Three Personas of Twilight
1
Twilight, the seeker
sounds its bell
in soft, dark-prism’d
carousels.
2
Twilight,
like some skulking owl,
preens its feathers
in lustful anticipation
of its sultry descent.
3
Lone survivor
of a perished kind
and child
of the last Great Wizard,
old Twilight stoops
to share with us
the tattered remains
of his ancient magic
for an hour each day.
Previously appeared in Poetry Breakfast, July 2016
Pyrona was always one half-step sadder
than the quickest road to town.
I wed her hoping the shock would shake
the stale dew from her crown.
Now the trees grow dim and the beetle
drags
no weight to broaden its track.
I seem to have learned that I am no more
nor less than what I lack.
Pyrona no longer speaks to me
with words I can define,
yet her other voices find a way
to laugh, like wine, with mine.
At contrast to the stark, harsh
thin-lined spires straining
to a restless heaven.
Alien to the demand
of the hard-honed cannon.
Then a relaxation into
revelation of the calm,
the steady, the easy push.
All things flow from
the rhythmic warmth beneath, and
the mind rocks with tender excitement,
fuelled on by remembrance of
anticipation heartily satisfied:
the stirring melody,
sweet scent,
and luscious taste
of a life.
But first, the roundness.
Fog
this dawn is colonized
by fog.
Expansive dim subdues
the headlights.
Upon a steel post
a raven caws to no reply;
aloneness is signal
on a day like this.
The raven flaps its big wings
sinking
beneath the waves of mist.
The pre-historic fog lives
on;
older than the trees it
dampens,
it dates the ages of
civilization,
of pre-civilization, of the
dawn
of reason, of time itself.
Never an anachronism,
the cool wet
conquering stranger winks;
viewpoints change on a day
like this:
words become dragons,
breathing fire behind
every bush;
ideas become ghosts,
sailing before our eyes
to sudden dissipation.
Oddness permeates the air
on a day like this,
odd thoughts seeping
through the fog by osmosis,
to be absorbed
by those who walk alone.
It knows, this strange fog,
it knows so much,
though it sits there staring
dumbly to deceive us.
Was that a wry grin
or was it
a contortion of pain,
or was it just
a fold in the wind?
You know, stranger, but
do not tell me; it is not
good for us to know
what you know.
Let me walk on through
the drizzle,
absorbing the ivory grey,
only guessing.
Shark
I
Cruise gliding.
Cruuuuuise.
Glide.
Veer.
Glide.
Scent caught.
Veer. Dart.
Whip glide.
Prey.
Circle slowly. Circular glide.
Smaller circle. Glide.
Smaller circle. Glide.
NOW!
Dart. Slash.
Rip. Glide. Turn.
Dart. Slash.
Gouge. Pull. Glide.
Turn.
Dart. Slice.
Grip. Pull.
Glide.
II
Puffs of red mushroom,
thinning in the green deep,
rich, dark red grinning
to sickly pale, disappearing
in the immensity of green.
The form dangles,
drifting like a kite in the
wind.
Floating up, down,
taken by the currents , with
no destination in mind,
no pressing need to go
anywhere.
A curdle in the milk,
a fly in the soup,
the body dangles,
ripped into a sick joke,
a grotesque parody of
its former simple ugliness.
The champion eats,
chewing as it glides,
digesting in motion.
The serene champion
knows no violence.
No hatred. No venom.
Only serene, quick motion.
No memories screech
of vicious frenzy,
the trancelike fury
never realized.
So lovely as it glides,
A smooth swimmer, sleek
machine, every motion
a meaning.
The notion of waste
does not exit
in this world.
Accomplishing its goals
without thought,
information processed
and converted to action
without the wasteful
middle step.
It is the ultimate
living computer,
the primitive
ocean-going computer.
An entourage of scavengers,
leeches and parasites
accompanies, their actions
ignored, their messages
unheeded, so extraneous
to the champion.
III
It is a beast.
It is an ugly beast.
It prowls silently,
Always searching for us.
We are the objects
of its lust.
A lust for our pain.
A lust for our screams.
A lust for our misery.
A lust for our blood.
It is nothing but a
bloodthirsty, lusting killer.
It knows no love.
It knows no beauty.
It knows no poetry.
It is immorality incarnate.
Dumb, ugly eyes
always open, open for us.
Tough, slimy skin covered
with leeches and parasites,
a scabby, filthy body.
It leads an entourage of
vulturous scavengers.
It is ugliness incarnate.
It is filth.
It is immorality.
R. Bremner has been writing of incense, peppermints, and the color of time since the
1960s. He appeared in the legendary first issue of the Passaic Review in
1979, which also featured Allen Ginsberg, and has appeared in International
Poetry Review, Jerry Jazz Musician, Paterson Literary Review, Red
Wheelbarrow, Sigmund Freud in Poetry, and elsewhere.
Ron has published seven books
of poetry, including Absurd (Cajun Mutt Press) and Hungry words (Alien
Buddha Press). He has thrice won Honorable Mention in the Allen Ginsberg
awards, and has featured at the Bowery Poetry Club in NYC, at Brownstone Poets,
and elsewhere.
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