Behind the Boathouse (Ode to the Scottish Bluebell)
“God, how the night reels stricken!
She shrieks with orange
Spark
The mortar’s lash and cannon’s crash
Have crucified the dark.”
—
Behind the Boathouse
I saw you, harebell in bloom.
With skin like Venetian dust.
Not white, not large, not great.
I held you, flower with no perfume,
Between my pointer
and ring finger
I run from the porch and
Epochs of Encounters with the dead
Burn, wickie, burn and
Grab the head, and pull, and twist.
How the crab eats itself!
The coral insects from your ears
Years and years
The mass on
the
porch
smells
of
Im-
mor-
telle
Behind the boathouse
I heard you, harebell.
A voice like grapeshot, your bloom undone
a death knell quivering in the sun-
slacked grass. How many angels
dance on the head of a pin.
How many days have come to pass
since the bullseye window turned upside down
Years and years from
Gloucester to Guadalcanal
lost like a barbiturate down a drain
I set fire to the planes of sodden leaves
In the backyard, beneath no rain.
I, not white, not large, not great
Kiss the place between
the sheep-horse wall and the
wasted wide beyond
There, all day the poison arrows fall
I come hot from hell
I squall
hot as bowel and pit
I beat
with bricks, and fists, and sticks.
I am the sparrow
who killed Cock Robin for you
behind the boathouse
where the harebell grows
in rusted dew
Behind the boathouse
I find your blue-blooded trigger
I have slept alone for so long
the first taste of your tongue was tourbillon,
the second taste stretches me
through galleries bombed like Uffizi
The crabs burn wickie, I burn them
I, the beating drum,
Some things last forever.
The rageful wave of survival
I did twist the head
The crucifixion of the sky by rifle
I did burn the dead
Behind the boathouse
Some things last forever, but only in hell
You, harebell—
Not white, not large, not great,
Smell not of immortelle
Not of rain
Nor of mortar shells
I pray to the name of Har-e-bell.
Oh crumble dear and rise again
Behind the boathouse
In that hidden glen.
Witched Thimble, little bell
press your palms against my face
Hail and farewell.
Damon Hubbs writes poems about Thulsa Doom, Italo disco & girls who cry at airports. He's the author of three chapbooks (most recently Charm of Difference, from Back Room Poetry).
Recent work in Antiphony Journal, The Argyle Literary Magazine, BRUISER, Misery Tourism, DarkWinter Lit, and elsewhere. Twitter @damon_hubbs
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