Sunday, 22 March 2026

Five Poems by Ryan Quinn Flanagan

 






The Devil's Fridge Magnets

 

The man from the institute stopped by.

His feet smelled funny, like a blight of failing potatoes.

 

Excitable triggerfish on the television scramble

buying up vowels and stealing consonants.

 

The curled paper of old letters, clanking whiskey stone breath.

 

A persistent leak from loose-lipped faucets.

The devil's fridge magnets caught in sticky inversions.

 

A pillowcase full of child's candy come to rest in the corner.

The carpet torn up with deep shank stoolies found out.

 

And in the street, screeching cats chasing each other

up inscrutable telephone poles.

 

That car up on blocks like a tall man's last ride

out of town.



Tunic Tumbled

 

There is a need to know that the barbarous lick their wound too,

that the wretch in vile silences finds a noise to clamor despicable minds.

Each barb of the tongue raised and ripping at stinking flesh, 

couched miseries presupposed in a mutinied whipping boy darkness.

Cat-'o-nine-tails! – your thrice-wound bellies of undimmable feast and flog. 

Doubled over and sweat through comfortless cushions, jugular diving

pillow on the kink, digging for those well-barnacled miseries that 

soon find themselves attached to every man of moods.  Not that one

sees the others: for that is the crutch of the blinding principle,

fruitless earth-mole scavenge.  Ticks and spasms – this faltering foul

earthquake of a man.


 

3:20 am

 

3:20 am

and I am already 

drinking.

 

Releasing farts

from a slow bodily 

prison.

 

Watching the dark 

turn into dark,

a living wage 

I am told.

 

Chiggers

through the berry-bush

and a plunged toilet 

brought back to life.

 

Some first of the month

off-site tyrant

with a hellhound beard

that chews at the

scraggly fabric.

 

And a warped shoe mat 

by the door

with winter salt 

calcified imprints 

and broken

laces.

 

Poverty 

never leaves

you.

 

True as Raman noodles

brought to boil.

 

Like a roommate

that demands ice 

in the icebox

 

and a bed

by the failing

heater.


 

A History of Quick Goodbyes

 

That tarantula of chemtrails 

could be making spiders of my nerves,

could be walking banana boxes back to father produce,

in denim dive, on chain link lean,

flicking comets into the bearded lady street.

 

Those turning wheels of the child welfare van,

nothing but a history of quick goodbyes:

how many does it take to make an exodus?

The palmist with the broken orbital bone

says I'm in for one hell of a purpling,

whatever that means.   

 

Could be a false flag floozy,

could be rattails over wheels of cheese,

over panners of gold, trying to beat the amber,

another bottle when what you really need is sleep.


 

Fernando's Comb

 

Fernando kept his comb in the interior pocket of his jacket.

The exterior pockets were an easy invitation to pickpockets,

where foolish change purses and balls of wet tissue resided.

The important things had to be tucked away, like this comb Fernando

had cherished since childhood.  It was a last link, held everything together.  

Its black broad spine was reassuring.  Fernando could feel it's sturdiness 

in the craftmanship, the angular grooves in the right places. 

Its smooth black body over the raised stippling of his oily pores.

Some people hummed to themselves to provide comfort, 

for Fernando, it was heartening to pull the comb out and run 

his fingers across the bristles.  It gave him a moment to assess

the situation, know the people, map the places in his head. 

And that crafted nest of hair, the feeling of the comb through

each follicle, teeth across his tingling scalp. Leaving tiny bits of himself

everywhere, to be discovered by those that noticed just as he did.







Ryan Quinn Flanagan is a Canadian-born author residing in Elliot Lake, Ontario, Canada with his wife and many bears that rifle through his garbage. His work can be found both in print and online in such places as: Evergreen Review, The New York Quarterly, Lothlorien Poetry Journal, Red Fez, and The Oklahoma Review.

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