The world is a word salad where I am an orange cabbage
I feel like congealed blood of a moth spilling spindly legs laughing at my ass calling me a
laughing maniac it doesn’t know different blood carapace skeletons in corners entrails in petri
dishes bones flying smoking with the blow of windows wanting to escape graveyards statues
long gone a world making sense for some spilling secrets for the rest a laughing woman lipstick
smeared yes the plastic smile yes the bones yes the world burns at spirit seconds yes it’s all
going to ruins you dug out civilizations once sunken cities archaeologists now we are all
archaeologists digging our own graves from within we don’t want to bury our hands in the sand
but there’s no choice it’s never us vs them it’s us with our old versions ye verily ole nincompoop
your old French who tortured Algeria and left half a million corpses your old Germans who
bathed Europe in blood your Japanese burnt alive in Hiroshima and Nagasaki two hundred
thousand dead glowing under mushroom clouds your Koreans three million split by the forty
eighth parallel bones scattered in rice paddies your Vietnamese two to three million swallowed
in napalm and Agent Orange your Iraqis one to two million crushed under shock and awe your
Afghans two hundred thousand bombed droned starved your Kenyans herded into camps
twenty thousand whipped and executed your Indians starved three million in Bengal while
empire feasted your Congolese ten million hacked and worked to death under Leopold’s rubber
thirst your Guatemalans two hundred thousand disappeared into mass graves your Chileans
tortured electrocuted vanished in the night your Libyans thirty thousand blown apart under
intervention your Yemenis three hundred seventy seven thousand erased by blockade airstrikes
famine your Gazans tens of thousands crushed under rubble whole families smeared into dust
how ignorant you me all of us we are idiots we the journalists what the fuck can we change on
ground or through correspondents whose press badges lie buried under debris of salvaged
selves songs of resistance what change will they bring will they make the killing mongers the
giant motherfucking bastards wear necklaces of gold instead of rage will they stop this rampage
not for God not for prophecies but for themselves oh you believe so huh if you want to enjoy
making those pink barbie doll castles and living in them with your children selves oh look at this
plastic doll I made her wear clothes oh so pretty aww she looks like a doll oh wasn’t she before
oh I combed her golden tresses ah that trolley oh that pram crammed with stiff plastic babies
their eyelids painted shut their bodies cold hollow rattles inside them oh that food basket stuffed
with yellow marbles pretending to be corn kernels rolling out like diseased teeth a crooked red
shard standing in for a carrot sharp enough to slit your palm and oh those green chewed up
bubblegums pressed into cabbage leaves cauliflower heads foaming like skulls sprayed with
spit comic relief pauses for a story that you want to make believe in your make believe where
there are fine dandy people lying naked on beaches in Tel Aviv sipping cold beers the foam
spilling onto their suntanned chests sunglasses tilted at the edges of their noses sand sticking
like sugar to oiled legs oh those fuckers ruined our good prime time show oh please change the
channel everything is perfect the waves slap politely against the piers yachts gleam like teeth
under the sun barbecues crackle with skewers dripping fat and someone laughs with a mouth
full of shrimp cocktail and red wine stains their gums oh let me drink gulps and gulps of water
from our imported bottles the plastic crinkling like brittle bones in my fists and ah why hamburger
why not stack it higher with bacon grease dripping down wrists oh you silly bibi paint your mouth
red again fix your hair again work more on your PR honey for prophecy’s sake darling smile
wider for the cameras and hey you the guardian reporter tilt your lens just so catch the sparkle
not the smoke keep the angles clean no rubble creeping in oh no no no no candid shots of egg
shells scattered with ash no splintered toys half buried in dust no bombs please they splatter my
mascara they ruin my eyes
Fizza Abbas is a writer based in Karachi, Pakistan. She is fond of poetry and music. Her work has appeared in more than 100 journals, both online and in print. Her work has also been nominated for Best of The Net and shortlisted for Oxford Brookes International Poetry Competition 2021.


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