Commitment
Flash Fiction Story by Cheryl Snell
At
first, I just couldn’t. I mean I knew I was dead, technically. It had taken me
a long time to get there, and had worn my husband and my sister down to nubs
what with all the care-giving. They worked in shifts so they wouldn’t trip over
one another. They avoided each other under normal circumstances and my illness
had not brought them closer. In fact, they resented the hell out of each other
because each thought I loved the other more. I actually loved them equally, and
for many of the same reasons. They were very much alike, but neither one could
see it.
I
left hospice with great fanfare, had the bed alarm going non-stop no matter
what the janitors did, and then let the faucets all open while I drew my last
breath. My family didn’t understand my farewell, but the nurses did. They’d
seen everything. They would probably not have been surprised at how I spent my
time after I died, with nights in the land of the living, and days in the land
of the dead. I was so worried about my family and how they would get through
the mourning period I felt compelled to supervise. It’s not actually haunting
someone if you only intend to hover, is it? I needed to be sure they would be
ok before I could rest easy. It was for eternity, after all.
The
first night after the first day with the deadheads was difficult. To see my
beloveds crying in one another’s arms, the force of their combined grief
pushing me into the folds of the billowing curtains, touched the heart I no
longer had. I watched over them as they slept their exhausted sleeps, flowing
from one room to the other. My husband kept to his side of the bed, clinging to
the edge as if he was afraid of my empty spot. Did he think he might die too,
if he touched where my body had been? I couldn’t resist disproving that
superstition─ I carefully slid into my side and let the covers float over me.
He sat bolt upright, eyes still closed. His reaction startled me so much I
rushed right into my sister’s room. She lay in the middle of her bed, arms and
legs splayed. Her position was a testament to her loneliness. She had never
shared a bed with anyone but me, when we were children. There was no room for
me now.
I
found myself back in the land of the dead just before dawn and decided to look
up my old friends and relatives. At least I’d get an idea about how to manage
the space while I waited for the night to return me home. I found my mother
easily enough. She was serving breakfast to her mother, her mother’s mother,
and a string of foremothers as far as the eye could see. My father was hunched
over a blank newspaper in the corner. “I’m busy right now,” Mother said. “When
you finish with your sister and that man below, I’ll help you settle in.”
That night I found my husband and sister
arguing about the five official stages of grief and who was passing through
them faster. What, no argument over what to do with my collections, the
Swarovski crystal figures, my musical instruments, my ashes? I had to laugh,
and the disturbance in the air caused their heads to swivel in my direction.
“You promised you wouldn’t scare us,” my sister said. “No haunting! We agreed.”
I was instantly catapulted back to the land of the dead, into my mother’s kitchen, where I took my place as a newcomer, serving her and the foremothers lunch. “Well, your sister never could stand for you to have something she didn’t,” was all they said.
Cheryl Snell's books include poetry collections from Finishing Line, Pudding
House, Moria Books, and others. She is also the author of the Bombay Trilogy
novels. Widely published online and in print, her work has been nominated seven
times for the Pushcart Prize and Best of the Net, and one poem was included in
a Best of the Net anthology. She won the Lopside Press Chapbook Competition
with Prisoner's Dilemma, illustrated by her late sister Janet Snell. Recent
work has appeared in the Ilanot Review, Cafe Irreal, The Drabble, and
elsewhere. She lives in Maryland with her husband, a mathematical engineer.
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