Passage
I am growing older now
and my shape is shifting
like a desert
or a sea
or even this poem
where these words line up
on the edge of the blue
to peer into their horizon
Where are we going?
And how will we get there?
is always a good question
A writer may cross a body
of work many times over
before arriving at his destination
or washing up to shore
Each page is a sky that announces you
Words are but a flock of geese
passing over and beyond its borders
Always from a great distance--
the sound of your own voice
Foreign Film
We travel between horizons
you and I in linear e-motion
one word after the other
one space to the next
Upper and lower case berths
wishing they were one
You: rearranging sentences
on the Titanic
Me: mopping the decks
You: the version originale
Me: with subtitles
running across my forehead
In Truth
we are spiralling through one another
invisibly
In Reality
we are sinking to new heights
Wherever we are
is somewhere we have never been
Perception is like that
can take you somewhere new
without ever having left
You and I
are somewhere
we have never travelled before--
our random borders opening
to a world of shifting senses
Nothing is as it seems
Nothing is. As it seems.
Arm under arm leg over leg
we voyage into the unknown
we go diving into the wreck
of our fluent Ms. Understanding
(All is lost in translation
unless
you read between the lies)
Even now
lipsinking under you
with Webster's unabridged
I wait for your warm definition
to re-kindle my meaning within
Passion's tides-- breath's surging surf
crashing in my head
A viscous rim of moon glistening
on my breast The Milky Way
on your native tongue-- cosmic ambrosia
Only the blur of our arrival
wave upon wave--
your edited-for-content prepaid departure
left to betray
the depth of our shallow surround sound
the soft moan
of our black swollen sea
left
unspoken
Antonia Alexandra Klimenko was first introduced on the BBC and to the literary world by the legendary James Meary Tambimuttu of Poetry London–-publisher of T.S. Eliot, Dylan Thomas, Henry Miller and Bob Dylan, to name a few. After his death, it was his friend, the late great Kathleen Raine, who took an interest in her writing and encouraged her to publish. A nominee for the Pushcart Prize, The Best of the Net, and a former San Francisco Poetry Slam Champion, she is widely published. She has been a featured guest at Shakespeare & Company, on a number of occasions, as well as performed or read in other literary venues in the City of Light and elsewhere. Her work has appeared in (among others) XXI Century World Literature (in which she represents France), Jazz and Literature and Maintenant : Journal of Contemporary Dada Writing and Art archived at New York’s Museum of Modern Art. She is the recipient of two grants: one from Poets in Need, of which Michael (100 Thousand Poets for Change) Rothenberg is a co-founder; the second—the 2018 Generosity Award bestowed on her by Kathleen Spivack and Joseph Murray for her outstanding service to international writers through SpokenWord Paris where she is Poet in Residence. She is also Writer/Poet in Residence at The Creative Process. Her selected poems On the Way to Invisible was recently published by The Opiate Books and is now available.
Antonia these are so damn good. Both are lovely but the metaphors in foreign film are sublime.
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