Saturday, 8 November 2025

Five Poems by Wendy Barry

 






Rampion 

 

Here’s the thing about Rapunzel  

that children’s books and movies  

don’t get into much. The witch  

stole the parents’ child, yes,  

but they sold her for a little lettuce, 

something to munch on and make mom  

feel good for a minute or two 

until the next need came on  

and she wanted toast, or French fries, 

or a Wendy’s Frosty, or a little meth,  

or a bag of something.  

Maybe a fur coat. Her father  

wasn’t much better. Yes, I will steal  

that for you. That’s how I am a man.  

I sneak into an old lady’s yard  

after dark and steal her vegetables  

and act like a victim. Sure, she says,  

you can have that rampion  

and I will take that baby. Nicer  

than making friends with someone  

and then cutting open their abdomen  

and disconnecting their almost ripened child,  

like a woodchuck in the garden,  

eating what it wants to hell with who grew it.  

Who can blame an old lady?  

She wants a baby, to prune  

it the way she wants it,  

and the baby’s parents wanted food.  

That’s capitalism for you. We can 

make a deal.  

 

The Youth Who Set Out to Learn What Fear Was 

                              

A foolish young man came to a haunted town, 

from far away, a place of sunshine,  

wildflowers, and ever-blue skies, apparently 

 

He came to learn what fear was,  

because he didn’t tremble and shake at the tales  

old wives and husbands told to make the girls 

and boys be good, be wise, be afraid.  

 

Unaware of all that lurked on cobbled streets  

shiny with either rain or blood, or both,  

or that monsters lurk in the shadows,  

slimy and terrible, with unpronounceable  

names, he was indifferent to the man  

with an axe waiting at the end of the street  

under a clouded moon, hanging heavy and yellow  

over the town, like a warning of sickness.  

 

We all tried to teach him:  

the pickpockets at the station, 

the minister on the corner, the butcher,  

the bartender, the police, and the undead guardian of  

the tower belfry, presiding  

in sunken-eyed silence over the cemetery 

ruled by ghosts and spirits, with a halberd  

in his grey hand.  

 

But the youth couldn’t shiver or shake.  

Ghosts in the churchyard had no effect on him,  

nor threat of zombie revolution.  

 

Only his wife held the power in her hands.  

She carried chaos in in a wide silver bowl,  

right into the bedroom--and dumped it on him.  

 

A million silver minnows in the bed  

finally send shivers up his spine.  

Now I shudder, dear wifenow I shudder. 

Down the streets we can hear him at night. 

Now I shudder, dear wifeNow I shudder 

 

Beauty at Dinner 

 

In the candlelight his shadow seems 

to stretch towards her, touching her elbow,  

her fingertips on the tablecloth. 

She stiffens her backbone against it, 

unable to look at his face or look away. 

She watches his long yellow teeth  

tear chicken from the bone. 

Her dress sticks to her back, 

her hair to her neck. 

He sucks half of an orange for dessert, 

so hard he drains the color from it. 

Her nipples are hard as plum pits. 

She wishes dinner would be over.                          

 

Griselda’s Dream 

 

At night, when he is sleeping, his gray head,  

turning the pillow yellow, and his white 

flaccid arm pinning her to the sheets, she 

thinks of the house burning.  

 

At the corner of the bed, where the heavy  

curtains meet the posts, there is a curl of  

smoke coiling up, just a smudge of air where  

the shimmer of impatience arises,  

tracking up the bedpost and obscuring  

the pattern on the heavy curtains.  

 

Soon they will ignite, and shaking off his  

weight, she sits up, as the folds of fabric  

burst, a little puff and a small explosion  

of orange and yellow in the heavy creases,  

and then it travels up to the canopy  

in a ripple of tiny armageddon coming soon. 

 

The Wicked Stepmother 

 

It’s what the mirror tells  

you that makes you so wicked.  

If it would keep its yap shut  

you could be good, but no, the shiny  

oval speaks whatever it  

thinks, whatever it sees.   

You are old, it says, and that  

makes you wicked. You’ve put on  

a few pounds too, and that makes 

you wicked. Your eyebrows are  

thick and your mouth is all wrong 

for what we imagine  

beauty to be, and that 

makes you wicked, and dark, and 

poisonous, as apples, as  

hair combs, as the air within  

glass boxes. Your belly is  

soft and your body is lined  

and that makes you wicked. 

It’s enough to make anyone wicked.








  

Wendy Barry is a Connecticut Yankee living in South Carolina. She is the co-editor of The Annotated Anne of Green Gables from Oxford University Press. She is a poet, gardener, jewelry-maker, painter, teacher, friend to dogs, and mom to an amazing trans adult. 

 

 

No comments:

Post a Comment

Five Poems by Ken Gosse

  Soles of Giants     When I take to the ground on my own stumbling feet   and look up at the soles of the giants,   I’m  amazed I can gathe...