Saturday, 11 April 2026

Five Poems by Sterling Warner

 




    
                                                                                    

           


Whale Killer

 

For Bella t19

 

Apex predator: A fish-eating "resident,"

mammal-munching "transient" trapped.

 

Immobilized, the largest dolphin’s

black/white forehead melon bobbed

spouted, sonar signals sent

though echolocation navigating

their way through oyster beds

stacked like Scandinavian burial

mounds, a symphony deep sea signals

encouraged the practically beached Orca

 

to bide its time, wait for tides to rise

and currents drag, so natural “logging”

released it from the shellfish fetters

of sandbar shackles as its large tail

ascended and giant flukes crashed

down on increasing swells, emitting

nightmare cries from the Hood Canal

throughout Puget Sound—finally freed.

 

Bella’s self-rescue pathos supercharged its

optimistic salt water search for an absent Pod.





A Vagabond Sailor’s Notion


 

Clark County’s grown zero

in its ever increasing housing crisis,

the Vancouver Jefferson Street

homeless encampment swells

and subsides featuring regular

inhabits and transients who hike

from sanctioned city shelters to street

corners sharing poverty nuggets,

food pantry scraps, meager sanitation.

winter fingers chill

paper cups, wax wrapper swirl,

people waste away

 

Birthdays came and went sans celebration

till one vagrant sailor set a new president

pulling irregular length candles 

from the depths of his jacket’s checkered

pockets, placed them in the gummy sloop

atop the Masonite breakfast bars

along the wall,  lit all eight wicks, and watched

the twist pink wax towers flick and drip

leaving only wax puddles around the base.

soup kitchen magic

shoeless folks peaked though windows

smiling, applauding


 

 

 

Lustrum Sidekick


 

Grandpa confided in me at five years of age

as if I were one of his Tavern homies—men

who shared intimate commission merchant tales,

some frank but most exaggerated, bragged

about their newest cars, and detailed methods

of weathering the heat, making grain broker

bargains from Livermore to Watsonville,

Sonoma, to Gilroy, Sacramento to Fresno.

 

He secretly told me how he once made Nana

sorely jealous when—while deep in his cups—

he confessed she’d been a rebound from his

first love, Clara Bow, the original cinema

“it girl,” and he deservedly owned a furies wrath.

“Being open and honest has it limits,” he’d laugh.

Though strictly naïve in ways of the flesh,

knowledge of his first crush and its affect

upon Nana, informed my decision to disregard

the request from my kindergarten teacher,

a native of Turlock and Grandpa’s former neighbor,

to send him her warm regards! (Why would I, a sane

grandson, tempt Nana’s green-eyed monster within?)

 

Every Saturday an hour past dawn, Gramps plucked me

from my family home around 8:00 PM to accompany

him for a morning of golf and post-nine hole conversations…,

too small to caddie a bag full of drivers, wedges, woods

and irons, he’d hand me a club as we stepped off a cart;

whenever they would slam a gutty ball, he and his

friends took wagers; the man whose swing propelled

the ball farthest from the green purchased a round of drinks

for all. As Grandpa nursed each Romos Gin Fizz, his buddies

took turns setting me up with rocking Roy Rodgers mocktails

a syrupy sweet virgin drink mixed especially for boys.

 

Due home by noon, we seldom left the clubhouse

until 2:00 PM…. Driving his black Cadillac sedan

down backroads, his unstable steering thrilled me

with the sensual stimulation  of riding a wooden roller coaster!

We’d roll down our windows, let breeze blow our hair,

play his car radio and sing-along with the tunes. Unsteady.

Pissed. We both stumbled into Nana’s kitchen, weaved our way

to the table, and reeked unapologetically from our post-golf debauchery.

Sots we were! Grandpa’s Beefeater Gin perpetuated his

stupor while the carbonated sugary mocktails I’d imbibed                                     

increased my heartbeat and kept me flying high.



 

 

Sepia Salvation


 

Carole’s curtailed life lives upon my bedside

table within a noir portrait where shadows

bewitch eyesight, her high cheeks contour

and begin to twitch come midnight

a time when once we would have our way

with one another in showers of verbal

exaltation or physical ambience

arms around arms, legs interlocked,

mouths touching then humming hymns

appropriate to our sacred ceremonies

where we alone determined boundaries

encouraged experimentation, nurtured

dreams of a future unhindered by doubts,

fears, or reservations. Yet where Carole’s

gone, I cannot follow; what she now knows

I cannot comprehend. During summer

nights or wintry storms, her static, bold,

endearing, ever fragile burnt sienna photo

comforts a memory—reflects a frozen moment—

which in itself will fade when I die alone.



 

 

Remembering Taylor’s: 1971


 

We arrived at Tayor’s, young, hippie, and free

threw off fiber clothes, strolled around naked indoors

 

proudly wore our own skin under golden sunrays,

accepted one another’s imperfections, gifted strangers

with a song, a dance, and a smile as Kauai’s

North Shore community grew with surfers,

transients, and hipsters sharing a twisted ideal

where mainland dreamers romanticized

the inhabitants as 20th century resident Utopians

who victoriously freed themselves of society’s rules

living spiritual lives enhanced thought acid,

mushrooms, and marijuana, neglecting to mention

the free love mythos attracted rift-raft, disease, filth

and discomfort from opportunists and vagrants

 

who came and went breeding violence, disregarding all

that had seemed pure, beautiful, and unspoiled.









Sterling Warner - A Washington-based author, poet, educator, and Pushcart Nominee, Sterling Warner’s works have appeared in such literary magazines, journals, and anthologies as the Down in the Dirt,, Anti-Heroin Chic, Lothlórien Poetry Journal, Ekphrastic Journal Review, and Virtual-Verse. Warner’s volumes of poetry include Rags and Feathers, Without Wheels, ShadowCat, Edges, Memento Mori, Serpent’s Tooth, Flytraps: Poems, “Cracks of Light: Pandemic Poetry & Fiction, Halcyon Days: Collected Fibonacci (2023) and Abraxas: Poems, Gunilla’s Garden: Poetry, Seaboard Magic: Poems (2026)—as well as Masques: Flash Fiction & Short Stories. He currently writes, hosts “virtual” poetry/fiction readings, turns wood, and enjoys fishing and boating along the Hood Canal.

Sterling Warner’s Author Website

https://www.amazon.com/author/amazon.com_sterling.warner


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