Missing a River’s Familiar Home
Sailing a boat, my eyes are dim,
the river’s brim doesn’t hold its water’s name.
Ice thawing, infinite oceans overwhelming,
while the rivers are empty—
true identities missing,
realities are soundless myriads.
Bounteous universe of the river purports its beginning,
an insignificant canal spells its expiration.
Nothing is permanent in its life of lives;
boundless future limited by the shallow present—
voices giggling, chatting, chanting
on river cruise vessels moving to and fro.
Eco-friendly solar–electric hybrid boats
wheel into the memory of the forthcoming—unborn.
River men dream of trees, sand on the shores
and running waters of the spinal river—
new ones unite with the old ones,
thoughts pausing and splitting like riven waves.
The heavy florilegium, drivers of fantasy
pardon the greyish, frothy water,
while the wielders of democracy
see the vitreous pouring of the cerulean sky.
Scorched and blackened, ankle-deep,
stressed holding religious events
that discard their remains.
Lugging my boat down the waterway,
I feel the pent-up river unable to drain,
its channel long blocked by human detritus.
Tranquility of the river and its rejuvenation
cease loudly, wreathing its gloom;
lucid shadows in the water highlight
its creeping sleep of death.
Those Who Never Returned From Exile
Under the sky’s blue seal, once reigned a spotless sapphire sea,
the coral reefs visible, as clear as glass.
Now, countless fleets of fishers, tourist boats on the sea’s throbbing heart
ensnare its—what used to be unseizable—bionetwork.
Voices are heard in the air of somewhere global,
of warming uncontrolled, impurities straying, none to withhold.
Peace floats like a come-and-go perfumed tide—
ebbs and flows along with the spume,
when one promenades on the sand
that is unable to gather form in the wild.
Dark clouds drift on the horizon,
isles seen in-and-out of sight.
Traditions that walked miles eons ago—
settled, mingled, some yet to discover
the secrets of the advanced tribe.
Each Andamanese mind holds enigmas, a cellular jail
where freedom—from hunting–gathering—struggles continue to thrive.
Penal colonies taken over by the independent progressives;
governing the clannish society, a distant dream,
a ban temporarily—or forever—for the wise.
Zero immunity and fiendish moves of a few communities
on spotting a flag of modernism, total abandon of archive.
Akin to a frigatebird, one half of their brain
sleeps, while the other maintains the flight.
Temblors and receding sea beach make them wonder,
ancient folklores hint at a disaster.
On an impulse waxing their judgment,
strange, sun-toasted bodies turn to higher ground.
From the mountains, safe and sound,
beyond their eyes’ reach,
they envision demonic tsunami waves
dash with zeal and might—beaches
and forests soon disappear underneath.
Calm ensues, water—no longer of pain—leaves,
all that is submerged is once again seen.
A helicopter hovers above
like a worry, as a buzzing bee in the mind,
till pointed arrows deflect the complexities of contemporary life.
They have demands of Nature fulfilled,
but Nature has spells of tame and torture.
Man—trapped in stone age or evolved to the nuclear age—
has never learned to surrender.
Sundarbans Will Continue to Live and Die
Nestled in the delta—where the Ganges, Brahmaputra, and Meghna
meet the Bay of Bengal—Sundarbans alive,
existence immersive but rare and fragile.
Mind’s eye wanders—twinning, vigilant—
seeing with both cognizance and ignorance—
sighting the lush green, dense canopy, visible vegetation;
unaware of the intricate below-water
root and the unapparent level of the ecosystem.
A natural bounty of mangroves
or a terminal minefield for
its unheeded inhabitants,
a throw of dice to survive?
Beneath the drooping fronds
harbored by bowing branches,
touching the ever-whimsical brackish water,
breathe dark shadows, akin to a devil’s lair playing behind.
Sentinels of the swamp—Hethal and Sundari—
depleting like the hair on an oldster’s head.
Frequent cyclones intensifying,
wind-ruffled tidal surges dip the forest,
blights soil infrastructure, gnawing on its pride,
while throats dry like parched earth,
thirsty in a watery desert of brine.
Will silver harvest, sweet gold, brown barks yield enough bread?
Or, is there a dying need to shift to new occupations under constraint?
