A Poem You Can Ignore
I don’t want to write a poem
that waves its arms, jumps
from one foot to three feet
to grab your attention,
or that leaping off the cliff kind
that lands on an incongruous line
strung across the past, like a tripwire
to trigger emotional responses.
I want a poem that sits
on a park bench feeding pigeons
eggshells that have not been shaken
from fragile minds, a poem quietly
whispering secrets to itself
as dog walkers dutifully clean up
excrement, a poem that’s not afraid
to say anything and nothing at all,
a poem that’s just sits there
quietly minded its own business,
a poem you can ignore.
The Chicken with the Red Hat
After Charles Simic
The chicken with the red hat has lost its head
that blows a discordant trumpet in the barnyard
beside the red wheelbarrow, left to rust in the rain,
the dirt within, turning to mud, grumbles to the sky,
while a seed, searching for a place to germinate,
spirals like a kayak down a drain full of rainwater.
The chicken with the red hat has left the barbecue
unattended and the ears of the beholders perk up
to the discordant trumpet rioting in the cornfield,
and the ears, covered with ergot, wait to be eaten
by the faithful who, waving flags on the overpass,
chant admonitions at the speeding motorists.
The chicken with the red hat has had a revelation
that it doesn’t need a head telling it that
the sky is falling like a downpour after a drought
and the dam will break and the dirt, struggling
to stay afloat, will be carried beyond the horizon.
Off with the Fairies
When I stared out the window, the nun
would bring me back from daydreaming
with a ruler whack on the wooden desk,
then the veil would quickly close, back
to numbers again or the lives of the saints
which I illustrated with bright red crayon
drips from their many wounds, then
I’d be off again daydreaming about the
saints fighting back, then whack again.
At home, practicing penmanship, I would,
still holding the pencil above the curl of an “e”,
be off again, running to the water’s edge, catfish
waiting to be hooked, then my mother would ask
“Where is your brain, Gerard Michael? Off
With the Fairies again”? Then I would imagine,
being that the kidnaped child replaced
by a changeling, never having to practice
cursive again.
The Evolution of Mr. Mean
I spied him by the side of the road,
a dangerous place to squat and wait
for infrequent rain. He was needy then.
the car exhaust covering
the Angel’s Wings with carbon dust.
I wrapped him in a wet towel
and cozied him in the back seat,
he seemed appreciative then.
Later I gave him water and feed
and he thrived, flowered even,
settling into the new environment,
gazing out the southern window.
Each time, he needed more room,
He became pricklier, even so
I suffered his minute needles, that
seemed to fly toward exposed flesh.
Despite my warnings, my young son,
who like other children might touch
a stove in order to learn “hot”,
touched the Bunny Ears, and
recoiling in pain, named our cactus:
“Mr. Mean”.
The Tortoise Explains
I am, by all accounts,
Much faster than a snail,
Compared to a starfish,
I approach the speed of light.
But sloths are deceptive,
For they only appear slow
When under observation
And everyone knows that slugs
are capable of teleportation.
Everyone thinks the fable
Is how the race went down;
The claim that the rabbit slept
While I plodded on to win,
That’s fake news, Rabbit
Propaganda. In fact,
I withdrew into my shell,
And therein folded time and space,
And crossed that finish line
Before the hare took two hops.
In truth, you falsely assume
That I am one among many,
but there is only one of me
And I am everywhere
All at once.
Gerard Donnelly Smith is a retired teacher of composition, literature, and poetry writing residing in the Pacific Northwest.
Great set of poems!!!
ReplyDeleteExcellent poems, Gerry. Entertaining and accessible.
ReplyDelete