Sweet Ruin
I could have gone on
aching down lamplit streets
gazing at lives lived
in glowing glass cases
kid noses pressed to picture windows
parents making dinner in gleaming kitchens
and I with my collar raised
against the evening chill
invisible to the well-lit residents
of those rambling houses
a solitary walking-wound-of-a-man
arranging poems like abacus beads
in my wool-capped head
savouring the sweetness of dejection
tart skin of melancholy
turning on my tongue
mantle of monkhood
heavy and welcome
on my stooped shoulders
my name already etched
behind grime and dust
on some tilted tombstone
smothered in bramble
in a dark corner
of a forgotten graveyard
in a little nothing town—
but you answered my personal ad
and ruined everything.
I Wish I Were a Mailman
Satchel slung like a warm baby
across my well-exercised body,
feet snug in my boots, sun
like a hand on my back,
rain and sleet prickling my face
and reminding me I am alive,
I am a U.S. postal worker,
my duty is to deliver the mail
faithfully, to hand bacon treats
to savage dogs until they are
lifelong friends, to worship
chewing gum clouds and trembling
trees, to fold the origami sky
into my back pocket and pour
envelope waterfalls through
mail slots, to pet holy cats
pursuing Buddhahood
on simmering carpets of grass,
to one day drive my little truck
in pursuit of a monarch butterfly,
forgetting my route and my
responsibilities, forgetting
even the butterfly, pressing on
through crumbling valleys
and festering fields until
I reach the improbable mountains,
eyes agog at granite cascades
tumbling inches from my
hairpin tires, a bald eagle
watching calmly as I execute
a perfect barrel roll down
the slope and come to rest
against a ponderosa pine,
little white truck on its side,
two wheels slowly spinning,
a brown rabbit shyly investigating
the squeak.
~
Upon further consideration,
accountant might be a better choice.
One Flew Over the Matzah Nest
We buy gluten-free,
non-kosher matzah—
all that’s left on the raided
grocery store shelf.
After the Passover Seder
at my in-laws’ house,
we return home and find
the forgotten, unopened box
on the kitchen counter.
My son opens it,
nibbles a corner of a flat,
unleavened square,
makes a face,
and feeds the rest
of the cracker
to the dogs.
~
The next morning
he tries again — takes
a faux matzah square
to munch on our dog walk.
Soon the dogs
are crunching crackers
while pulling for squirrels.
I point at a crow
on a nearby power line.
“Let’s see if the crow
likes it.”
We cross the street.
My son tosses
a cracker in the gutter.
We move away with the dogs,
and the crow
swoops down,
clasps the matzah
in its beak, and flaps
toward a stand of oak trees.
~
Up in the shady nest,
the crow feeds pieces
of the gluten-free,
non-kosher matzah
to its three fledglings,
little pitch-black beaks
snapping and softening
the crisp bread,
the baby crows
knowing nothing yet
of suffering,
only that the world
in all its infinite variety
is brought to them,
bland and complete,
on the toasted white tray
of a cracker.
Dead Man’s Guitar
blonde sitka
spruce
dusted
polished
till it shines
dull
decade-old
brass strings
replaced
new ones tuned
till they ring out
brown curve
resting
on my thigh
left hand
on the neck
right hand
fingerpicking
and for a moment
you are me
and I am you
flesh, spirit
fused
for a song
Scott Waters lives in Oakland, California with his wife and son. He graduated with a Master's Degree in Creative Writing from San Francisco State University. Scott has published previously in Lothlorien Poetry Journal, Third Wednesday, Main Street Rag, Better Than Starbucks, Dreich, The Sandy River Review, and many other journals. Scott's first chapbook, Arks, was published by Selcouth Station, and his poetry has been nominated for the Pushcart Prize.
Scott, these are wonderful! I always enjoy your work.
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