Wednesday, 15 April 2026

Three Poems by Paul Connolly

 






Millennial 

 

The train arcs into the station,

the platform roof is bronzed

with a morning lick of rare sun,

the arc makes sunshine flame

and spark the bronze

like a forger’s sword work.

 

Shall I savour these announcements,

salute fellow passengers with ave atque vale

or tear my coat off into the forecourt winds?

 

Sky was red

but now above us all it lowers

bonfire powder and grit.

Avoiding each other’s looks

we walk down separate paths

to Münster.

 

A rutting pig, bloat in his bed,

speaking in tongues,

a new House of Atreus:

he will fertilise the earth

with death, quicken it with fire.

 

Our downward faces in puddles

discern the sky’s face

 

and some discern the signs

 

whiffs of morning assail, meat perfumes

and the sour patience of passengers

boarding a bus across the river.

Cold embraces, more intimate than a lover:

the river should warp,

crack upwards in a glacial thrust,

shatter the glass exoskeletons of City sentinels

and make flinders of blue and dirty sky

tinkle down on crystalline juts of wave

as all the temples tumble.

 

A tree burns

in a sudden plate-glassed sun storm.

 

Who is this other one of me

who sometimes beckons,

sometimes edges in beside me

and delicately touching my shoulder

whispers something? I smile,

nod and chant along.

 

6000 years is long enough.

 

We’d looked up into dawn’s remains

and the stars had fled before we reached them

even Venus

which held longer in the smallest ember

was soon away

and battered and terrified the moon has fled.

The river is high.

The preacher’s muted tuba rumbles on Jesus.

A bus brake screams like an eagle.

                                   

New scavengers may comb abundance,

rummage unsullied through filth and char

and make our refuse beautiful. In assurance

 

let them build upon the fathers of death

 

there will be something else, for now

already, newness now and strangeness

fumble for the land a moment,

grasp the land then moor securely, and look

 

look everywhere,

the new possessors are here already,

birthed easily, tall,

their steps earthed and purposeful.

 

Give way.

 

I am blind in the day’s night-time

or see night more clearly in the day

 

I can’t belong

 

I am a former thing

 

ignite me, make me fire

blacken the sky with me

 

I reach for your hand and yours

but you are gone into the blank

or into the freshness. I foresee it all

and fall into nothing now

and fade.

 

I won’t await another call

even if a call could come

 

and hailing the receptionist

across an acid gaze

that shows agreement or else

shows nothing and that’s agreement,

I mock the acts required,

Mr Wolf in every office smile,

what’s the time,

but populate the risk register,

what’s the time,

with new information,

stats marked red,

the time,

it’s late, it’s dinner time,

but everyone is calm and I am calm

 

and awaiting the broad finality, or mine

presaged by a rot-deep shade

my outline in the plasma screen

 

I know with sandwich-board precision

there’s been enough of this 


 

The Mark 

 

They bristled near him in the settlement as they bristled

at rats in the granary and coughed recognition at him

as he walked in silence to the fields and threshing.

He shivered them out from him, and they reformed

in milling circles of ungainly reverence

then fell back towards routine’s stockades.

Some whispered doubts: that eggy stain,

a finger of smut on his face for days.

Few gave him fellowship’s straight looks,

while he never reached for fellowship,

lived alone, venerated outcast,

and shared only cautious necessary words

with the other hands.

The Old Smith,

shoulders aslant, wave-steed in storm,

purblind, was the last who’d been there, apart

from him.

     The seeress danced a spell

a-jig many moments on a table-top.

She wailed conjurations, recalled the Smith,

fell words of warding from lips

cracked and frothy, her eyes asleep.

Then with a surprise bound into the bodies

she dismounted, her eyes blazed open

and she walked among them. She muttered and snarled

in the old tongue, hands clasped,

the left-hand forefinger pointing upwards

a cupped candle sharp and long,

then stopped before him. Six he was,

seven maybe, waiting at table,

a visiting chieftain’s ward, offspring

of a favoured slave freed near death.

The chieftain died a fortnight later.

The seeress stretched and exhaled at the heavens,

breathed all over the boy to mark him,

grovelled before him, motioned everyone

to grovel before him, then rose and left

in silence. ‘We never saw her again,

some said she walked into the sea,

others the wind.’ The Old Smith

spat and goggled warnings, then slept.

Smoke rose from the solitary hut,

the listeners shuffled a moment in fathomless

embarrassment, then dispersed.

                  For twenty summers

after the seeress danced and disappeared,     

more perhaps, princes of the blood,

drunks and children had brought their speculations

to ringed assemblies – rule and judgement,

perhaps, foresight for seafaring, battle,

or planting and the harvest, plucking out

diseased innards and sickening souls

with hands and glares and sorcery. He’d flailed,

grunted his resistance then hurled himself

before and across thresholds of trial

then back and through the jambs of failure,

sprawling in blood as each door slammed.

The public shows grew rarer as he aged.

He quashed the sights that rose on his wandering,

quashed the night-sweat promises, silenced

his solitary chants in mindlessness, and thought

he’d wait for better dreams, improve them

or better lose them all and dream

no more.

                Sometimes, visiting headmen

would stay him, stare demands, voice them,

even mock, ‘Tell us, fellow,

your secret purpose,’ then draw abashment

and mystery from the man’s mumbles at the dirt.

His acts wore away at belief,

the drool-tongue and grunts in the grinding house,

but fear rekindled in the wariness of virgins

or dogs, in sky fires and birdsong,

in the Old Smith’s stare, and the headmen

craving advantage, renewed the taboo,

watched and left.

                              Mist cracked

above them. Isolated handfuls of hail

scattered around. Their new chieftain

chuckled at their wonder and drove them on

in the season of egg foraging on the clifftops.