Banabibi’s protective power reigns,
a belief in which Muslims and Hindus unite—
their fellowship of old and young, equally of sorrow and joy.
Dakkhin Rai haunts the jungle, keeper of tigers prowls;
folktales that hint toward an ancient knowledge
to respect and coexist with nature—
remembrance and obliviousness together never die.
Will they ever come face-to-face in their survival fights?
The end perhaps no man shall know.
Rise in the sea level unnatural,
counting trees and Royal Bengal tigers
seems a futile exercise.
Building tomorrow in a world of today—
hope aerial roots of mangroves will continue
to access air, activate their snorkel-like function,
when stifled and choked in waterlogged, oxygen-poor soil,
with memories of home like a wondrous, fresh dawn
after a long, solitary night.
An Upsurge of Glacial Tears
Shako Chho, a glacial lake—size of seventy
football fields—remains placid
in the lap of the eastern Himalayas.
Serenity breaks when its soul’s pride
is haunted by watery inundations and landslides.
Thangu valley beneath shudders,
unprepared, unsuitably balanced for contingencies,
at its sudden levee failure
like a promise once held sacred, suddenly hard to keep.
A few hundred people—semi-nomadic Lachenpas—
busy with their farming during the summer and monsoon
wearies at the thought of the restless lake,
resembling a society in conflict, by traitors sold, turned to perfidy.
When winter descends with thick layers of snow,
they move to their second home, down the valley furthermore.
Flood’s fury, tossing swells govern,
a seven-minute duration,
short warning time, to enact devastation.
Accumulated debris and sediment,
snow avalanches in a chain reaction,
melt accelerated when the Earth burns,
glaciers recede and liquified water floods—
a fast-expanding lake is nothing but a natural curse.
Fixing—check dams, workable monitoring systems—
an onerous task, a race against time.
Question of relocation is a hard essay;
home for centuries, an abode where they reside.
Note: Thangu valley in Sikkim is being threatened by glacial lake outburst floods.
coffee,
banana, and coconut plantations under threat,
chasing
away the energetic bee over our creamy cup
no easy
feat, with conflicts escalating around.
Human
lives and urbanization hold places in reservation charts,
while
the tuskers’ names strike off from the forest maps.
Unprecedented
rate of encroachment into their habitat,
as does
the poaching scourge for profitable ivory tusks.
Ropes
and wild snares trick them like pigs and deer,
maimed
body parts, their survival defeated by infectious bouts.
Elephant
statues adorn our display shelves,
impart
strength and favor good fortune, they all say.
Hued in
red, black, white, green, they are positioned
to
channel beneficial energy in the living spaces.
Power
dissolves with a broken piece,
the
real one’s cry seldom riots our heart’s peace.
Along
with each one, the sky falls on the ground,
whoever
the soil needs remains in indefinite doubt.
Pathways
lost in dense forests, waterholes
in dry
riverbeds no longer come to the fore.
Seeds
that need passage through digestive tracts
wait
forever to sprout in the forest, no respite from the moil.
Dung
beetles starved over tightly packed soil,
elephant
fertilizer in scarcity, plants in nutrient drought.
Depleting
number never resumes calm,
we reap
what we sow,
overlooking
the hands that plough rich and deep,
but we
sleep in comfort, sound—ignorant of the turnabout.
Ancestors
forgotten like an ancient tribe,
their
benediction we no longer seek.
Sreelekha Chatterjee is a poet from New Delhi, India. Her poems have appeared in Madras Courier, Setu, Verse-Virtual, Timber Ghost Press, Suburban Witchcraft Magazine, Ninth Heaven, The Wise Owl, Porch Literary Magazine, Orenaug Mountain Poetry Journal, Creative Flight, Pena Literary Magazine, Fevers of the Mind, and in the anthologies—Enchanted Encounters (Bitterleaf Books, UK); Go, the Prayer Has Been Sent (Orenaug Mountain Publishing, USA); and Christmas-Winter Anthology Volume 4 (Black Bough Poetry, Wales, UK), among others. Her poems have been widely published in more than forty journals, magazines, and anthologies globally across thirteen countries, and translated into Korean and Romanian languages.
Facebook: facebook.com/sreelekha.chatterjee.1/, X (formerly Twitter): @sreelekha001, Instagram: @sreelekha2023, Bluesky: @sreelekha2024


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