like the CIA
like a jealous lover
like a digitalized number
on an overnight package
Big Brother
surveillance cameras
the eyes of your computer
the eyes of strangers
stalking you like a wet dream
At the doctor’s office
even the stethoscope
knows your real name
and where you live
My own breath holds its breath
My walls cover their ears at night
My lips are sealed
with wet plaster and government staples
My poor poems run for cover
lest they be put on ICE
Look what happened to Whatsisname !
And remember Federico Garcia Lorca
Dictators kill poets and journalists for less
Assange Snowden Manning
Need I say more?
Even the babysitter is a snoop
Soon you will be tempted to bribe her with bubble gum
or offer her a ride home
And you can forget the dog he already knows too much
Who and where are they now these
spies
or are they us ?
disguised as ourselves
our enemies our friends fellow citizens
wearing three-piece law-suits--
Insidious Conformity Corporate Greed and Guilt Inc--
dark shadowy substances
lurking invisibly
with side-way glances
I Spy with my little eye
the eyes of spies
Eyes observing
through glass under glass
unblinking binoculars
neighbours voyeurs Private Eyes
eyes in your privates
(Lovers are especially dangerous
You can never tell them anything
they don't already suspect)
Secrets like lovers take oaths
take prisoners take pleasure
are their own captive audience
behind locked lips--
double agents Agent Provocateurs
dangerous liaisons
After all
Enquiring minds want to know
You want to know
They want to know
I want to know
And conscience sighhhh
Conscience is the worst
Conscience and God--
They want to know Everything!
Repeat after me:
I will tell them nothing
I will tell them nothing
I will tell them nothing
Remind me won't you ?
to write this all down
in your little black book.
Antonia Alexandra Klimenko was first introduced on the BBC and to the literary world by the legendary James Meary Tambimuttu of Poetry London–-publisher of T.S. Eliot, Dylan Thoma, Henry Miller and Bob Dylan, to name a few. his death, it was his friend, the late great Kathleen Raine, who took an interest in her writing and encouraged her to publish. A former San Francisco Poetry Slam Champion, she is widely published. Her work has appeared in (among others) XXI Century World Literature (in which she represents France) and Maintenant : Journal of Contemporary Dada Writing and Art archived at the Smithsonian Institution in Washington, D.C. and New York’s Museum of Modern Art. She is the recipient of two grants: one from Poets in Need, of which Michael (100 Thousand Poets for Change) Rothenberg is a co-founder; the second—the 2018 Generosity Award bestowed on her by Kathleen Spivack and Joseph Murray for her outstanding service to international writers through SpokenWord Paris where she is Writer/ Poet in Residence.
Loved the underlying gravity of these poems .
ReplyDeleteThe impassioned intensity sparkles so brightly that you find yourself glowing with the words .
Excellent poems all. Loved the imagery, the biting satire and the stinging Truth. Kudos