Sunday, 29 December 2024

Five Poems by Joshua C. Frank

 





The Ghost Girl


One sunny May, I ran to play,

When I was twelve years old,

Upon the hill.  I miss her still—

A girl with curls of gold

In ribbon ties, big sky-blue eyes,

And waving, dark-red dress

Soon ran my way and asked to play—

How could I not say yes?


“I’m Beth,” she said.  “My mother’s dead;

I’m hiding from her ghost.”

I thought, “A shame, her gruesome game,”

But soon I was engrossed.

We laughed and played along the grade,

Cavorted up the hill,

And soon rolled down, clothes turning brown,

Collapsed, and then lay still.


Then Beth and I stared toward the sky,

Then wrestled, then caressed,

And very soon that afternoon,

Our love began the rest.

We hoped our playing would one day

Give rise to married bliss.

I gazed into her pools of blue;

We leaned in for the kiss.


A woman’s ghost gave off the most

Horrendous, ghastly chill.

We stood upright in cold and fright;

Her ghost-hand reaped the kill.

I saw Beth die.  Her ghost stood high

And quickly shed its shell.

Her ribbons fastened to the grass

As down her body fell.


Both, hand in hand, flew off the land.

Beth’s ghost was forced to go

Away from me like Annabel Lee,

But where, I’ll never know.

Then Beth up high bid me goodbye;

She waved as she looked back.

The two ghosts flew into the blue,

And everything went black.


I felt Mom shake me wide awake;

She’d found me on the hill.

“Are you all right?” She yelled in fright.

I sat up feeling ill.

I told her of my one-day love

And how she met her death.

My mother deemed it all a dream

And said there was no Beth.


So I believed I’d been deceived

And never met the lass,

Until I found, upon the ground,

Her ribbon coiled on grass.

The ghost who took her didn’t look

And left it unawares.

I picked the band up in my hand

And three blonde, curly hairs.




Let There Be Light


A friend put forward that I write

Of light that flashes at conception,

Of fireworks when genes unite

In the woman’s body, out of sight,


And God decrees, “Let there be light!”

And greets His child with great reception,

And the zygote’s surface flashes white

In space that’s darker far than night.


My friend turned out not to be right,

Fell victim to a science deception.

Yet still, God sets each soul alight

And in all His children takes delight.




Two Empty Chairs


“We did the NFP [natural family planning] bit for awhile [sic]... and have felt revulsion over it ever since.  During that time we might have had at least two more children.”  Letter to the editor, Seattle Catholic, 2002


Two empty chairs, each in its place—

The kitchen table’s vacant space,

Where our six children see the chill

Of unworn seats, both standing still

Like Tiny Tim’s by the fireplace.


We timed the marital embrace

To procreate at slower pace.

That empty phrase means none shall fill

Two empty chairs.


Our family planning did erase

Two precious souls we can’t replace;

We chose ourselves above God’s will.

Their nonexistence buys each frill,

And never shall their presence grace

Two empty chairs.




No Extra Lives


While all his friends were learning skills

To gain them wives or pay their bills,

John fought with monsters on a screen,

Got knighted by a game world’s queen,

Amassing troves of digi-treasure

That bought eight bits of gaming pleasure.


But as the habit lasted longer,

John’s dungeon shackles grew much stronger.

His friends moved on and all gained wives

While he sat gaining extra lives—

One-upped by men just half his age

Who’d put in time and earned life’s wage.


One day, much older, John awoke

And felt his electronic yoke:

No friends, no wife, and children none,

His life still stalled at World 1-1.

No princess wishes to be saved

By a gaming hero thus enslaved.


John’s game-themed room now seemed a waste,

An emblem of his time misplaced.

No dragon’s hoard of jewels and gold

Could buy back time and youth he’d sold

For shiny bits of program code—

He wept beside perdition’s road.


But, leaving home and breaking free,

He had no guide for strategy.

The social world seemed too complex

To a man who lived in pixel specks,

And so he ran back home to game,

Never quitting, to his shame.


The moral of this tale in rhyme?

Work while you’re young, don’t waste your time.

Don’t put your life goals off till later;

Shoot down your schedule’s space-invaders,

Or, like our captured gamer guy,

You’ll find your life has passed you by.




If You Can’t Believe It’s Not Butter


If solidified oil with chemical clutter

That helps it look yellow and tasty to eat

Makes you think there’s no need to believe it’s not butter,

You believe in modernity’s biggest deceit.


If you think things can just be replaced with a model

And the ghost of what’s good is on par with the best,

If chemical mixtures that go in a bottle

Can replace Mother’s milk and the warmth of her breast,


If changing appearance is all that is needed

To match the real thing if you only pretend,

If killing a game villain means you’ve succeeded

And a shadow of colour onscreen is a friend,


If pretend’s just as good and you’re happy to settle

For text in a chat thread instead of a life,

If androids are people with hearts made of metal

And pixels of flesh are as good as a wife,


If any religion’s the same as another

And feelings and fiction are equal to fact,

If a pet parent’s just like a father or mother

And a fatherless family’s as good as intact,


If you still think this fake bubble life doesn’t make you

As homeless as beggars who sleep in the street,

If this insect-hive world of today doesn’t shake you,

You believe in modernity’s biggest deceit.



“Let There Be Light” was first published in New English Review, and the others were first published in The Society of Classical Poets.



Joshua C. Frank works in the field of statistics and lives in the American Heartland.  His poetry has been published in The Society of Classical PoetsSnakeskinThe LyricSparks of CalliopeWestward QuarterlyNew English Review, and many more, and his short fiction has been published in New English ReviewThe Creativity WebzineNanoism, and the Polish anthology Zakazane Szlaki (“Forbidden Trails”).

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