Letters from Iowa - Eight Poems by Rustin Larson
Bananas
My
cat Finnegan is sleeping with his belly up
to
the sunshine. I'm playing a CD of Beethoven
Piano
pieces. I think I am most like a bunch of bananas,
too
green at first, and then too soft to be of any use
to
anyone. My brother loved driving through thunderstorms.
He
has been dead four years now. I like thunderstorms
if
someone else is driving. There are four bananas left.
The
cat is still asleep. I hear thunder, but it's sunny
and
the sky is blue. I think maybe my life is a segment
of
a film by Kurosawa. Beethoven crashes like a storm.
The
doors of Vienna will not close.
Coffee
used to be magic. Seriously, it was like a happy
brain
transplant for at least two hours. Now? I dunno.
Boom,
boom, goes the thunderstorm, glancing us,
scraping
the edge of town, grumble of the gods.
The
only thing coffee makes me want to do now is sleep.
I
have a couple bags of Puerto Rican espresso
in
the cupboard. I spent part of the morning trying to remember
the
word “autism.” It was a black hole around which
these
words circled: atrophy, atmosphere, audible, acronym,
astonishment,
adherence, acclaim, attribution, attempt,
autonomy,
and so on. Now the coffee makes my legs want to dance.
It
was the day of the big campus parade.
The
frat members had finished riding around
on
a large chicken wire and papier mache float
built
around the chassis of a 1939 Ford pickup truck.
The
float resembled an antique train engine,
and
one costumed frat brother marched in the street
in
front of it swinging an oversized sledgehammer
in
one hand, waving with his other hand,
and
occasionally dipping into a Jonnie Appleseed
bag
sashed across his chest and throwing
Starlite
mints out to the children jumping
at
the edges of the parade route. That frat brother
was
Joe Palooka. The children screamed,
Joe
swung his sledgehammer, flung wrapped candy.
The
cabinets are brown and hang from the ceiling
above
the electric range built into a brown cabinet
island.
A radio, spray painted white, pulls in the local
Country
and Western station, KWKY. The announcer
sounds
like he is wearing cowboy boots. It is May
and
the kittens play in the yard near the junipers.
The
sky thunders, but it is clear blue. My mother drinks
a
glass of water and cries a little at the sink.
I
have not been born. I haven't even been conceived.
There
is only sunlight. There is no name to it with the sound
of
aircraft landing nearby, big planes, propeller driven,
that
have been to Fresno and back again. Why?
Who
are these Fresno people and why do they come here?
The
sunlight does not know. The sunlight sends out
the
warbling of a robin. Cars drive back and forth,
honking,
driving to heaven.
It's
Thursday, about a quarter ‘til two. I am covered
with
kitty hair. But that's neither here nor there.
I'll
make noodles for lunch. I want to thank me a heck
of
a bunch. I'm awake and I'm asleep. Life is a fishbowl,
but
the water is deep. What I spend I can also keep.
The
name of water is sunlight steep. I'd tell you more,
but
I'm a creep. I am eating reconstituted bok choy
in
lo mein with a sprinkle of dry roasted peanuts.
It's
like having lunch on Moon Base Two with a robot
Yoko
Ono who is wearing a clear plastic raincoat
and
screaming like hundreds of small rain forest animals
being
consumed by out-of-control wildfires that burn for months.
I sip my tea. I should take a walk, but you know how it is. The music is a gorilla pretending to sing like a cat. There is chicory and Queen Anne's lace growing next to each other all over, lavender and white. It's a poem to the sky performed by flowers. I should take a walk.
I
mailed off two books and Sherry at the post office said she saw two of my
daughters one of whom said I never swung her enough at the park when she was a
kid. So I call her up for lunch and we meet at the park for sandwiches, and
after, even though she is 31, I push her on the swing set and she squeals,
“Wheeeeee!” People gather around to watch us. Some older moms who knew us back
in the day wipe tears from their eyes. It is the day of the Art Walk, and she,
my daughter, will be selling prints at her studio. The radio plays Elgar. The
mowers trim our grasses. I push my 31 year old daughter one more time on the
swing set, just in case.
I'll
go park my car at the reservoir
and
write three lines on the 11th
of
each month for one year.
I
got July, and now it is August.
Cicadas
sing as the sun goes down.
We
need a carousel, with horses,
lions,
rabbits, and camels all carved
with
ferocious expressions and painted
vibrantly
and lacquered slick.
I
want the calliope to play "In-A-Gadda-
Da-Vida" and then “Born to be Wild.”
Rustin
Larson’s poetry has appeared in The New Yorker, The Iowa Review, North
American Review, Poetry East, and The American Entomologist
Poet’s Guide to the Orders of Insects. He is the author of The
Wine-Dark House (Blue Light Press, 2009), Crazy Star (selected
for the Loess Hills Book’s Poetry Series in 2005), Bum Cantos, Winter
Jazz, & The Collected Discography of Morning, winner of the 2013 Blue
Light Book Award (Blue Light Press, San Francisco), and The Philosopher
Savant (Glass Lyre Press, 2015).


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