the hollow
inside
not emptiness
but hunger
not parchment
but thirst
not void but
craving
not darkness but endless quest for light
Bleeding Heart
Since I became
Empire—person and domain—the long squares of my land
are all I can
see. They say my heart bleeds because I want to rip out all
the straight
lines, pull down the boundaries I once built to keep us clean.
I
want to escape,
find the
river, follow it to a primordial root, swim through
its
inhalation, lungs of the world that take in all the dust I have made,
let it
sediment in the eddies and spins, impact upon its bifurcations.
I bleed, my
chest heaves, dust impacts on the bifurcations, the thick muscle
of my aortic
valve thrusting blood into my lungs for oxygen. Since I became Empire,
the clean and
the unclean are joined, carved from me in straight and broken lines,
cut off from a
tributary of red, the forbidden path that has governed my heart
since
I became Empire.
Keeper of the
Scarab
The carcass of
the beetle has graced
my car’s
dashboard for weeks. I think of insects
on satin
display, brilliant colors preserved, gold-
green
iridescent shell reflecting a spotted light
What is this
impulse to craft a reliquary for the daily detritus of death?
To capture a
pearl-headed pin in thin fingers
to press it
through the chitin, bury it in a foam-
nest beneath
the red or black lining, catch a
silver clasp, join stained wood
Gargoyle of
Notre Dame
Capture
lightning
Prisms through
a stained-glass window catch the sun’s
ultimate
pillar of light. Twilight empties the church.
Candles blaze
only to expire in gutters of wax. The gargoyle,
guardian,
gray-blue skin etched in shadows, vacates himself from
a stone-metal
sconce to creep down bell-shafts and columns
to reach the
nave. There’s a moment—ghost lungs of choirs
rising in the
air—when he pauses, lifts his wings, bares teeth.
Conjure water
as if it were flame
His job is to
regurgitate rain, convey it, unbroken, from its path
between heaven
and earth. Engineer, he survived years of water
and fire. He
took the damage upon himself, loyal worker
unheralded. He
enters the nave, stretches clay wings.
Repeat and
repeat, like an endless storm
Wisps of smoke
mark his display, charcoal stains of resilience.
What do you
hope to see here? What lines drawn from
transcript to
floor, enduring scores, like water against stone,
etching it the
way only water can. What does the Gargoyle sing
when he enters
the nave? His throat stopped with the flood, every note
a gurgle, the
rush of storms, the lightning that catches the spire,
the summit
that juts out, leaden, a feat impossible to hold.
Guard the nave with just this solitary note
The Tropes
I get how the
ruggedly handsome hero
saving the
equally comely princess
from the tower
of evil mages
might be a
thing
done enough
But I submit
that when the princess
shrugs the
prince off,
picks up her
weapon
aims it at her
abusers
this needs to
be done again
and again
and again
M. Frost - The creative work of M. Frost appears in Strange Horizons, Star*Line, Orion’s Belt, and many others, with chapbooks Cow Poetry (Finishing Line Press, 2006) and The Women of Myth (Island of Wak-Wak, 2025), as well as Constellation, a collaboration with artist brother (CreateSpace, 2013). Explore further at mfrostwords.com and follow @mfrostwords.bsky.social.
Meghan F. Davis (M. Frost)

No comments:
Post a Comment