Street Life
I am caught in the acrimony of oxalis
a galaxy of orbs and survival testimony
pulled and tossed for green collection
thinking of how there is a sunset between us
When Madeliene stops her walker
telling me my house is haunted
her Rastafarian magenta hair
a waiver against the fragility of stepping slow
and I rise up my knees clicking
a practised uniform tuneless descant
silent in the clear horizon of our
knowing
distant wind turbines circumnavigate
the breadth across wetlands
to where they talk of us being over ‘east
I pass her a black tulip
for behind a studded ear alight by the dawning
we smile in the confederacy of two
moons
leaving eclipse as she moves away
the grevilleas in tidal wash bystanding
for the parabola of our returns
jostle in the up and down of wattle
birds
and sparking darting spinebills
on the cusp of sepia immanence
my ghosts nestle in smaller things
handheld occurrences of earth
and the wriggle of sun wrought warming
a look west for the folding planes
of your return to envelop us once more
If you plant a poem
Soundlessly as you can
hush the dawning birds
stroke out the birth in soil
and air, put back the worm
to its house of gentle slumber
where the rainbow sighs
colourless, check for a lyric
that hook and root tender
as a baby’s fingers clasping
unwarded faith, seeded now
poised for raindrops wake
thin of cover and wanting
to let fall, watch carefully
the barren trespass redeemed
by luminescence meet to contact
rising hemitrope, each angle
now alight with new leaf
stretched to cascade over
through every home and bay.
The
waves in a near whisper
I am
stretched out a calf birthing to light
she
rises on her elbows hides a relit moon
Her lips
and teeth find a rib, tugging
there is a lemon cashmere of sun rising
the day hints of a summer reckoning
I watch our thoughts, a scutter
leave the ripples of night’s refuge
the ranging promontory of cool sheets
These bulwarks against intrusion, linger
our bed looks like Italy I muse
as a cuckoo shrike bells for cloud and
want
now there you are my old fool, she says
James Walton is published in many anthologies, journals, and newspapers. He is the author of five widely acclaimed collections of poetry. ‘The Leviathan’s Apprentice’, ‘Walking Through Fences’, ‘Unstill Mosaics’, ‘Abandoned Soliloquies’, and ‘Snail Mail Cursive’. He has been shortlisted for the ACU National Poetry Prize, the MPU International Poetry Prize, The James Tate Prize, and the Ada Cambridge Prize and is a winner of the Raw Art Review Chapbook prize. He was nominated for ‘The Best of the Net’ 2019 and is a Pushcart Prize 2021/22/23/24 nominee. He was a librarian, a cattle breeder, and mostly a public sector union official. He began writing creatively as an older person at the age of 60. He is in his second youth at the age of 72, a dozen years into his writing. He is also the author of short stories and flash fiction published in Meanjin, Overland, Westerly, and a number of overseas journals.


No comments:
Post a Comment