Wednesday, 6 May 2026

Five Poems by Irene Cunningham

 






 

STEAMPUNK GOLIATHS 

 

We’re not adrenalin junkies

mad hatters swallowing or breathing in

the general poison     we’re users

following the snake-y path because it grips like a bastard.

Danger brings the actual world within an inch

of an end and your gut yells for bloody glory.

Hanging     swinging from ropes between trucks

with monster wheels in messy motion

air above us guzzles sooty smoke.

Living in the phase     dealing one thing at a time

they slip into past tense     we survived.

Next matter opens its maw.

Easy to fall in when everyone lives on edges.

Only the fearful lock themselves away     why wouldn’t

we prefer to perish on wild adventures

learning from ancients     re-forging methods of mastering

what had never sidled into our peripheral?

The previously invisible knocks us off our roller blades.

Bed-bugs can’t be a choice.

I want many hats     safety boots with steel toe-caps

and clever rubber pumps to leap from tall buildings

in startling bounds     land     stand projecting the art

of momentary bliss & relief.


 

 

INSTALLATION 

 

You may think it’s inspiring:

2hr shifts three times a day in a drafty

museum, art gallery, selected free spaces.

It’s Hell on feet in pale pink

ballet slippers; the girlhood dream

doesn’t fit this faction.

Standing still as a stuffed corpse isn’t

right for a living human body.

I don’t know how my brain

talked me into it… I thought

I was intelligent; it was probably

the long, fluffy, white peacock feathers.

Wings! Enormous angel-like wings.

I fell… so in love… wanted to sleep

curled into them on a giant

specially-built bed, swaddled, safe.

I don’t believe in angels, but

white feathers cast magic. The pull

of flight into, under and over clouds

up there in the expanse of sky spaces;

I never wanted to be a rainbow.

The cotton fluff of clouds and birds

buoyant on thermals capture me.

How elegant are swans? That gliding

beauty is what royalty covet, and it’s only

the singular ballerina who mirrors it

successfully. I wanted to be a tree.

Now I prepare myself to be a swan,

afterwards.


 

 

THE PATTERNED WOMAN 

 

Blue skitters my length     breadth     branches

to and from lochs     lakes     coastlines.

I shower in waterfalls. Words follow trails

microdots of data barely readable to the untrained eye.

To know me you need a telescope. My rivers ripple

as I dance     bend backwards     hiding age

with wrinkles. In slow motion I slice through

possessions. Clocks are dandelions in season

when fairies fly off to become babies.

All the what-ifs     secret paths     hidden chambers

wonderings how     why you were here instead of

there in trees     sprites in burns     unstoppable

swathes     quick slow     a tango     a waltz.

Don’t look for seeds. It’s too late. Naked in nests

we’d be happy to waver in wind     be sheltered

by canopy     fed whatever came to hand or mouth

learn to get on with living as soon as we crawled

climbed along branches     down the trunk and out

of our tree. Ignorant and wily would aid our escape

from dangers even from the sky. Birds of prey

would think we were fast food but what a childhood

of kissing cousins     rebellion and hellions chucking

whiners and pesky criers out of nests.


 

 

THE NECESSITY FOR SECRET IDENTITIES

 

Mizz Savage wore an animal around her neck.

Tiny paws tap Morse code when danger followed

her home from midnight rambles.

 

Blunt or sharp facts – she pointed dire warnings

at me, her nose spearing my tongue.

I was still young enough to not be heard;

 

she was so old she creaked, sailed down streets,

slow death walking the plain, a perfect invisible

hag, respectable but not caricature.

 

Some called her Crow when in her black phase,

Parrot if feathers entertained wind. She consumed

continents, and her eyes

 

knew everything, held doctorates.


 

 

FRICA GOES FORTH

 

The cat on her head seemed elated by the height

the view and constant conversation.

 

Mother said, Avoid men wearing active cod-pieces.

 

Daughter knew all about such men, had already

tipped one down a flight of stairs.

 

And look out for patterns – even in yourself.

 

Daughter’s friend had married a zero-printed

crocodile and disappeared into wallpaper.

 

What’s a mother of daughters to do when mothers

of sons allow penises free-reign.

 

Daughter agreed. Her world had reached a level

of surrealism to unearth all her usual notions.

 

I’m holding my head up with creatures, she said

hoping the wind would bless the marriages

 

offer wiliness and sneaky optimism on her hunt.

 







Irene Cunningham, a Glaswegian living in Brighton, has been anthologised, magazined & collected, nominated for the Pushcart Prize, won Autumn Voices memoir competition, and decades ago, won a week at Arvon with Roger McGough. Books: SANDMEN: A Space Odyssey, poetry conversation with Diana Devlin pub by Hedgehog Press 2019. No Country for Old Woman Dreich Press 2022. Talking to Walls, Up@Ground Level, Cartoon Cavalcade, Amazon 2023-26. She is building collections to clear space in her life and concentrate on neglected novel-writing. At the moment drowning in poems, kidnapped, mobbed.

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Five Poems by Irene Cunningham

    STEAMPUNK GOLIATHS     We’re not adrenalin junkies mad hatters swallowing or breathing in the general poison      we’re users ...