Children Get Their Just Desserts
The trick to making fluffy
children
is using quality whipping cream
with high butter fat content.
Wherever said children are
lollygagging
during dinner preparations,
place them in appropriate
containers.
Use manual beaters.
No need for children to be
apprehensive. They will love
the attention and basking in foam.
Younger children produce
better results due to higher
fat content. For that reason,
teenagers are not ideal.
Stainless-steel beaters work well.
Whip those children in the tub,
on the playground, in school,
out of school, even on their way
to the dentist, whip, whip, whip.
Children with naturally curly hair
foam up faster than those with
long
straight hair. Parents may wish
to keep their children at their
peak
of freshness in a Tupperware bowl
in the fridge. It is recommended
that you do not seal the bowl
as fluffy children need to
breathe.
Serve the just whipped children
atop homemade pumpkin pie
for Thanksgiving dinner. This
dessert
serves two purposes. Creamy &
sweet
especially if two tablespoons
sugar
and a half teaspoon vanilla
extract
are added toward the end of whipping.
Do not energetically rewhip froth
after removing fluffy children
from the fridge.
Folding stiff white peaks gently
with a spoon
will gather up any liquid that has
separated.
Besides taste, an additional
benefit
to this holiday delight is that
when children
rest in stiff peaks atop pumpkin
pies
they give their parents ten
minutes
to eat in peace. Although not
recommended,
family dogs or cats will be eager
to lick
spoons, bowls, and beaters. It’s
quite alright.
Many fluffy children prefer this
to taking a bath before bed.
Where Will My Dust Be in Five
Thousand Years?
with
a cautionary line from C. D. Wright
1.
I call out Namaste at the end of
dream yoga.
A train keeps traveling west
across the Plains states. I want my
father
to turn his head toward me. He checks his pocket watch at the exact
moment I am waving.
The engine heads through the
tunnel at Newgrange five minutes after
solstice has ended. The engineer dares not touch rough edges of dawn.
I keep forgetting the Gaelic pronunciation for A Hundred Thousand Welcomes.
Once again, I memorize Cead Mile Failte.
2.
This beautiful blue orb has a twelfth-of-never chance of recuperating.
3.
Sometimes nature twists itself or us galley wampus. Asymmetry isn’t
obvious as long as leaves cover branches. Look at sword ferns growing
out of cedar bark. I want to be a mother tree. It is risky to be so reliable
A hundred thousand daffodils surrounding sturdy trees are in full bloom.
Bright primroses startle the shadows.
A squirrel scampers across the path. Two more claw their way up a trunk
and maneuver along a horizontal branch. Perhaps they could fly across the
path if I wasn’t in the way
Soon crows may scavenge the
carcass of the dad rat at the edge of the path
if their hunger is blatant. If not, an owl could feast tonight.
Sunflower Smoke
Hovers at Dusk
I have
witnessed Night and Death as I walk
under green
canopies collecting blue leaves.
The grey-hooded
girl holding a lily
grieves near a
crypt with butterfly doors.
I am the
groundskeeper,
I have seen the
clay pit where the girl digs
stone pillows
for her little sister. Some are memories
I offer to
polish, wrap in ribbon and return to her.
She has a
few hours
to offer solace
to the little one before white petals fray
at the edges.
The redhead, herself, has many years
until she will
join her sister in sleep.
I startle
big sister
as I turn the
key in the gate. It is as if metal wings
flutter in
twilight. Gone sister, in ten-year old tangled hair,
inhales scent
of the gifted lily and adjusts her new pillow
as light
from the lily
frames her
face. She touches a butterfly wing
on her sister’s
hoodie before the retreat from this visit
until next
year. Before leaving, big sister tells news
of Day which
they both know is no more than waiting.
Crows hoard
sunflower seeds
in the dawn haze.
Analog Hula-hoop
We pick on scabs from the
underbelly
of memory. My mother fried lean
hamburger
and opened a can of green beans on
every balcony
when she went upstairs to look at
the moonscape
while me, I graded spelling papers
she carried
with ocelots in her shoulder bag.
She rode the bus daily
like a centipede pretending to be
a grasshopper
and tried to transform herself
just like you did
when your grandmother gave you a
pinch pot
of chocolate yarn in a shortbread
crust
of derangement. You could’ve
escaped it all
in a hula hoop made of analog
clocks. Of course,
the hands hooked you even though
you offered
to repair the gears with digital saddle shoes.
Cuttings
Itch on my
finger grows from the briers
where I am
cutting roses for a bouquet.
The roses
maraud scenic delight and overflow
the vase on my
table. In no time, itch
turns to
scratch, gaining purchase on my finger
under my
wedding ring. Skin wends raw.
I twist the
circle off my wide knuckle,
rubbing the
recommended cream,
but still, my
itch persists. I cut off my finger.
My wrist begins
to itch. I cut off my left arm.
Being
right-handed, it is still easy to reassure myself
how adaptable I
am becoming. The itch persists,
so I cut off my
shoulder. When the time comes
to remove the
first lobe of my heart, those roses
on my table
furl at the edges of their iridescence.
Petals fall on
my cleaved body parts.
Lie on the
hammock, they whisper.
The briers will
spread no longer today.
Mary Ellen Talley’s poems have recently been published in literary journals including Gyroscope, Raven Chronicles, The Plague Papers, and Banshee as well as in several anthologies. Her work has received three Pushcart nominations. Her chapbook, “Postcards from the Lilac City” was published by Finishing Line Press in 2020.
Excellent work, all of it. Thanks.
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