Christmas Time
They say the first Christmas is the hardest –
an indulgence of denial, explanations, grief,
the scrutinising of hours.
My father hates turkey, watches the beef in its new coat of silver
as my mother worries chocolates from their rounded
moulds of bronze and gold, her hourglass long gone to sod.
An alarm sounds for potatoes to be turned in their fat shroud,
dead as desert but brought to life to gleam for us a minute,
sit leaden in the pits of our roasted zombie stomachs.
We pretend not to notice when my nephew, on repeat,
creeps outside to blow smoke rings
in a northerly direction past the shed and on to Skiddaw.
There is a baby, face fat as a grandfather clock,
drinks juice from a bottle and dips a finger into my brother’s
brandy. We all laugh without knowing why.
Metronome hands lift glasses, table to mouth,
mouth to table, again and again until the metronome
is the branch of a tree taken with the wind.
I pick a plastic cup from the floor. It’s these moments
I remember the casual nature of it. The throwaway decision
that would never cast itself off until my head was a shadow across a
sundial.
The calendar turns eventually, until I am another year sober.
Into the City on a Whim
Its
lodestone glow of new beginnings
Its
lunch of twos and pickled sins
Its
catch of eye and scratching din
Its
box of frogs and nonsense things
Its
Christmas tree of forest thin
Its
crackle lights of glare within
Its
harried life of aching limbs
Its
botched clown of angled grin
Its
cat o’ nine tails slash of skin
Its
repetition, hypnotic hymn
Its
mile of hole, come in, come in
Atoms
Your
power was nuclear
a
cortisol and adrenaline bomb
One
wrong move and you’d explode,
arcing
across the room
as
a flash of heat and light
so
I’d sit tight
wait
for the titanium bars
of
your sadness to lower
then
I’d break away
as
your eyes milked over
I’d
told you I was a sleepwalker,
a
daughter of the moon
That’s
how the house tipped
up
in the middle of the night,
how
the outside came in:
the
cat with a raven,
its
black plumes of warning
scattered
footprints
fragmenting
and
the smell of atoms splitting
Hitching
I
should remind you about the last day,
of
the last term, of the first year,
when
we hitched a lift home
two
hours before classes ended.
How
we smoked a fag at the big oak in preparation,
its
solidity helping to steady the nerves,
how
we chewed the gum,
sprayed
the LouLou eau de toilette.
I
should remind you of his thick accent,
thick
like chloroform in the mouth,
how
he dropped his aitches,
“’appen
thas skivin’ lasses”
and
listened to radio Cumbria.
How
reception broke like trust and crackled
to
a hiss, how jaws of crags appeared to jeer
as
we drove deeper into the valley.
I
should remind you how our parents
warned
us about this kind of thing,
strange
men, often with sweets
or
puppies, or a long raincoat hiding
Something
Unimaginable.
How
this Yorkshire alien had a van
called
the passion wagon
and
a sticker that read, “don’t laugh, you’re next”.
I
should remind you how the red plastic seats
stuck
to our legs and made slapping
noises
like a fish out of water.
How
our thighs stung and our hearts
were
dead cargo dumped in Johnny’s wood
or
meat for eels in the beck.
How
we’d be ghost stories for tourists,
“They
carry their rucksacks like guilt”
I
should remind you how he dropped us
by
Howe Lane bus stop,
how
we sat and smoked another fag in the silence,
tar
and arsenic masking the smell of dead sheep.
How
summer had been burst like an ugly zit.
How
we forgot to chew the gum or spray the cheap perfume.
How
your dad grounded you for two weeks
and
how I said, “imagine if we’d been his type”.
Winter Sunrise Over Galway
It
grabs the corners of my mouth,
pulls
them from childhood above a blanket
into
sharpened air.
There
are as many smiles for as many reasons
as
the mind has emotion.
I
push the door of nostalgia and find myself
asleep
in the way of good fortune.
There
are as many difficulties as the mind
decides
we have a blanket for.
I
see now where I went wrong –
forgetting
to watch the sun rise,
hiding
under cold comfort.
Incredible poems, Terri. “Christmas Time” and “Hitching” both stopped me in my tracks, such harrowing relatable scenes, beautifully crafted with honesty and your amazing weaving together of raw senses sounds tastes and lyricism. I keep hearing the metronome hands, that metronome branch.
ReplyDeleteHey Casey, sorry I just saw this. Thank you so much for these kind words!
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