In the chemo chair
The
space between you and the world
Is
bridged daily by the calico cat,
Who
purrs you into a semblance
Of
breath, which the yoga teacher
Herself
would aspire to.
But
there you are, brimming over
With
thoughts, and piling
Words into
the spaces that you had
Planned
to keep wide open.
And all
the while Chopin makes music
Sound
like rain on the woolshed roof,
Under
which you lay huddled in
The
greasy bale, where you allowed yourself to be.
Where you opened your arms to the sky.
My hair
Margaret shaves my
head
With slow delicate
sweeps
Of the silver
shaver.
Her face in our
shared reflection
Has fine soft
lines
Where her smile
sits.
You
won’t know yourself
With
your new wig,
Margaret says
gently,
And she’s right.
This play of ours
Take
away the white coat and the stethoscope.
Are
you as naked as I am?
This
play we rehearse has such quaint roles.
You
cut a striking figure as the leading man.
I
set the scene in the waiting room, but
My
supporting role is barely worth a glance.
You
walk through your sterile lines
With
your practiced look of empathy.
Not
knowing as the amateur would know,
Improvisation
would open me as a flower.
No
matter; no stage direction will explain.
I am far away. Running through canola fields.
The problem
with soup
Spicy carrot and
parsnip soup sits in a bowl.
I time the
microwave oven to 2:00
But just when it
has 15 seconds to go,
I hit the
Stop/Cancel button twice, in quick succession.
Why did you stop it early?
Your voice arrives
behind me in that tone
You’ve found to
mark my descent into helplessness.
It won’t be hot enough now,
you say,
As you manoeuvre
around me,
Taking command of
the whole soup situation.
I wish you would let me help you,
you say.
It’s not a failure to accept help, you know.
You’ve spent your life helping others,
Now it’s our turn to help you.
The microwave
pings in agreement.
Actually, I don’t feel like soup,
I say,
Dry retching as I walk away.
Forgiveness
The whispered
confession before you died,
Was the first time
you had spoken of your father’s sin.
Your fear of dying
had nothing to do with the living,
It was all about
the terror of meeting him again.
The priest held
your hand, spoke of a god who offers
Safety and
salvation to all; you sighed peacefully,
And slipped away,
left us to your deathly silence,
To the detritus
that goes with the end.
Tidying away your
life, I wondered if you believed
That the god who
could not keep you safe on earth,
Would so easily do
so in heaven? Or if your sigh was for
The priest, who
foolishly spoke of forgiveness.
Heather Cameron is a poet with a particular interest in autopathography and elegy. Her work as a healthcare professional as well as her personal experiences with cancer has led her to write poetry exploring a wide range of themes centred around loss and grief. She has recently completed a collection of poetry as part of her creative arts PhD at Deakin University, Victoria, Australia.
Just came across by chance and your poem really struck deep . Been through the chemo but myself too and writing . Thanks
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