Tread Where There’s no Path
Don’t walk where others
trod before
but rather step where none set foot prior
and tread barefoot, if need be
to leave even a trail.
Don’t deem as right the
cursing mind
that sings them praises all around
and steers green minds to twisted trees
without a chance to ever break them free.
This blithe young heart
that pumps inside
your chest, so deeply unconcerned,
This bright young mind that sparks wild thoughts,
that never knew the taste of reins,
this reasoning, still young
from shell,
eager in stride and not in aim,
why waste it by stepping on another’s print?
Its mark’s exclusive only to your mind.
At present, days may lack
rewards
and drearier seem still, like winter’s leaden,
but trust your step, its path is marked,
foundation set, and marked in strength for future.
What else, you ask, your
eyebrow arched -
the meekest hint of youth laid out,
Stand tall, spread out your legs, trod on,
aim for your own path, don’t duplicate.
The Chart on my Hands
On this chart your calloused hands
spread before me, the parchment crinkling,
frail along folds,
stained, wavering edges,
I choose to follow,
the grid will guide my trail,
you trace your finger, no need for words
from here to there you will travel,
such a long road I imagine absorbed by
your skin, thin and leathery
as if water and sun hit it constantly.
Along its netting, on the map,
a pattern routing the complexities
of my life,
I go.
Your fingers drum here, and there
leaving fingerprints on the map
marking stop-overs
I only later remember
you’ve mentioned.
There are ridges, the way the map was folded
as you kept it in your breast pocket,
they birthed gorges.
There are highlands,
for good measure, following suit,
and streams,
I wonder if you wept as I looked away,
riverbeds too, crooked, aged,
it was an old map,
laden with nostalgia.
Here, the vintage print illustrates
the secluded path
where I’ll meet a girl
with the sweetest face,
then the shadowed street
where we’ll share a home
and many laughers,
an enchanted life,
among flowers and everlasting scents.
But what a short stay,
I see now.
The uphill follows next, blood stained,
ensnared,
in a poised landscape,
in a distant land,
forced in a stamped existence.
It was all marked,
I see. Now.
I don’t want to follow
the map laid out for me,
why should I fight battles
I never chose to be in,
spend my body
creating ties
that repose riches
I had no knowledge of?
I stretch out my hands
and cover the map,
erase the mountains
and the deep shafts
and believe they are gone.
Invisible to the eye.
Look at your hands, you say.
I turn them over, and there are
the mountains, rivers, streets and towns.
closed borders, forced entrances,
The landmarks I covered before
Blue lines, on my hands.
And at the end of my path
that you set out
in the palm of my hand
and I could not choose
not to take
I see the sea.
Okay, I’ll go.
Cold under the Sturgeon Moon
Tranquillity, bridge over the harbour,
the falsehood of rotten wood.
Speechless were we
as the Sturgeon moon introduced
the night symphony, stellar and amphibian
like an orchestra warming up.
Ignite, the moon did in the sapphire sky
its powdery soot, you said, the darkest shade
of the heaviest shell
that lies on the bottom of the sea.
Let’s watch the show, I prayed
knowing you won’t trust this symphony.
My heart soars free.
I hold your hand, the show’s at end,
the moon went dead, and night passed by.
Chill fills my palm: it claimed your arm,
the dimple that’s above your elbow.
Hush, hush, at peace, I whisper.
With a medical degree behind her, writer and
poet Patricia Furstenberg authored 18 books to date. The recurrent motives in
her writing are unconditional love and war, while Patricia’s keen interest for
history, folklore and dogs brought her writing, through a perfect loop, to her
native Romania, Patricia being the creator of the hashtag #Im4Ro hashtag,
sharing positive stories. Her writing appeared online in Romania Insider, Books
by Women, Huffington Post UK, Biz Community SA, Secret Attic, and Poetry Potion,
Gobblers & Masticadores, Masticadores Rumania, Spillwords Press, The Poet
Magazine to name a few. She resides with her family in South Africa.
Beautiful poems by Patricia.
ReplyDeleteThank you so much, Roberta.
DeleteHi Patricia. Loved the "Chart in your Hands". đ❤️ These opening lines were so wonderfully descriptive and had me hooked straight away!
ReplyDelete"On this chart your calloused hands
spread before me, the parchment crinkling,
frail along folds,
stained, wavering edges,"
I appreciate your support, Ken. So glad to hear this.
DeleteWonderful work
ReplyDeleteThank you so much, Danny.
DeleteStrider, thank you for believing in my poems.
ReplyDeleteIt is an honor to have part of my writing published in LothlĂłrien Poetry Journal.
Congratulations, Patricia - they are superb!
ReplyDeleteThank you so much, Toni. It means a lot :)
Delete