He ran his fingers in his beard, shaped it

with morning’s delicious dew then turned

and saw him, aquiver, at parley with the ground.

He walked towards him, hesitated,

then felt his own mark, abashed a moment,

swell again, felt it spread across his chest

and shoulders into his hands and gaze.

He stared at him and thought, ‘He blasphemes

worthiness and hope by standing useless,

or is he a trial of fidelity?’ A riddling

sanction or a moment’s worthwhile sacrilege

to quell the idiot shakes and muttering.

Fearing soil on his hands or nothing,

fearing flight or ghost returns

like foes or forefathers in dreams,

then fearing no man and no prophesy,

he snatched the slight, unprotesting trunk,

nothing he’d find a use for, watery,

irresolute, which juddered him yet with its slightness.

He wrestled it crossways and athwart his chest,

pinched it almost to the bones, and saw

the chewing mouth, an empty eyeball,

then hurled it at the wave-swept rocks below.


 

Worlds’ Ends

 

Frontiers are endings.

 

At Dunstanburgh Castle, rocks

pool with satanic green

while beyond them a pod of monsters

dolphins the waves. The cliff-face

riots with nursery keening,

the kittiwakes’ hell-child scream

of forbiddance. Basalt causeways

are stained sulphurous. A giant

has trodden on a rock plate,

almost capsized it slips away

endlessly towards its brink.

Sandstone walls are scraped

with salt fingernails

into ribs and veiny organism.

Remnant alcoves in the wells

of hollowed out towers

flensed of floorboard flesh

jut inwards and loom,

a soiled Nabatean necropolis.

 

There’s no one here:

the Harrying, the Thirties, endless

apologetic then relieved migrations

to hordes of clamouring southern

opportunity.

 

A lone rider

sauntered a Bamburgh strand

vast as sky.

 

In the sparsity

God’s voice echoes throughout

like waves,

he hopes for nothing

but fading of concern, consequence

 

But endings are frontiers

 

the stupidity of a globe is endings

are frontiers

 

Hadrian’s labourers left villages

and broad skies in low Tungria,

in flood-lashed low Batavia, then built

and climbed the Housesteads walls

and watched, grumbling that

eternity’s end was more eternity,

their limit one of many limits

where they stood and narrowed

across the boundless threat

 

Alone, high above desolate coastline

beyond the marshland on Lindisfarne –

unspared, despite the chantry –

he quivered and looked about,

fearful someone else would come

with ruinous chatter. His reveries

collapse in the same thought

at lonely rockpools. That couple

stalked him on the deserted beach.

In Lindisfarne’s barren carpark

a campervan had hugged in snug

beside his isolated Fiat, like someone

shuffling towards his adjacent seat

on an empty bus.

 

Later in the town, hikers loitered

for ages near the poo-bin

beside the Priory field

in shuffles of backpack,

alpenstock clatter, map consultation,

as he lunched on the bench opposite

and tried to recover

the morning’s composition of spectres,

before the sun’s democratic cathode

had bombarded dawn’s filminess

springing colour, weed and

adventive sprays of people.

 

Standing still in the haze

against the abbey ruin,

in front of the church,

on the skirts of a sloping field

checked and billowed by crows,

a solitary horse had poised a striped nose

and looked beyond him

through air watered grey

at St Cuthbert’s Island,

across scavengers on the low-tide causeway

towards a horse oblivion.

 

Now he looked for the horse again but now

or long since it had turned aside.

As he watched, it shook itself out

and wandered away.

 

Did Cuthbert need separation,

huge draughts of God,

to gird for ministry, temper healing,

like Wordsworth’s Wanderer?

 

Taciturn sorts are alone

even in workplaces,

or at the Christmas table

like his long-dead uncle Pete.

True cenobites are alone

despite their fellows, despite

the bartering world’s racket

at the abbey threshold. But craving

eremite annihilation

he carries crowds to the wilderness,

a vacuum, he sucks throngs

towards him

 

No escaping its tedious roll

he thinks on the castle ramparts

as he looks across the sea

for nothingness but almost spies

the hilly descent of sea beyond

 

then flattens the world.



Paul Connolly’s first poetry collection will be published by Broken Sleep Books in Spring 2027. Nominated for the Forward Prize and Best of the Net, shortlisted twice for the Bridport poetry prize, longlisted for the Orwell Prize in the blog category and for the Bridport novel prize, he has had poems published previously in Lothlorien Poetry Journal, as well as Agenda, The Warwick Review, Poetry Salzburg, Stand Magazine, The Reader, Scintilla, The Manchester Review, Chiron Review (USA), Dawntreader, takahē (New Zealand), Dream Catcher, Orbis, The Journal, FourXFour, The Seventh Quarry, Sarasvati, Envoi, Obsessed with Pipework, The Bombay Review, The Cannon’s Mouth, Southlight, Foxtrot Uniform, Guttural, The High Window, Nine Muses, Eunoia Review (Singapore), The Honest Ulsterman, Canada Quarterly, Unwhispered Legacy, The Book Bag, Cable Street, Ink Sweat and Tears, Littoral Magazine, Northampton Poetry Review, London Grip, The Saltbeck Orion, Wildfire Words, Sixty Odd Poets, The Courtship of Winds, and Quadrant (Australia). Shortlisted for the Charles Causley Prize and a finalist in the Walk:Listen:Create Walking at Night competition, he was highly commended in the Sentinel Quarterly and third in the Magna Carta Competition.


 











 

 


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Three Poems by Paul Connolly

  Millennial     The train arcs into the station, the platform roof is bronzed with a morning lick of rare sun, the arc makes sunshi...