Final
Petal
in
memoriam Bob MacKenzie
you a wild, wild rose, already bedraggled
lost petals one by one, faster at the end
so many poems and stories not written
photos not taken, trails not walked
at least you won’t have to avoid
goose poop on the river path anymore
and I won’t miss your photos of the geese
I’ll miss sending you updates on my
milkweed
the two I planted from seeds gathered by
the lake
that got eaten each spring by some hungry
animal
and the third that grew this year
unexpectedly
a few inches away but not tall enough for
flowers
you would love my photo of garlic chives
their simple lacy beauty, each blossom
a burst of tiny white stars
you never made it over the new bridge
across the river, never saw the view
of Belle Island’s north shore
but you crossed another bridge
dropped that final petal
a whole garden of words
ascends with your last breath
Voices for Whom All Is Dark
A voice blue over wind, over wave,
high as a moon-slice in the sky, a holy
fool
weeps bitter tears for the poor, the
starving,
deplores the longevity of items we covet
long past their usefulness, wraps himself
in a page from the book of the future.
A voice high and kind, heart
and mind bathed in ice fog,
she walks with shopping bags all day
in long black skirt and tights, wool coat,
felt hat, all in black down to her gait,
ponderous as blackstrap molasses.
Thwarted at every turn, they hear
no answers in the darkness.
June
Blues
June erupts, too much, too soon,
shoves Spring off the train
like the conductor evicting the passenger
who didn’t listen when he yelled,
“If you are caught smoking on this train,
the next stop will be your last stop!”
Overgrown bushes and weeds appear
out of nowhere, an over-eager horn section
busting out all over before anyone
has time to make a plan for the show,
but Spring had dawdled along for the ride
and June just wants to get going
with all summer’s colours and lush
harmonies.
Give me less drama—just a slow accelerando
through several shades of cool green,
pink and mauve, a bit of eye-popping
white,
to the deep sunset tones of marigolds and
nasturtiums.
Wanting
Times of Anticipation
When six percussion players
walk onstage and stand
behind the orchestra.
When you listen to a piece
with so many horns you feel
like you have June bugs in your pants.
When you wait for that single ting
of tiny brass cymbals
during a lull in the clamour.
When you let your mind add the music
left out when the needle
passes over each groove on an LP.
When you slip into and away from each note
with fine-tuned style
and
comb out the lullaby seeds.
Note: Composer Richard Strauss’s father
told him his music had too many horns and made him feel like he had June bugs
in his pants.
Tag
Team
ENVY and CAILS
ERON and REMOS
tags on the wall
graffiti today
on a hot summer day
grab your best buddy
drive up in the van
unload the gear
scatter spray paint cans
across the grass
do a test patch of buff
your new pocket can
paint a background of red
or silver or blue
how ’bout a tribute
to Mother’s Day too
pickles and tentacles
ghosts and some teeth
never out of ideas
just give us some space
Meg Freer was woken up one night in 2015 when text that looked like a poem flashed in front of her eyes, even though she had never written poetry and didn’t want to. Since then, poems have arrived less aggressively, sometimes like musical phrases, but still with a strong visual component. Her photos, poems and prose have been published in various North American journals. Meg grew up in Missoula, Montana and went to school in Minnesota and New Jersey, where she later worked in book publishing. She now teaches piano in Ontario and enjoys the outdoors year-round.
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