Flight Path
Not all thoughts grow into
a line of solid reason. Some
appear on the windowsill,
birds waiting to be fed.
Sometimes I draw upon my
store of past experiences to
feed them. Other times I have
nothing to give. They fly away.
Occasionally I follow. Find
only small bones. Feathers.
A rectangle for the horse
People should not talk to please
themselves, but for those who hear
them. Only thought resembles,
resting silently in a discursive
space, as completely invisible as
pleasure or pain. Many believe
that politeness is merely hypo-
crisy & dissimulation. The visible
can be hidden, but the invisible
hides nothing; it can be known or
not known, no more. Who speaks
in the statement? Having all the
talk sustained by one person is not
conversation. Transference? Doubt-
less. But from what to what? Even
though words do not replace missing
objects, if your companion uses words
or expressions which you cannot
understand, ask for an explanation.
What lady likes to be treated rudely?
Sources:
This Is Not a Pipe, by Michel Foucault
The Ladies’ Book of Etiquette (1860), by Florence Hartley
My father,
who once read Kerouac’s
The Subterraneans in an
angry attempt to "under-
stand" me, would have
been 126 years old today.
What I got from him was
a strong commitment to
ethical behaviour & — gene-
tically — deafness, arthritis,
& the fact I still have most
of my hair though its colour
comes down from my mother.
I did not go to his funeral. I
did visit him before he died.
The Evanescence of Experience
She reaches into the melting
pot & draws out clichés & anti-
que rhyming schemes. They
have a dullness to them, worn
out, often inserted in the wrong
places or on a wrong occasion.
Obviously been around for some
time now & going to be around
for some time to come. Yet it's
what she reaches for rather than
that small jar in the depths of the
freezer & labelled "mine." Relying
on what other people have been
through, playing down what has
happened to her. Blinking in the
dullness, half-missing the spark
of light that came from something
she had done, that could have in-
formed her future actions. Dismis-
sing it as residue from another's
action. Gone so quickly; & she lack-
ing the experience to call it back.
The Childhood of Icarus
(after the painting by Magritte)
We lived in a house full of
models for, & details from,
paintings. Inside & out. My
father showed me how to
use the wings he built by
teaching me how to ride
a horse & wield a whip.
Everything so large when I
was young, save for the Sun
which seemed so far away.
Mark Young was born in Aotearoa New Zealand but now lives in a small town on traditional Juru land in North Queensland, Australia. He has been publishing poetry for sixty-five years, & is the author of over seventy books, primarily text poetry but also including speculative fiction, vispo, memoir, & art history. His most recent books are Melancholy, a James Tate Poetry Prize winner, published by Sur Vision Books (Ireland) in March 2024; the May 2024 free downloadable pdf to your scattered bodies go from Scud Editions (Minnesota, USA); & One Hundred Titles From Tom Beckett, with paintings by Thomas Fink, published by Otoliths (Australia) in June, 2024. His The Magritte Poems will be coming out from Sandy Press (California) in late 2024.
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