Sunday, 7 April 2024

Five Poems by Shelly Blankman

 



Walls


Dedicated to the family of my grandmother, Regina Wallenstein, and the  millions slaughtered by the Nazis while the world turned a blind eye.

This poem was previously published in The Ekphrastic Review.

 

I’ve walked these halls before, 

seen the dimmed faces of those 

born to die because they were Juden,

Jews.

Time-tattered images of people 

frozen in time, matted on walls 

like cheap paper.

Flammable. 

Disposable

Eyes of the innocent open.

Eyes of the world shut.

Now I’m left wondering,

in a world once again 

infested by 

parasites of hate, 

if this could ever happen 

again.

We cannot forget 

those who now live

only on walls.


 

Butterfly Angel


This poem was originally published in Whispers.

 

A radiant mosaic of magentas,

crimsons, azures and aquas,

flickers against the misty glass

that houses the butterfly garden.

 

A living portrait of nature,

safe here from the wear of winter.

A silent room, except for the

gentle whoosh of painted wings.

 

Still wearing your wool cap

you enter the room, this haven

from chilly gusts, slushy streets, 

melting ice, and smoky puffs of breath.

 

Here, butterflies float like jewelled confetti,

a pageant weaving looms of colour

a fleeting touch now and then

on a scarf, a shoulder, a mitten,

before streaming away again. 

 

A lone monarch stays behind

with its nature-painted coral  wings,

folded like a tiny map and clinging

to your winter cap, as if stuck in nectar.

 

You and your fragile passenger,

now the magical moment

captured by cameras,

planted in memories

in this microcosm of spring, 

a shelter from red noses

and frozen fingers and toes.

 

Are butterflies angels?

Some say they are.

Is this your grandfather,

the man whom you so adored,

who robbed you of your joy and colours 

when he died last spring?

Did he return just for a while

to splash colour on your world

to remind you that

he, too, is at one with you?

For so long you have mourned his loss.

Could it be that he never really left?

 

Outside the grey winter slush

had yet to melt, trees still dressed in dripping ice,

caterpillars unseen, still too early.

But you cast off your coat and hat,

your spirit warmed by a butterfly angel.

I saw your grandfather in your smile

as we walked back to the car and 

you gushed about soccer in spring.


 

Museum of Lost Souls


This poem was originally published in Praxis.

 

She’s always by the door

hunched in her chair

serenading no one,

braiding and unbraiding

her angel-white hair,

thick as rope,

fingers bent with age,

caressing each frayed

strand, humming,

locked in the prison of 

her mind.

 

Down the hall past the 

babel of crying outbursts

of pain that will not heal,

my mother in her own hell. 

Her room  stinks, her hair 

dirty, damp, hanging in her face. 

The mother who straightened 

my brows with spit, picked fuzz

off my coat, checked to see if

my part was straight and 

seams matched was now just

another forgotten artifact

in the museum of lost souls.

 

Her once white teeth have yellowed

with age like an old photograph,

her value faded by time, 

now just waiting among others

once treasured, vaulted

in darkness with food they won’t

eat, people they don’t know, family

who’ve drifted away, and staff too

busy to clean rooms that stink.

 

This is the museum of lost souls,

those  once vibrant, treasured 

by loving hands and minds

are stored out of view,

where the paintings of lives

have dried and peeled, revealing 

empty caverns where spiders spin

beauty in the dusk of death.




When Vultures Loom


in memory of Philip (1988-2015)

This poem first printed in Open Door Quarterly

 

Nobody hears words spoken with a smile 

and swallowed by despair.  No one sees pain

behind eyes that shine. And no one knew 

about Philip. He was a tall and lean man 

of 27, raised in a loving family and embraced

 

by friends and teachers as someone who was

smart, friendly, and amusing. Especially amusing. 

No one saw the vultures of sadness looming high

over dreams of death from sunup to sundown.

Not a soul sensed his solitude among friends.

 

They’d been blinded by his kindness, and when

vultures finally descended and he ended his life

with a gunshot to his head, the blast echoed in 

an empty room. So many questions linger. So many

wounds that will never heal. Bloodstained walls

 

and carpet that will never be cleansed from memory.

Tears at his service spilled like red wine. Mourners

reflected on what could have been. Everyone wondered

what drove him to kill himself. Maybe they knew and

didn’t say. Maybe shame mutes truth until it’s too late. 

 

Vultures soar in silence.


 

No Turning Back

 

She curled cozy and safe in her new soft, hooded bed,

lined with fleece, sheltered far from the clinks, clatters

and chatter on the street where she was found, trembling

on a cold wet pavement, plastered with leaves, caught 

in the eye of a swirling wind two years ago. So tiny

 

a star against a cosmic canvas. Now a great comfort

to me in a dark and dangerous pandemic world.

Now, it’s the same routine every evening. Scratching 

my sheets so I’ll  get up, walk her into her room,

keep her company while she eats, walk her back

 

to my room, put her back on my bed, stroke her

gently until she falls back asleep and nestle her

until she wakes me before sunrise to start the routine

all over again. I tell her she can walk to her room all 

by herself. That she can eat by herself, sleep in her own

 

bed, even walk back to my room and jump on my bed. 

See? You have four legs! I say to her, holding her

beautiful calico paws with claws she’ll never let me

trim. She stares at me with her beautiful blue eyes

opening and shutting, pretending to understand.


I continue, pretending she is listening. I have two

legs and don’t tend to land on my feet if I jump.

She purrs. And as I do every night, I smile, pick

her up gently, carry her back to my bed, and stroke

her soft fur gently knowing as I nod off that 

she will scratch my sheets when she decides she needs me.

 

She has trained me well

There is no turning back.








Shelly Blankman lives in Columbia, Maryland with her husband of 43 years. They have two sons, Richard and Joshua, who live in New York and Texas, respectively. They have filled their empty nest with four rescue cats and a dog. Richard and Joshua surprised Shelly with the publication of her first book of poetry, Pumpkinhead. Her poems have appeared in The Ekphrastic Review, Verse-Virtual, Muddy River Poetry Review, and Open Door Magazine, among others. 

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