Tuesday, 26 November 2024

Five Poems by Chris Cummins

 





Convergence


My eyes follow rolling arms

Camouflaged by green truth

Of insignificance which


When buried becomes

Greener still while we

Try to kill ourselves

Unwittingly with progress.


The convergence of desire

And design paralyzed

Infinity and light delineates

The veins of leaves, water,

Minerals, men-- until 


We alone, naked, basking

On the precipice of beautiful death who

Welcomes us like a


Valley by a lake, on

Whose banks grow grapes

For wine and flowers

Forgiving our foolish notion--

Cutting through a world 

To make here and there

Closer.



the pinnacle of touch


If the pinnacle of touch

Is what to be won

And we are lonely, posing as teams

The confidence of others behind us

Then individually, you and I

Must lose


And parts of us we pray

The neverforgetfulness

Of colder feet than yours

Combined,

The near compliment of knees

Slowly sliding,

Trying to be locked with

Each other, but

Frightened.

Yet the too narrow space which bodies complete

Leaves little room for the closure of thought

Only obscure openings,

Like winding country roads, to get lost on.

(and getting lost is easy)


we could believe that candle flickerings,

shadows, and words trapped on pages

will lead us home to the

warm familiar, but


truth is a guide if home is

the where and what we yearn,

and peace is the 

who we want to be.



[Beware: your hand will harm the other]


Beware: your hand will harm the other

Before kindness and mercy shape the air

Into a wrinkled room muttering to its windows.


We are hunting black secrets; freight cars approach

Heavy with wood for matchsticks, and we stop

To salute our cruelty, pulpy and fat.


My father, gravity, heard the rumour of my death,

Went into his room intending to hide

Pretending the shape of inception.


Cheap pens lined paper recalled

The mud and clay sculpted by war

Without memory of a forest or stone


Who would burn their tongues for love?

The beautiful hand that holds the trigger

Chooses honest whimsy over thought


And folds the map it left for you.



To Touch and Cradle


I have been waiting

For you to seep into

The porous springtime ground


And dance yourself

Through veins of leaves

So that standing here


Talking with the ash

And oak is not so strange

To  a passerby


Who subtly moves 

From trodden path

To ridge and root exposed.


They too, will speak

Cry with their past

No one but memory


Or death is hiding

In the bark of birch

The maple sap.


Tenuously they’ll question why

God is quick

To touch and cradle.


They will perambulate among

The trunks, whispering names

Softly stifling acquiescence, 


Calling to trees

In forest or meadow

As lost children might their mothers.


When no one is found

We lean against those ghosts

Who patiently wait


For words of grace or apology.



The Heather of Cuillen


They say she was born with stones in her stomach

Curious doctors surrounding her bed

Scratching their beards and the vellum between

Witchcraft and gods, the innocent and dead.


But sometimes midwives are not be trusted

Nor neighbours or friends, nor philosophers.

Quietly my sister cooed and smiled

While confounding sagacious astrologers.


For stones in the stomach puzzle some folk

Learned and losing their gossamer eyes.

But when mothers know best who know of the earth

Despite scruples of men and their unwitting lies.


And when no one could find a past precedent

For keeping my sister caged in a room

Nurses all gathered and danced with her fingers

But cried for those stones building her tomb.


Up grew my sister named after the heather

A flowing veneer, wind-waving serene

Lovely and lithe few knew of her secret

Of pebbles inside growing unseen.


She dreamed of flying, kissing the stars

Or painting the sky violet and gold.

Caprice became torture if uttered aloud

So Heather spoke little of things bright or bold.


Clouds darkened and jibed my sister’s dismay

Stars pined for her lips and I for her joy.

Our mother sang smiles into her heart

Heather, I feared those rocks would destroy.


So mother and I confused like the spring

Wondered aloud of our poor Heather’s fate.

We sang silver taffeta around the clouds

Moved to the Highlands, danced at their gate.


Long ago did those doctors join memory

And the nurses forget stones in a girl.

Meteors, I feared, might taunt Heather’s dream

And the sparkling sky instead would unfurl.


But Heaven will beckon those who are free

Unencumbered or not, by a belly of rocks

Heather weighted with wonder, laughingly played

Joining her name and the comets and clocks.


Suddenly stones in her whispered then sang

From forth, her stomach, erupted such joy

Now pebbles were mountains, her smile the sea

Thus I stood on Cuillin, a brother, a boy.


The cliffs of Cuillen slept in the clouds

Her peak kissed the stars in transparent night.

Heather lay waving, no stones in her stomach

And no longer a girl, but a lavender light.







Chris Cummins lives outside Buffalo, New York and teaches high school English, creative writing and drama. In addition, he directs plays and musicals and teaches in a film academy, a multi-faced learning experience which includes script-writing, acting and video editing. Although his most recent work focused on the writing and production of two locally performed musicals, his first writing love is poetry. He’s been featured in the Buffalo News, Heduan Review, Book of Matches, Literary Heist, Goose River Press and other small presses.




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